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Heavenly music in Melbourne as Sir Andrew Davis leads Haydn’s Creation

Par Patricia Maunder, 18 juin 2017
Chargement en cours, veuillez patienter...
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Critique faite à Arts Centre Melbourne: Hamer Hall, Melbourne, le 15 juin 2017
Programme
Haydn, La Création (Die Schöpfung), Hob XXI: 2
Artistes
Melbourne Symphony Orchestra
Sir Andrew Davis, Direction
Siobhan Stagg, Soprano
Andrew Staples, Ténor
Neal Davies, Basse
Melbourne Symphony Orchestra Chorus
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Dominic Lowe, 29th August
Despite the disruption, the musicians of the MSO under Chief Conductor Jaime Martín continue their interesting programme of Sutherland, Dvořák and Tchaikovsky.
***11
From Elgar to didgeridoo: the Melbourne Symphony play the Elphi
Mengguang Huang, 28th August
Under Jaime Martín, the Melbourne Symphony Orchestra showcase Indigenous music through William Barton’s didgeridoo alongside Elgar and Mussorgsky, creating a visually and sonically vivid, if uneven, evening.
***11
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Patricia Maunder, 8th March
The double choir triumphs in the MSO’s massive, mostly successful attack on an English choral masterpiece all too rarely performed in Australia.
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Bartók and Shostakovich with power and precision in Melbourne
Nicholas Young, 10th August
Pitch-perfect Bartók by Ibragimova and a boldly expansive reading of Shostakovich's Fifth by Hrůša made for an insightful evening's reflection on musical early modernity.
****1
Fraternity and frivolity: from Bizet to Elgar in Melbourne
Nicholas Young, 28th July
Under Benjamin Northey's baton and Kristian Chong's fingers, Bizet's Carmen Suite and Saint-Saëns' Second Piano Concerto dazzle, but it's Elgar's Sospiri and Enigma Variations that truly made the evening.
***11
Plus de critiques...
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Andrew StaplesJoseph HaydnLa Création (Die Schöpfung), Hob XXI: 2Melbourne Symphony OrchestraMelbourne Symphony Orchestra ChorusNeal DaviesSiobhan StaggSir Andrew Davis
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Patricia Maunder
Patricia Maunder
Patricia Maunder has been an arts journalist for more than 20 years, contributing to publications in Australia, Canada, New Zealand and the UK including The Sydney Morning Herald and Opera magazine. She is based in Melbourne, but considers Montreal her 'other' hometown after living there in 2012-16. For more about Patricia, visit her website.