Gabriela Montero captivates with her unique Tchaikovsky

Par Robert Gainer, 12 mai 2022

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“Montero’s touch was like runny honey, golden and sweet and natural”

Critique faite à Symphony Hall, Birmingham, le 11 mai 2022

Tchaïkovski, Concerto pour piano et orchestre no. 1 en si bémol mineur, Op.23

Bruckner, Symphonie no. 6 en la majeur, WAB 106 (11 May only)

Brahms, Symphonie no. 3 en fa majeur, Op.90 (12 May only)

City of Birmingham Symphony Orchestra

Mirga Gražinytė-Tyla, Direction

Gabriela Montero, Piano

Les orages printaniers de Vilde Frang et Mirga Gražinytė-Tyla à Bozar

Valentin Gautron Lavarone, 22nd March

Mirga Gražinytė-Tyla et les musiciens du City of Birmingham Symphony Orchestra ont manqué de trébucher dans Schumann mais ont porté Elgar au sommet avec Vilde Frang.

***11

Au-delà des horizons : le CBSO, Mirga Gražinytė-Tyla et Yuja Wang

Sylvain Gaulhiac, 22nd May

Le City of Birmingham Symphony Orchestra débarque au Théâtre des Champs-Élysées sous la baguette de sa directrice musicale. Un programme bien ficelé autour de Ravel, Brahms et Prokofiev avec la pianiste Yuja Wang.

****1

Klaus Florian Vogt au TCE avec Andris Nelsons et le CBSO : le père, le fils... et l'esprit wagnérien

Denis Peyrat, 1st June

Klaus Florian Vogt, l'un des grands ténors wagnériens actuels a interprété avec brio au Théâtre des Champs Elysées Parsifal et surtout Lohengrin. Il était magnifiquement soutenu par Andris Nelsons avec le City of Birmingham Symphony Orchestra, qui ont aussi illuminé Dvorak.

****1

Carlo Rizzi brings Respighi’s Rome to Birmingham

Robert Gainer, 15th April

Carlos Rizzi believes that Puccini’s orchestrations are good enough to stand alone, without their vocal lines, but can the drama compete with the romance of Respighi?

****1

Nelson Goerner shines with the CBSO and Rachmaninov’s Rhapsody

Robert Gainer, 9th April

The CBSO present the work of three European émigré composers of the 1930s and 40s, who reimagined their musical influences with contrasting approaches and results.

****1

Yamada and the CBSO’s Walton expedition at the Elbphilharmonie

Mengguang Huang, 10th March

In Hamburg, Kazuki Yamada and the CBSO navigate the thorny brilliance of Walton’s First Symphony, proving that ‘difficult’ music can offer an evening’s most profound human connection.

****1

Plus de critiques...

Robert Gainer

Robert Gainer has completed a BA in European Studies at the University of Warwick and an MSc in Criminology at the University of Leicester. He is currently completing further study in English and Cultural Studies, again at Warwick. He plays trumpet, cornet and flugelhorn and his musical background is in brass band and orchestra. In his spare time he enjoys writing fiction and poetry.

Gabriela Montero captivates Birmingham with her unique interpretation of Tchaikovsky