Seattle Chamber Festival closes on an elegiac note

Par Thomas May, 04 août 2014

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Critique faite à Benaroya Hall: Nordstrom Recital Hall, Seattle, le 2 août 2014

Mozart, Quintette pour cordes en ut mineur, K406 (K516b)

Beethoven, Septuor en mi bémol majeur, Op.20

Tchaïkovski, Trio pour piano, violon et violoncelle en la mineur, «À la mémoire d'un grand artiste», Op.50

Emily Daggett Smith, Violon

Erin Keefe, Violon

Michael Klotz, Alto

Roberto Diaz, Alto

William De Rosa, Cello

Ida Levin, Violon

Geraldine Walther, Alto

Efe Baltacigil, Violoncelle

Jordan Anderson, Basse

Jeffrey Fair, Horn

Ricardo Morales, Clarinette

Seth Krimsky, Bassoon

Andrew Wan, Violon

Julie Albers, Violoncelle

Adam Neiman, Piano

Osmo Vänskä and the Minnesota Orchestra present “Tchaikovsky's Threes”

Phillip Nones, 11th January

In memorable performances, Osmo Vänskä and the Minnesota Orchestra showcased lesser-known scores as part of their Tchaikovsky Marathon.

****1

Baroque-style in Seattle, but unusual, unfamiliar and refreshing

Philippa Kiraly, 3rd May

An enlightening concert: a barely known composer esteemed in his day, an instrument we rarely hear in Baroque concertos and an early classical work for four, yes, four soloists.

***11

An unusual and moving evening in Seattle'

Thomas May, 17th July

The second week of the Seattle Chamber Music Society's 2015 Summer Festival offered up an unusual juxtaposition of instrumental and vocal pieces, with a beautifully somber mood prevailing.

****1

Seattle Chamber Music Society launches its 2025 summer festival

Thomas May, 6th July

The Seattle Chamber Music Society opens its 2025 summer festival with a program of striking emotional depth, musical refinement and rapturous ensemble connection.

****1

A restorative opening night at Seattle Symphony, with French accents

Thomas May, 17th September

Former music director Ludovic Morlot steps in to open the currently leaderless orchestra's new season with echoes of their shared past and a world premiere.

****1

An opening night of substance at Seattle’s Chamber Music Festival

Thomas May, 5th July

Chamber music values and luxury casting with world-class string players enriched this hefty program of an elegiac Bach sonata and valedictory works by Bartók and Brahms.

****1

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Thomas May

Thomas May is a writer and translator based in Seattle. His books include Decoding Wagner and The John Adams Reader, and he blogs about the arts at memeteria.com. He has written for The Washington Post, Gramophone, Listen, Symphony magazine, OPERA America, crosscut.com, and many other publications.