En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Fabio Luisi

Dans cette reprise d'une production créée en 2016, Bo Skovhus est magistral dans le rôle-titre. L'œuvre s'avère une nouvelle fois un des moments forts de la programmation de l’Opéra de Paris.

Dans la mise en scène de Warlikowski créée en 2017, Don Carlo est de retour à Bastille, cette fois-ci dans sa version italienne. Une franche réussite malgré l'état grippal de Roberto Alagna.    

À Verbier, Fabio Luisi dirige l'orchestre du festival dans une Symphonie « Résurrection » incroyable d'engagement, malgré quelques imprécisions formelles.

Nouvelle production à l'Opéra Bastille, avec le Simon Boccanegra de Calixto Bieito. Une plongée dans les idées noires du personnage principal, magnifiquement interprété par Ludovic Tézier.

Cette reprise de Falstaff fait la part belle à l’esprit buffa et donne à Bryn Terfel une nouvelle occasion de briller dans un rôle qui lui sied à merveille.

Une nouvelle production ambitieuse et saissante du Lear de Reimann à l'Opéra de Paris, qui voit sombrer dans la folie un roi d'Angleterre interprété magistralement par Bo Skovhus.

2025 Chopin Competition laureate and Massachusetts native Eric Lu makes his debut at the Boston Symphony Orchestra’s summer home in the Berkshires. 

Everything about this production is fresh and wonderful.

Das Gespann mit Fabio Luisi und dem Regisseur Kornél Mundruczó verhilft Hindemiths Kriminaloper zu einer musikalisch straff geführten und szenisch aussagekräftigen Deutung.

María Dueñas’ Tokyo performance of Beethoven's Violin Concerto is less about display than about the living drama between held breath and release. 

As a leading exponent of Franz Schmidt's music, conductor Fabio Luisi leads the NHK Symphony Orchestra Tokyo in a rare performance of his Fourth Symphony for the orchestra's season opener.

Fabio Luisi conducts the Danish National Symphony Orchestra in a programme that blends two modern works with Beethoven's Ninth.

Conducted by Fabio Luisi, Japan's premier orchestra serves up a superb blend of Eastern and Western music and influences. 

Norma is presented in its original two-soprano version, in the new critical edition by musicologist Roger Parker. 

Fabio Luisi and the Dallas Symphony Orchestra continue their European tour, dropping anchor in Hamburg for Tchaikovsky's Fifth Symphony and a John Williams concerto written for the star German violinist. 

Zehn Jahre liegt die letzte Europa-Tournee des texanischen Orchesters zurück. In Frankfurt begeistern sie mit einem vielfältigen Programm unterstützt von der Stargeigerin Anne-Sophie Mutter

For his performance of Mozart's C major Concerto, Emanuel Ax plays a new concert grand designed by the late architect Rafael Viñoly.

Fabio Luisi leads The Cleveland Orchestra in works of Brahms and Weber, along with a new concerto for piccolo by Oded Zehavi.

The Orchestra Sinfonica Nazionale della Rai impresses in “bleeding chunks” from Wagner operas at the Festival de Pâques d'Aix-en-Provence.

A somewhat disappointing new production by Hugo de Ana brings I vespri siciliani back to La Scala, where Fabio Luisi leads a successful musical production with a great cast.

For whatever reason Fabio Luisi chose Verdi's Requiem for his inauguration concert with the NHK Symphony Orchestra, Tokyo, it turned out to be an apt and poignant choice.

Barrie Kosky's well-travelled staging reaches Naples with fine performances from orchestra, chorus and singers mixed with some questionable musical and directorial decisions.

Fabio Ceresa applies his "Baroque divertissement" style to Haydn's oratorio The Creation, staged at the Festival della Valle d'Itria.

Luisi hits just the right spot in Bruckner's mighty Seventh Symphony, his final concert as General Music Director of the Zurich Opera.

The towering Fifth Symphony was cohesive and unusually refined, while Peter Mattei brought elegance and passion to Kindertotenlieder.

Luisi programmes Berg, the dark harmonist, and Schubert, the blithe melodist, as a musical yin and yang in Cologne. 

A complex plot with great music and great theatre where Strauss showcases his compositional mastery.

Using the Nazi regime as his Leitmotif, Canadian director Robert Carsen brings Richard Strauss’ Arabella to the Zurich stage. 

The extraordinary Italian pianist Beatrice Rana and the Philharmonia Zürich orchestra under Fabio Luisi lit up the stage in an unforgettable performance. 

This year’s revival of Andreas Homoki's production features excellent principals, choruses, and sublime orchestration under Fabio Luisi’s seasoned baton. The staging takes far fewer accolades.

Andreas Homoki’s new Zurich production capitalises on some quirky staging, but features superb voices in its principal roles and shows the best of the house’s joint choirs.

Giorgio Sangati's staging idea pits Christians vs Saracens as pop stars against dark metal.

Unter Mitwirkung hervorragender Gesangssolisten bieten die Philharmonia Zürich und der Opernchor unter Fabio Luisi Mendelssohns Oratorium Elias auf sehr hohem Niveau.

Musically, a rewarding Forza, but Homoki's staging is best forgotten.

The in-house orchestra played out of its skin under Fabio Luisi.

The use in the score of ancient musical instruments is what differentiates this work: pifferi, a lute, a “viola pomposa” give this work a distinctive flavour.

Grimaud brilló en el Andante con moto, donde asistimos a la gradual fragmentación de la célula inicial, siempre bien arropada por maderas y, especialmente, una maravillosa sección de violas. Por último, el Rondo vivace desprendió energía y confirmó la compenetración entre el discurso pianístico y la Philharmonia.

Hélène Grimaud reizte die Zusammenarbeit mit dem Orchester mit Temposprüngen aus. Dafür präsentierte sich die Philharmonia unter Fabio Luisi bei Tschaikowsky in Bestform.

Fabio Luisi led The Cleveland Orchestra in Bruckner’s mighty Fourth Symphony, prefaced by a recently composed piano concerto by Sciarrino with Jonathan Biss.

Jan Vogler wirkte wenig überzeugend in Dvořáks Cellokonzert. Dafür brillierte die Philharmonia Zürich unter Fabio Luisi in Bruckners Vierter umso mehr, und die Theaterakustik unterstützte die Einzigartigkeit der Darbietung.

The backstory doesn’t bode well: three fugitive criminals decide to found a city that will pander to society’s most vital needs: food, sex, warfare, and alcohol.

The performance of Margherita d’Anjou seen at the Festival della Valle d’Itria in Martina Franca was the first staged in modern times.

InMo Yang spielte mit expressivem Rubato, agil, mit ausgezeichneter Intonation und stupender Technik, durch die Springbogen- und Flageolett-Passagen, die doppelgriffigen Läufe, das Pizzicato mit der linken Hand.

In a new production of Franz Lehár’s The Land of Smiles, the stoic Sou-Chong sets the melancholy tone of the operetta by singing “Smile despite your sorrows and a thousand.. aches and pains”.

That both the lead and a second key role were ill and couldn’t sing did not bode well, yet this performance of Verdi’s Un ballo in maschera shook up the house nonetheless.

Nikolaj Znaider and Fabio Luisi, along with NHKSO Tokyo, re-stated the obvious truth of art music that “it is all about the details.”

Fabio Luisi and the DNSO did not disappoint audiences in San Francisco, presenting a captivating program of Beethoven, Strauss and Nielsen.

Not much to set the heart racing in two works of German Romanticism performed by the London Symphony Orchestra and Chorus, conducted by Fabio Luisi.