Znaider's powerful Brahms with the National Symphony

Par Hilary Stroh, 01 avril 2016

Chargement en cours, veuillez patienter...

Voir le listing complet

Critique faite à Kennedy Center: Concert Hall, Washington, le 31 mars 2016

Fauré, Pavane en fa dièse mineur, Op. 50

Brahms, Concerto pour violon en ré majeur, Op.77

Jalbert, In Aeternam

Debussy, La Mer

Nikolaj Szeps-Znaider, Violon

National Symphony Orchestra

Cristian Măcelaru, Direction

Hilary Hahn y la NSO interpretan un concierto de película

Jorge Baeza Stanicic, 18th February

La cita en Madrid de la National Symphony Orchestra y Gianandera Noseda trajo ciertos tintes cinematográficos con la obra Carlos Simon y el concierto de Korngold, tras lo cual aún desbordaron energía en la Quinta sinfonía de Shostakovich.

****1

Lush strings, bright Beethoven: NSO and Noseda at Carnegie Hall

Susan Stempleski, 12th February

Gianandrea Noseda leads glowing performances of Berg and Beethoven, while James Ehnes shines in Korngold's Violin Concerto .

****1

Young and Lamsma bring levity to National Symphony Orchestra

Sydney Boyd, 20th November

A dark trio of works focused around Benjamin Britten's Violin Concerto made for a compelling concert in Washington DC.

****1

NSO triumphs with Boyer and Lang Lang

Sydney Boyd, 18th September

With a world premiere by Peter Boyer and a stunning Beethoven piano concerto deftly played by Lang Lang, the evening didn’t fail to strike a poignantly significant chord.

****1

National Symphony makes a fine-sounding digital return to the stage

David Rohde, 19th March

Vibrant Mozart G minor symphony anchors the National Symphony’s digital return to the stage as distancing, sound engineering requirements generally score well

****1

Rollicking Mahler Fifth may have just put NSO on the global map

David Rohde, 20th February

Clarion details from start to finish result in a spectacular Mahler Fifth from Noseda and the National Symphony Orchestra

*****

Plus de critiques...

Hilary Stroh

Hilary is an independent scholar and academic historian, based in DC. She has a background in violin, piano and ballet. Educated at Dublin and Cambridge, she has recently published her first two books.