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Journeys and landscapes: the Melbourne Symphony plays Strauss and Beethoven

Par Nicholas Young, 24 juin 2017
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Critique faite à Arts Centre Melbourne: Hamer Hall, Melbourne, le 23 juin 2017
Programme
Strauss R., Don Quichotte, Op.35
Beethoven, Razumovsky Quartet, Op.59 no.1: Adagio Molto e Mesto (Arr. Dean)
Beethoven, Symphonie no. 6 en fa majeur « Pastorale », Op.68
Artistes
Melbourne Symphony Orchestra
Sir Andrew Davis, Direction
Daniel Müller-Schott, Violoncelle
Christopher Moore, Alto
Dale Barltrop, Violon
Voir plus de critiques Concert
Protests disrupt the Melbourne Symphony Orchestra's Proms appearance
Dominic Lowe, 29th August
Despite the disruption, the musicians of the MSO under Chief Conductor Jaime Martín continue their interesting programme of Sutherland, Dvořák and Tchaikovsky.
***11
From Elgar to didgeridoo: the Melbourne Symphony play the Elphi
Mengguang Huang, 28th August
Under Jaime Martín, the Melbourne Symphony Orchestra showcase Indigenous music through William Barton’s didgeridoo alongside Elgar and Mussorgsky, creating a visually and sonically vivid, if uneven, evening.
***11
Sir Andrew Davis leads Elgar’s Gerontius in Melbourne
Patricia Maunder, 8th March
The double choir triumphs in the MSO’s massive, mostly successful attack on an English choral masterpiece all too rarely performed in Australia.
***11
Soloists and orchestra shine in MSO Opening Gala
Nicholas Young, 3rd March
A celebration of composer, soloist and orchestral excellence in an eclectic, if slightly eccentric, gala opening program to launch the Melbourne Symphony Orchestra's 2018 season.
****1
Bartók and Shostakovich with power and precision in Melbourne
Nicholas Young, 10th August
Pitch-perfect Bartók by Ibragimova and a boldly expansive reading of Shostakovich's Fifth by Hrůša made for an insightful evening's reflection on musical early modernity.
****1
Fraternity and frivolity: from Bizet to Elgar in Melbourne
Nicholas Young, 28th July
Under Benjamin Northey's baton and Kristian Chong's fingers, Bizet's Carmen Suite and Saint-Saëns' Second Piano Concerto dazzle, but it's Elgar's Sospiri and Enigma Variations that truly made the evening.
***11
Plus de critiques...
Lire critiques de
Christopher MooreDaniel Müller-SchottDon Quichotte, Op.35Ludwig van BeethovenMelbourne Symphony OrchestraRichard StraussSir Andrew DavisSymphonie no. 6 en fa majeur « Pastorale », Op.68
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Nicholas Young
Nicholas Young
Nicholas Young is a graduate of the Sydney Conservatorium of Music and the Universität Mozarteum Salzburg, and is currently undertaking doctoral studies at the Melbourne Conservatorium of Music. He has concertised as pianist throughout Australia, New Zealand and Europe, winning major prizes in numerous national and international competitions, and performed concerti with the West Australian, Queensland, Adelaide and Willoughby Symphony Orchestras. Outside of performance, Nicholas has a keen interest in musicological research, especially 20th- and 21st-century piano repertoire and its composers, and alongside academic writing has prepared notes for various concert programs and CDs.