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The Austrian conductor's loudest fortes and softest pianos pull together a dramatic arc from the Requiem, other Mozart works and chant. But it's not really a funeral. 

Opening Klosters Music, Enrico Onofri proves that Classical-era music can still work well seen from a later perspective. 

Schubert's Third Symphony is treated like a masterpiece by the Scottish Chamber Orchestra under director Isabelle van Keulen. 

Berg's concerto “To the Memory of an Angel” is played with heart-melting beauty; David Afkham and the Orchestre national de Lyon offer pleasant, but unmemorable, Beethoven and Brahms. 

Another all-Beethoven concert? But was this the Singapore Symphony's best in our writer’s 45 years of concert-going?

No ordinary evening at the Concertgebouw, where Lang Lang’s partnership with Andris Nelsons is the perfect vehicle to examine the complexities and contrasts found in the music of Beethoven.

Janine Jansen's interpretation of Sibelius' Violin Concerto is a triumph, followed by a powerful reading of Prokofiev's Sixth by Noseda – a thrilling concert to leave the heart racing.

The BBC National Orchestra of Wales, conductor Ryan Bancroft and violinist Anthony Marwood deliver an evening of rapid gear-shifting, punchy momentum, dancing lyricism and mischief at Hoddinott Hall.

Violinist Blake Pouliot, cellist Bryan Cheng, and pianist Angela Hewitt, all previous winners of the Orchestre symphonique de Montréal’s Concours, return to perform Beethoven’s Triple Concerto.

An all-day Beethoven experience European style with both highs and lows: much diversity revealed and exploited but of variable quality.

"Expect the unexpected" is a useful maxim for reviewers. Major last-minute changes to the advertised La Scala programme, with Chen Reiss in Mozart and Zubin Mehta in Beethoven and Schubert.

Baritone Markus Werba shines in six military songs from Mahler's Des Knaben Wunderhorn.

Yefim Bronfman brings old-school showmanship to the Third Piano Concerto, while Yannick Nézet-Séguin summons the intimacy of a chamber orchestra in the Coriolan overture.

In an all-Beethoven celebration, the London Mozart Players offer a lively rendition of the Coriolan Overture and young Greek-born violinist, Jonian-Ilias Kadesha, performs the Beethoven Violin Concerto with earnest enthusiasm.

In a program originally scheduled for the Musikverein in Vienna, Martin Haselböck and his Orchester Wiener Akademie played Beethoven and Schubert both familiar and curiously obscure. 

The Australian String Quartet joins the West Australian Symphony Orchestra under Ludovic Morlot for an enjoyable and  timely round of Beethoven interleaved with John Adams' homage to the 250-year old composer. 

Violist Ruth Killius did double duty as page turner and violist with violinist husband Zehetmair in knockout Britten.

Jonathan Biss and the Saint Paul Chamber Orchestra explore Beethoven from two different angles – the early 19th and 21st centuries.

A gloriously romantic performance by Lars Vogt and Royal Northern Sinfonia of Brahms' First Piano Concerto, complemented by Beethoven and Schumann.

A disparate set of pieces are connected to an intriguing theme in mostly successful performances, including Shostakovich from cellist Alisa Weilerstein.

Soon to be seventy, Murray Perahia and the Academy of St Martin in the Fields give full expression to the life force that is Beethoven, in their continuing cycle of the piano concertos.

Stutzmann displays her customary thoughtfulness and musicianship in Beethoven and Brahms, while violinist Zorman and cellist Elschenbroich deliver a remarkably satisfying Double Concerto. 

Take an overture from the Classical period, add a Romantic concerto and finish with a major work from the 20th century – a tried and proven concoction for a balanced orchestral concert. If these works follow a chronological order and become increasingly longer, so much the better.

Giovanni Antonini conducts the Tonhalle Orchestra in an appealing programme of works by Beethoven, Bach and Vivaldi that marked the Zurich debut of the dynamic Israeli mandolinist Avi Avital.

During the Lucerne Easter Festival, Mariss Jansons conducted the Bavarian Radio Symphony Orchestra and Choir in three highly charged works. 

An uninspired evening of classics, that nonetheless showed off the many sides of Shostakovich.

Mixed results in the 20th century portion of the program are remedied with some very fine Beethoven playing. 

Sally Matthews comes home to the South of England to give a beautifully delicate and heart-rending performance of Strauss’ Four Last Songs with the BSO.

Houston Symphony's Andrés Orozco-Estrada brings remarkable intention to Mozart's sacred masterpiece. 

Marek Janowski has been the chief conductor of the Berlin Radio Symphony Orchestra since 2002. This concert of Beethoven, Britten and Dvořák found both conductor and orchestra on find form. 

The BBC Proms 2013 began with some of the best of English composers. Tonight for Prom 28 it was the turn of some of Scotland’s finest, as Donald Runnicles conducted the BBC Scottish Symphony Orchestra in a performance of James MacMillan’s Violin Concerto. There were plenty of old favourites from Beethoven and Strauss Jr.

Thomas Dausgaard conducts with his body. A shift in his posture, without engaging hands or arms, is enough indication for his Swedish Chamber Orchestra to execute subtly graduated dynamic shifts.

With his centenary year fast approaching, Saturday night’s concert was a celebration of all things Britten. The festivities have certainly begun in style in Oxford, with Nicholas Cleobury leading the Oxford Bach Choir, the English Chamber Orchestra and soprano Elizabeth Atherton in some truly outstanding music-making.

“The Beethoven Journey” is a remarkable collaboration between pianist Leif Ove Andsnes and the Mahler Chamber Orchestra.

A concert juxtaposing masters and lesser-knowns can have two effects: it can illustrate the genius of the master, or it can unveil an unjustly neglected gem. New York Philharmonic’s recent offering accomplished both. The combination of Beethoven, Korngold, and Nielsen spanned a huge swath of what is loosely called Romantic music, demonstrating the peaks and valleys possible in the style.

The Fort Worth Symphony Orchestra welcomed guest conductor Mei-Ann Chen and pianist Markus Groh to Bass Hall this weekend, and welcome guests they were indeed. Ms. Chen led the orchestra in Beethoven’s Coriolan Overture and the Symphony in D minor of César Franck, with Mr. Groh joining them for the Schumann Piano Concerto in A minor in between.

The Sydney Symphony Orchestra continued their pairing of Beethoven and Strauss with two works based on different types of heros – the tragic hero of Beethoven’s Coriolan Overture and the more Romantic, all-conquering hero of Strauss’ Thus Spake Zarathustra, based on Nietzsche’s book.

Entre le concert de l'ensemble Os Músicos do Tejo, la messe mozartienne du dimanche matin, la soirée symphonique en plein air et les concerts de musique de chambre, tous les goûts sont à Marvão !

Si le pianiste a offert une interprétation de haute tenue d'une œuvre (trop) rare, le Belgian National Orchestra et son directeur musical ont malheureusement déçu dans la célèbre Cinquième de Tchaïkovski.

El Festival de Santander recibe a la Chamber Orchestra of Europe y a Daniel Harding, con un programa de intensidad narrativa que dio como resultado una velada musical magnífica.

Beethovens Eroica und Prokofjews Klavierkonzert Nr. 3 machten das spannungsvolle Programm eines reüssierten Abends in der Kölner Philharmonie aus.

La Mozarteumorchester Salzburg se prestó brillantemente a un concertante estilo para acompañar a Maria João Pires en el Tercer concierto de Beethoven e interpretó una excelente Sinfonía Júpiter de Mozart, todo bajo la dirección de Trevor Pinnock en un concierto para el recuerdo.

Malgré un bel Orchestra of the Age of Enlightenment, le programme Haydn-Beethoven a paru bien monotone voire approximatif sous la direction du célèbre pianiste et chef d'orchestre.

Présenté par Marina Chiche et adressé plus particulièrement aux aînés de la ville, ce concert mulhousien est une belle réussite, alliant mise en place minutieuse et énergie expressive. 

Parfaitement accompagnés par Lars Vogt et l'Orchestre de chambre de Paris, le père et le fils interprètent une très belle anthologie schubertienne dans un spectacle plus obscur que cohérent.

Drama, Spaß und Intensität beim Beethovenfest Bonn mit dem Orchestra of the Age of Enlightenment und Adam Fischer.

Dans un concert "Super-héros" inégal, le pianiste a montré qu'il était de l'étoffe des plus grands. Retour sur le premier concert 2018 de l'ONDIF à la Philharmonie de Paris.

Die Münchner Philharmoniker boten unter Michael Sanderling ein packendes Programm mit Beethoven und Schostakowitsch. Die Symphonie Nr. 13 "Babij Jar" konnte dabei den nachhaltigsten Eindruck hinterlassen.

Mit der Musik Beethovens malte Joshua Bell zusammen mit der Academy of St Martin in the Fields farbenreiche Landschaften und Geschichten in die Vorstellung des Düsseldorfer Publikums.