En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Mirga Gražinytė-Tyla

Le City of Birmingham Symphony Orchestra débarque au Théâtre des Champs-Élysées sous la baguette de sa directrice musicale. Un programme bien ficelé autour de Ravel, Brahms et Prokofiev avec la pianiste Yuja Wang.

Birmingham’s finest brought along her own selections to replace François-Xavier Roth's announced programme in this performance at LSO St Luke's.

The Fantasia on a Theme by Thomas Tallis crowned an evening for the CBSO strings and brass to shine at Symphony Hall. 

The CBSO and Mirga Gražinytė-Tyla celebrate their anniversary with energy and hope in Sibelius and Beethoven, together with emotional depth in Elgar from Sheku-Kanneh Mason.  

Nine symphonies, five orchestras, two days: an immersive weekend as part of the Barbican's Beethoven 250 coverage featuring some of the UK's finest orchestras. 

Mirga Gražinytė-Tyla approached the Eighth with a clear vision of the music’s structure and a plan to free the life that teems beneath its mighty vaults.

Mirga Gražinytė-Tyla brings Mieczysław Weinberg to the Proms, in a daring programme including Dorothy Howell and Oliver Knussen. 

Mahler 2 must be mother’s milk for the CBSO Chorus, though they sang with affecting passion from their soft, seated entry to towering last peroration of the Resurrection hymn.

An evening of first-class music making from one of the UK's top orchestras in a varied programme that showed off the strengths of all concerned.  

This was Tchaikovsky raw and fierce as if he had written it, as he might have, for a young lover.

Nearly a century after his birth, Weinberg's final completed symphony is given its UK premiere by the CBSO and Mirga Gražinytė-Tyla.

Gražinytė-Tyla conveyed the impression of allowing her players a certain freedom to express themselves while commanding the overall forces towards a preset goal.

Mirga Gražinytė-Tyla and the CBSO escort the Symphony Hall audience through environments of safety and danger.

With concerts and recitals imaginatively programmed, this second weekend in the CBSO's Debussy Festival was a model of how to make classical music accessible to the widest possible audience.

In her first appearance with the CBSO at Sage Gateshead, Mirga Gražinytė-Tyla switches between energy and tranquility with Sibelius, Brahms and Bartók.

The Lithuanian conductor made Beethoven really sing while violinist, Vilde Frang's spirited interpretation of Elgar's Violin Concerto did not seem quite the finished article.

Mirga Gražinytė-Tyla and the City of Birmingham Symphony Orchestra brought a fresh approach to Mahler's Fourth Symphony and the harp took centre stage for a change with a concerto première.  

Mirga's approach to Beethoven's Fifth showed a flair for innovation, the highlight of a strong programme that also featured a virtuosic performance from Leila Josefowciz of Stravinsky's Violin Concerto.

Artistry and politics intertwine in a remarkable concert at the Komische Oper Berlin.

Clearly Mirga Gražinytė-Tyla has found her feet with the City of Birmingham Symphony Orchestra and isn't afraid to be a bit experimental.

Der Idomeneo des Salzburger Landestheaters überzeugt durch stimmliche Klasse und einem intellegenten Bühnenbild, das in ständiger Bewegung ist und immer Neues bietet. 

New Music Director, Mirga Gražinytė-Tyla reminded Birmingham audiences just how much they have to be proud of with an exciting combination of Lithuanian music and symphonic masterpieces.

A pair of auspicious debuts marked the CBSO's Prom: MirgaGražinyte-Tyla was making her London debut, plus it was the first time that Hans Abrahamsen's song cycle let me tell you was to be heard in the capital. 

A few days before, the local newspaper rather hyped this concert - with good reason, as it turns out.

Die Ereignisse überschlagen sich und ebenso die Intervalle. Die Uraufführung von Hossam Mahmouds Tahrir zieht das Publikum mitten ins Geschehen und lässt es in eine Mischung aus Klangexperimenten, tonalen und atonalen Melodien fallen. 

Zum Auftakt der neuen Opernsaison inszeniert Intendant Carl Philip von Maldeghem in Salzburg die letzte Oper des genius loci Wolfgang Amadeus Mozart. Heraus gekommen ist ein bunter Zirkus und weitgehend solide musikalische Leistungen. 

Gidon Kremer brought the latest version of his Kremerata Baltica ensemble to Prague Spring on Friday night for more than a concert., in which he proved there is still no one quite like him who combines political consciousness with superb musicianship.