Harry Bicket leads Royal Northern Sinfonia and Chorus and a fine line-up of soloists in a performance that moves effortlessly between the human and eternal time lines of Bach's St John Passion.
Superlative vocal and instrumental soloists, led by Michael Schade as a vividly intense Evangelist, impress in Bach’s St John Passion at the Concertgebouw.
A blazing performance by violinist Patricia Kopatchinskaja and a mildly disappointing Mozart Requiem round off New York’s annual Mostly Mozart Festival
From the insistent, driving opening to the sublime transcendence of the closing chorale, Norrington, the Zurich Chamber Orchestra and James Gilchrist give us a St John Passion to remember.
On Good Friday, Cappella Amsterdam, conducted by Daniel Reuss, gave a beautifully refined rendition of Bach's St John Passion at the Muziekgebouw aan 't IJ in Amsterdam, accompanied by the Orchestra of the Eighteenth Century and the riveting Evangelist of Anders Dahlin.
Polyphony live up to their reputation, performing Bach's St John Passion with intensity and dynamism, in a performance only marred by some routine orchestral playing.
Bach’s Passion according to St John the Evangelist is not an easy work. Whilst saying I am a “fan” of Bach is one of the greatest understatements possible, this Passion is nonetheless an intense work for any concert-goer (seasoned or amateur) including myself. Over two hours in length, it is a test on both the audience and, quite obviously, the performers.
I’ve had the great privilege and even greater joy over the last couple of months to have been totally immersed in Bach: I’ve been researching him, and particularly his Passions, since Christmas.
The motto of the Lammermuir Festival, now in its third year, is “beautiful music in beautiful places”. Few settings are more striking than St Mary’s Parish Church in Haddington.
They are sadly few in number, but some things in this St. John Passion I can report in mildly positive terms would include Stephen Layton’s hand-selected choir Polyphony, whose members dealt with Bach’s demanding vocal lines capably and sang in clear, idiomatic German; bass-baritone Neal Davies (a perfectly respectable if not overly engaging Christ); and Derek Welton’s robustly s
An outstanding lineup of soloists joined Bernard Labadie at Carnegie Hall Sunday for a performance of J.S. Bach’s St. John Passion. Hearing Labadie conduct his own ensemble Les Violons du Roy and the chamber choir La Chapelle de Québec with such a superb group of soloists was truly a treat indeed.
A year after the first performance of his St John Passion, Bach made several significant alterations that divert the emphasis of the work away from Christ’s final triumph over death, focusing instead on human sinfulness.
“...the days of Johann Sebastian Bach, when music was like a rose blooming on a boundless snow-covered plain of silence...” This sentiment of Milan Kundera was stunningly realized by L’Orchestre Symphonique de Montréal tonight with their solemn performance of J. S. Bach’s Passion According to St. John.
For lovers of choral music, a Bach Passion or Handel’s Messiah are as much part of Easter as chocolate eggs, and this year’s musical treat at the Sage Gateshead was Bach’s St John Passion, played by Northern Sinfonia with debut guest conductor Matthew Hall.
I took my nephew, a vocal arts student, to see Bach's Passion According to St. John partially so he could experience Boston Symphony and partially to introduce him to choral music – which is some of my favorite. I hadn't been to Symphony Hall since my childhood and was glad to see nothing had changed. One has the sense that generations have passed through the hall in a continuous flow.
Con instrumentos barrocos invitados, la OFUNAM nos ofreció su versión de la Pasión según San Juan explorando posibilidades y combinando elementos de la interpretación históricamente informada con los recursos propios de la Filarmónica. Como resultado, disfrutamos de una versión interesante y coherente bajo la atenta dirección de Massimo Quarta.
L'orchestre et le chœur de santa Cecilia ont marqué la fin de la Semaine Sainte d'un grand moment de musique et de spiritualité avec ce bel hommage au Cantor de Leipzig.
Spécialistes de la musique ancienne, les Musiciens du Louvre, amenés par Marc Minkowski annonçaient une Passion selon Saint Jean des plus intéressantes à la Halle.
Mit einer von großer Freude am Affekt getragenen Interpretation von Bachs Johannespassion läuteten der Hamburger Bachchor St. Petri und das Göttinger Barockorchester die Osterfeiertage in Hamburg ein.
