En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Pittsburgh Symphony Orchestra

Familiar and unfamiliar Sibelius, a coruscating violin concerto and a recent score by Caroline Shaw are the elements of Dalia Stasevska’s noteworthy debut.

Manfred Honeck inaugurates the new season in Pittsburgh with a Sibelius concerto and a Dvořák symphony, prefaced by a contemporary American work by Christopher Theofanidis. 

Yo-Yo Ma returns to Pittsburgh for searing performance of Dvořák’s Cello Concerto. The enjoyable program also includes a tribute to Fred Rogers. 

The Pittsburgh Symphony flanks Khachaturian’s flamboyant Violin Concerto with a Brahms symphony and a recent piece from Sean Shepherd. 

Daniele Rustioni leads the Pittsburgh Symphony in music inspired by Ancient Greece, flanking Kirill Gerstein’s take on Tchaikovsky’s First Piano Concerto that restores the composer’s original intentions.

Sheku Kanneh-Mason makes his local debut in Shostakovich's First Cello Concerto, followed by a fantasia on Arabella conceived by Music Director Manfred Honeck. 

Lang Lang gives a dramatic, technically brilliant rendition of Grieg’s beloved piano concerto.

The debutante conductor made her mark in Prokofiev, with Jan Lisiecki joining in for Mozart.

From Carlos Simon’s rhythmic energy to Dvořák’s lush melodies, Honeck and the PSO deliver a night of brilliance, with violinist María Dueñas shining in Saint-Saëns. 

Osmo Vänskä’s Pittsburgh program includes key works of Rachmaninov and Tchaikovsky, prefaced with a recent piece from Samy Moussa. 

Dima Slobodeniouk’s Pittsburgh program is centered around ocean-inspired music of Debussy, Sibelius, and Icelandic composer María Sigfúsdóttir.

Manfred Honeck and the Pittsburgh Symphony perform five diverse works, culminating in an affecting reading of Fauré’s pensive Requiem.

Jukka-Pekka Saraste’s Pittsburgh program makes a strong impression in coloristic works from the early 20th century, while pianist Tom Borrow has a memorable debut.

Unter Leitung von Manfred Honeck machen das Pittsburgh Symphony Orchestra und Pianist Yefim Bronfman im Rahmen ihrer Europatour Station beim Südtirol Festival in Meran.

Honeck’s Pittsburgh program includes a premiere from Michael Daughtery portraying a cross-country road trip, followed by the inward journey towards enlightenment of Mahler’s Fifth. 

Franz Liszt and Manfred Honeck take us to the gates of Hell and back, while pianist Leif Ove Andsnes delivers  poetry and polish in Rach 3.

Jacob Joyce leads the Pittsburgh Symphony in two Finnish works, both which paint the natural beauty of their composers’ homeland. James Ehnes takes matters a different direction in a work by Bernstein.

Fabien Gabel and the Pittsburgh Symphony Orchestra bring Stravinsky's puppets to vivid life, while violinist Karen Gomyo delivers passion and pathos in Chausson's Poème.

The Pittsburgh Symphony Orchestra, under Music Director Manfred Honeck, the Mendelssohn Choir of Pittsburgh and soloists gave a brilliant performance of Beethoven's monumental Ninth Symphony. 

Korngold's Violin Concerto from Simone Lamsma is delivered with extraordinary deftness and depth, while Rachmaninov's Symphonic Dances thrill under Yan Pascal Tortelier and the Pittsburgh Symphony.

Manfred Honeck concluded the PSO’s season – his tenth as music director – with Emanuel Ax in Beethoven’s “Emperor” Concerto and a spectacular traversal of Berlioz’s Te Deum.

A Tchaikovsky and Dvorak programme at the Lucerne festival featured star violinist Anne-Sophie Mutter. 

A stuttering first half of Adams and Dvořák redeemed by a magical Mahler 1.

The Pittsburgh Symphony under Jiři Bělohlávek gave a rare performance of Smetana's complete cycle of tone poems.

Innovative programming from Manfred Honeck mingles readings, music, and chant in memory of Mozart.

An excellent orchestra and a rather grab-bag program officially opened the 2013 Musikfest Berlin last night. The Pittsburgh Symphony Orchestra and its music director, Manfred Honeck, are currently on a European tour, and the audience at the Philharmonie rewarded their long trek with abundant applause, necessitating two encores.

To paraphrase Richard Strauss’ advice to young conductors: “If you think the brass are playing too soft, ask them to play softer.” Manfred Honeck, music director of the Pittsburgh Symphony, clearly thinks that the brass can never play loudly enough.

The final week of the 2011 Proms season began with a flamboyant and exhilarating concert given by the superb Pittsburgh Symphony Orchestra, who celebrate their 110th anniversary this year. They were joined by pianist Hélène Grimaud, playing Beethoven’s Fourth Piano Concerto, the piece with which she made her Proms debut in 2001.