Live, Video: Find classical music concert, opera, ballet and dance reviews | Veronika Eberle

Karina Canellakis conducts a program at the New York Philharmonic of works tied to the mystical or ineffable, with astonishing clarity.

Veronika Eberle shows why the Brahms violin concerto is one of the mainstays of the repertory, whereas Paavo Järvi doesn't quite tap into the unique voice of Schubert successfully.

Daniel Harding and the Swedish Radio Symphony Orchestra bring their own fireworks to the festival finale.

This enticing ensemble of soprano and piano trio evoked, delighted and expressed with heightened intensity in less well-known repertoire, including from some big names.

An thoroughly entertaining evening of a very high level of musicianship from Steven Isserlis and friends at Wigmore Hall. 

Widmann, Mendelssohn and Beethoven draw a full house to the Ulster Hall. Rafael Payare leads the Ulster Orchestra confidently, but Veronika Eberle steals the show.

Stutzmann and NSO deliver a compelling vision of Dvořák's Seventh while violinist Eberle and violist Grosz achieve a fine balance in Mozart's iconic Sinfonia Concertante.

Aimez-vous Brahms? For anyone who thought they didn’t, this sharp, disciplined band will have made converts.

This was the second of Bernard Haitink’s Barbican appearances with the London Symphony Orchestra mostly drawing on the Austro-German orchestral tradition in electric and efficient perfromances. 

Eberle delivers a searingly intense Brahms' Violin Concerto in D major while Stutzmann energises the NSO with some lively Beethoven and Prokofiev.

Violinist Veronika Eberle has a successful San Francisco debut with the tricky Schumann concerto while the SF Symphony sounds somewhat limp under Robert Abbado with Busoni's Turandot and Mendelssohn's Scottish. 

Lively and joyful Schubert, elegant Mozart, and urgency, pace and exhilarating command in Elgar from Ashkenazy and the Philharmonia.

An uncompromising approach to the unfinished score of Berg's opera results in a compelling musical and dramatic interpretation.

A nameless octet competes with the big names and easily wins the silver medal in Salzburg.

The BBC National Orchestra of Wales crossed the river to England to deliver an evening of the music of Brahms culminating in the giant Symphony no. 1 in C minor, Op. 68.

With speculation rife as to whether Sir Simon Rattle will become principal conductor of the London Symphony Orchestra upon departing from the Berlin Philharmonic, this electrifying concert provided a tantalising glimpse of what the future might have in store. 

Messiaen's massive Eclairs sur l’au-delà is given a superb performance by the BBCSO under Thierry Fischer.

The Orquesta Nacional de España with violinist Veronika Eberle and organist Daniel Oyarzábal plays three nineteenth-century works: Berlioz's Roman Carnival overture, Dvořák’s Violin Concerto and Saint-Saëns' Organ Symphony.

Entre le concert de l'ensemble Os Músicos do Tejo, la messe mozartienne du dimanche matin, la soirée symphonique en plein air et les concerts de musique de chambre, tous les goûts sont à Marvão !

Pour la première fois invitée à diriger la phalange toulousaine, Nathalie Stutzmann laisse une impression mitigée, très positive dans la Troisième Symphonie de Brahms mais moins convaincante dans le reste du programme. 

En un week-end, l'orchestre londonien et son directeur musical ont parcouru un vaste et passionnant répertoire, aux allures de rétrospective de quarante ans de carrière du chef anglais.

La Orquesta Sinfónica de Tenerife y su titular Antonio Méndez prosiguen su excelente ciclo dedicado a Robert Schumann con el concierto titulado “Schumann II”, para el que contaron en esta ocasión con la solista Veronika Eberle.

Concert costaud samedi dernier à la Maison symphonique de Montréal, avec le Concerto pour violon de Dvořák, la Symphonie n° 3 de Brahms et la création de Hunger de la compositrice Zosha Di Castri.

La Filarmónica de Hamburgo y Kent Nagano se presentaron en Madrid con un programa finamente hilado: dos magníficas composiciones de Brahms y un estreno de Jesús Rueda basado a su vez en una obra del compositor de Hamburgo.

La London Symphony Orchestra con Bernard Haitink a la cabeza ha recalado en Madrid una temporada más de la mano de Ibermúsica. El director neerlandés ha presentado su personalísima visión de un programa con obras de Mendelssohn y Brahms; les acompañó en este viaje la violinista Veronika Eberle.

Etabliertes und Unbekanntes boten Veronika Eberle und das MKO in bekannt geschliffener Manier.