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A rare outing for Lili Boulanger’s Du fond de l'abîme is the high point of Delyana Lazarova’s concert with the Hallé in Sheffield, with fine performances of Debussy and Saint-Saëns running it close.

Six decades after Charles Munch finished revamping the BSO’s sound, his shadow seems to smile benevolently on the current crop of musicians when playing French music.

Three of the pieces that Louis Langrée conducted in his New York Philharmonic debut concerts were similarly atmospheric and impressionistic, stealing each other’s thunder. Happily, the Scriabin was cathartic.