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Joyce El-Khoury saves the day in The Royal Opera’s second revival of The Sicilian Vespers in Stefan Herheim’s paint-by-numbers production. 

In the Italian version of Verdi's French grand opéra, Emma Dante updates the action from 1282 to the organised crime of the Sicilian Mafia. 

A somewhat disappointing new production by Hugo de Ana brings I vespri siciliani back to La Scala, where Fabio Luisi leads a successful musical production with a great cast.

David Pountney completes his “Verdi trilogy” for the company but although his staging has fluidity, it lacks an explosive ending... and the vocal performances disappoint. 

Living in an environment influenced by French culture, Verdi saw the chance of breathing new life into the Italian opera through the grand-opéra. Les Vêpres siciliennes is his successful attempt.

A mural depicting Etna erupting is the only hint of Sicily in Stefan Herheim’s opulent staging, returning to Covent Garden for the first time since the Royal Opera’s Verdi bicentenary celebrations in 2013. 

A concert of many virtues, laying bare Verdi's music only made it better. James Conlon conducts I vespri siciliani in Madrid.

Sous la baguette de leur ancien directeur musical Daniele Rustioni, les musiciens de l'Opéra de Lyon ont proposé une mémorable interprétation de l'œuvre de Verdi, en version française, avec une distribution remarquable.

In Zürich wagt man sich an Verdis selten gespielte Oper I vespri siciliani. Calixto Bieito verkehrt deren nationalistischen Hintergrund ins Gegenteil, und Ivan Repušić nimmt dem Stück seinen musikalischen Biss.

Ein musikalisch solider Abend mit etwas Degen-Gefuchtel, um eine weitere Verdi-Oper kennenzulernen.

In einer morbiden Inszenierung von Antú Romero Nunes ist Verdis Les Vêpres siciliennes in München erstmals im franzöischen Original zu sehen.

Diana Damrau a fait vibrer l'Opéra de Marseille lors d'un récital qui restera dans les anales de l'institution marseillaise.