The Cleveland Orchestra makes a triumphant return to Severance Hall

Par Timothy Robson, 16 octobre 2021

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“although... not at capacity, the crowd ravenously anticipated the local band’s return”

Critique faite à Severance Music Center: Mandel Concert Hall, Cleveland, le 14 octobre 2021

Strauss R., Macbeth, Op.23

Tower, Cello Concerto, "A New Day"

Prokofiev, Symphonie no. 5 en si bémol majeur, Op.100

The Cleveland Orchestra

Franz Welser-Möst, Direction

Alisa Weilerstein, Violoncelle

Cleveland et Franz Welser-Möst en hérauts des temps passés

Julien Hanck, 16th October

Ces dernières années, on a surtout entendu Mahler sculpté par des baguettes démiurges : celles de Rattle, de Nézet-Séguin ou de Harding. Toutes ces lectures paraîtraient outrancières face à celle que proposait Franz Welser-Möst et l'Orchestre de Cleveland à la Philharmonie.

****1

Brahms à la Salle Pleyel

Luca Dupont-Spirio, 20th September

Arrivés à Paris pour l'avant-dernière étape de leur tournée européenne, Franz Welser-Möst et l'Orchestre de Cleveland ont interprété Brahms avec une précision aussi intimidante que remarquable.

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Barbara Hannigan surveys American voices with The Cleveland Orchestra

Sam Jacobson, 14th February

Works by Crumb, Ruggles, Barber and Gershwin offer four distinct ideas of what American music can sound like in Barbara Hannigan’s explorative Cleveland Orchestra program.

***11

The Cleveland Orchestra at Carnegie Hall: symphonic extremes

Sam Jacobson, 21st January

Following a polished account of Mozart’s Jupiter Symphony, Shostakovich’s Eleventh erupted with visceral force, as Franz Welser-Möst led The Cleveland Orchestra in a performance of gripping intensity.

*****

A study in control and proportion: the Clevelanders’ Verdi Requiem

Edward Sava-Segal, 20th January

Asmik Grigorian leads a strong quartet of soloists and the Cleveland Orchestra Chorus shape the performance at Carnegie Hall.

****1

An uneven symphonic pairing from Franz Welser-Möst in Cleveland

Frank Kuznik, 10th January

Mozart and Shostakovich make an uncomfortable fit in a program designed to highlight their differences.

***11

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Timothy Robson

We are saddened to learn of the death of Tim Robson, a long-time Bachtrack contributor (2012-21). Tim was an organist in Cleveland, Ohio and his repertoire extended to all musical periods, with a special interest in contemporary music. As a blogger he was a regular contributor to ClevelandClassical.com. In his parallel career as a librarian, Tim was Associate Director for Academic Engagement at the Kelvin Smith Library of Case Western Reserve University. Our condolences to his family.