Reverence and beauty in Mariotti’s Verdi Requiem in Parma

Verdi's Requiem in the Teatro Regio di Parma

Michele Mariotti

Marina Rebeka, Varduhi Abrahamyan, Stefan Pop and Riccardo Zanellato

Par Mark Pullinger, 24 septembre 2022

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“double bass pizzicatos tolling like funeral bells in the Lux aeterna”

Critique faite à Teatro Regio di Parma, Parma, le 23 septembre 2022

Verdi, Requiem

Marina Rebeka, Soprano

Varduhi Abrahamyan, Mezzo-soprano

Stefan Pop, Ténor

Riccardo Zanellato, Basse

Coro del Teatro Regio di Parma

Orchestra Sinfonica Nazionale della Rai

Michele Mariotti, Direction

Mischa Maisky à l’Auditorium Parco delle Musica de Rome pour une soirée Dvořák mémorable

Emma Granier, 14th May

L’Orchestre Symphonique National de la Rai et son chef, James Conlon, ont occupé la scène de l’Auditorium Parco della Musica pour une soirée entièrement dédiée au compositeur tchèque Antonín Dvořák.

*****

Anastasia Bartoli a regal Ermione at the Rossini Opera Festival

Laura Servidei, 9th August

The ROF presents a new production of Ermione, a title not often performed, with a star-studded cast including divo Juan Diego Flórez.

****1

The Rossini Opera Festival comes home! Bianca e Falliero in Pesaro

Laura Servidei, 7th August

Jessica Pratt leads a strong cast in a beautiful performance of one of Rossini’s unjustly forgotten masterpieces, under the spectacular baton of Roberto Abbado, despite an unremarkable new production by Jean-Louis Grinda.

***11

Adelaide di Borgogna returns to the Rossini Opera Festival

Laura Servidei, 13th August

The ROF presents a new, cheeky production of Adelaide, by Arnaud Bernard, based on a unoriginal but very well executed “meta-theatrical” take, with an exemplary cast.

****1

Eduardo e Cristina: a rarity opens the Rossini Festival

Laura Servidei, 11th August

A strong cast and an inspiring production deliver the latest opera staged at the Rossini Opera Festival.

****1

Prime cuts: Fabio Luisi conducts Wagner in Aix

Mark Pullinger, 8th April

The Orchestra Sinfonica Nazionale della Rai impresses in “bleeding chunks” from Wagner operas at the Festival de Pâques d'Aix-en-Provence.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Reverence and beauty in Michele Mariotti’s Verdi Requiem in Parma