Akiko Suwanai shines with lyricism and fire in Hallé Tchaikovsky

Akiko Suwanai, Kahchun Wong and The Hallé

Par Leighton Jones, 01 décembre 2025

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“a breathtaking range of tonal colour”

Critique faite à The Bridgewater Hall, Manchester, le 30 novembre 2025

Verdi, La forza del destino (La Force du destin): ouverture

Tchaïkovski, Concerto pour violon et orchestre en ré majeur, Op.35

Bach, Violin partita no. 3 in E major, BWV1006: Gigue

Mendelssohn, Symphonie no. 4 en la majeur «Italienne», Op.90

Akiko Suwanai, Violon

The Hallé

Kahchun Wong, Direction

Russian Spring: Elder and the Hallé reunite in glorious style

Leighton Jones, 7th May

The music of Glinka, Stravinsky, Rachmaninov and Tchaikovsky fills Manchester’s Bridgewater Hall with mystery, intrigue and jollity.

****1

Tarmo Peltokoski conducts the Hallé in Mahler and Vaughan Williams

Leighton Jones, 16th April

Mahler’s Rückert-Lieder provide an apt, if somewhat unexpected, partner to Vaughan Williams’ A Sea Symphony in Manchester’s Bridgewater Hall.

****1

Concertos – for violin and for orchestra – from the Hallé

Peter Connors, 22nd March

Viktoria Mullova is a superb soloist in Brahms' Violin Concerto, while an orchestra full of soloists play Bartók’s Concerto for Orchestra with Kahchun Wong presiding.

*****

Nico Muhly’s vision of the end of the world comes to Sheffield

Phil Parker, 15th March

Doom – both personal and cosmic – and its aftermath are the focus of Alpesh Chauhan’s Hallé concert at Sheffield’s City Hall.

****1

Avant-garde echoes meet minimalist soundscapes in Hallé concert

Pwyll ap Sion, 26th February

Jonny Greenwood’s genre-defying music is given a powerful performance by violinist Daniel Pioro and members of The Hallé Orchestra under Hugh Tieppo-Brunt.

****1

Celestial journeys with Kahchun Wong and the Hallé

Rohan Shotton, 19th February

Kahchun Wong returns to The Hallé for Holst and Unsuk Chin, with a postscript from Colin Matthews

***11

Plus de critiques...

Leighton Jones

Leighton has extensive teaching experience from early years to postgraduate level music. Currently he works as a primary music specialist, visiting instrumental teacher and examiner. As a pianist, he was inspired to play after hearing Moura Lympany at a young age and has a large collection of her recordings. Leighton’s postgraduate studies focussed on his interest in 20th-century English orchestral music, with particular study of Britten, Rawsthorne, Walton and Vaughan Williams. A keen choral singer he has developed a comprehensive knowledge of chiefly British choral music.

Akiko Suwanai shines with lyricism and fire in Tchaikovsky with the Hallé