En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Franck Evin

The Zurich Opernhaus tackles the pandemic with an innovative strategy: instead of reducing the size of orchestra and chorus (as many other European opera houses) it removes them from the theatre altogether. 

In its revival here in Zurich, the soloists and choir of Beethoven's Fidelio give stellar vocal performances. But having done away with any real set, the opera was not without its shortcomings.

Barrie Kosky’s visually stunning and very finely sung Eugene Onegin from Komische Oper reaches Edinburgh, a triumphant showcase for soprano Asmik Grigorian.