Classical Music Concerts and Reviews

From our concerts homepage you can find the best classical music concerts and events taking place around the world, featuring some of the best orchestras from the most prestigious concert halls. Whether you’re looking for symphony concerts, chamber music recitals, choral concerts, the most daringly avant-garde or the most popular classical music, you can find it all here, as well as reviews and insightful feature articles.
« Thank you so much, Bachtrack, for this feast of information to delight us again at the start of the New Year. Time is of no consequence when sifting through this incredible compilation. »
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For Bachtrack members

March 2017 Hot List: For members only

Here is your March 2017 Hot List, hand-picked by our editorial team from the wealth of listings (42 pages!) on 'What's On' section.  The listings should begin with your 'home' city – if you have set one as your most usual concert/opera-going city. You can also select other cities as your favourites, so that these should appear next on the list.
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Reviewed in Barcelona

Dudamel conquers Barcelona with Beethoven

In Barcelona, Gustavo Dudamel and Simón Bolívar Symphony Orchestra of Venezuela continued their Beethoven cycle with performances of the Fifth and Sixth. 
*****
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Reviewed in London

Passion and commitment: Maurizio Pollini

Maurizio Pollini demonstrated why people still flock to hear him perform in sonatas by Beethoven and miniatures by Schoenberg.
****1
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Reviewed in Hong Kong

Grandeur and opulence in Oslo Phil's Rachmaninov

The Oslo Philharmonic offers a spirited interpretation of fine nuance and a sense of grandeur and opulence in Rachmaninov's Second Symphony. 
****1
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Baroque Month

Three festivals for Mr. Handel

Sandra takes us on a guided tour round Germany's major international Handel Festivals: Göttingen, Halle and Karlsruhe.
Insider Guide

Insider Guide: More new seasons, more new listings

The trickle of new season announcements now starts to develop into a flood as more and more opera companies and orchestras announced their 2017-18 line-ups. Here are a few of our highlights from those announced recently.
Baroque Month

Baroque and Early Music Festivals: the 2017 guide

Whether you're looking for Handel, Bach, Monteverdi, Telemann or mix of all of these; whether you like your Baroque music in a grand palace, an intimate chapel or a state-of-the-art concert hall, our 2017 roundup has something for you.
Contemporary focus

A guide to contemporary music festivals

There are plenty of occasions to hear Beethoven's symphonies or Mozart's operas throughout the year. But what about the 21st century repertoire? Contemporary music lovers often find it hard to quench their thirst for new music. Thankfully, some festivals specialise in contemporary music, giving to everyone the opportunity to drink their fill.
Interview

Concert hall acoustics in the 21st century: Interview with Sam Berkow

A pupil of Russell Johnston at Artec, Sam Berkow has been the acoustical designer of performing arts venues and recording studios. He talks to David Karlin about modern acoustics, and his belief that modern performance spaces should support a wide range of performances without acoustical compromise.
Contemporary focus

Keeping the Boulez spirit alive

Daniel Barenboim inaugurated last month the Barenboim-Said Academy in Berlin. The most interesting feature of the hall lies not in its flowing architecture, but rather in its name: the Pierre Boulez Saal. One year after the French composer death, what is his legacy?
Opinion

Opinion: Beer with Bruckner?

Many composers enjoyed a drop of the hard stuff. But why do classical music venues allow audiences to indulge during concerts?
Contemporary focus

Remembering the legacy of Pauline Oliveros

“Music is a multi-dimensional, dynamic process unfolding as a relationship between an individual or a group of individuals, and sound vibrations.
Concert halls

Opinion: A tale of three cities

Travel broadens the mind. It also opens the ears. For years, I was very happy to hear concerts in London… until I heard halls elsewhere.
Upcoming eventsSee more...

AmsterdamHengelbrock with the RCO: Mozart's and Schubert's 'Unfinished'

Schubert, Mozart
Royal Concertgebouw Orchestra; Thomas Hengelbrock; Balthasar Neumann Choir; Terry Wey; Andreas Weller; Reinhard Mayr

AmsterdamOlli Mustonen & Friends: Schubert's Trout Quintet

Milhaud, Mustonen, Schubert
Hugo Ticciati; Philippe Graffin; Razvan Popovici; Christian Poltera

San SebastiánBeethoven, Stravinsky, Schumann

Beethoven, Stravinsky, Schumann
Euskadiko Orkestra Sinfonikoa; Hans Graf

GlasgowStrauss’s Four Last Songs

Wagner, Strauss R., Langgaard
BBC Scottish Symphony Orchestra; Thomas Dausgaard; Erin Wall

Bois-ColombesAntigua 92

OsloWorld premiere: Luther Suite

Mazur: Luther-suite
Carsten Seyer-Hansen; Concert Clemens; Mads Wadmann; Jakob Buchanan; Michael Bladt

CórdobaProgramme no. 7

Mozart, Eberl
Orquesta de Córdoba; Lorenzo Ramos; Roberto Pérez Moreno

ReykjavikPoschner conducts Bruckner

Bruckner: Symphony no. 8 in C minor, WAB 108
Iceland Symphony Orchestra; Markus Poschner
Latest reviewsSee more...

Disappointing Schubert and Brahms

Not much to set the heart racing in two works of German Romanticism performed by the London Symphony Orchestra and Chorus, conducted by Fabio Luisi.
**111
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Gil Shaham thrills with vivacious Barber

Gil Shaham and Juraj Valčuha join the San Francisco Symphony for electrifying performances reminding listeners of the true joy of dialogic music-making and the excitement of high-caliber ensemble collaboration.
*****
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Multi-media stress test for Antwerp’s new hall

Overshadowed by its Hanseatic cousin Hamburg, Antwerp recently celebrated the opening of its own new concert hall. In his Symphony no. 2, Wim Henderickx tested the hall's capabilities with a multi-media extravaganza.
***11
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Inspired Ritorno d’Ulisse at the Concertgebouw

Under the baton of René Jacobs, B’rock Orchestra gave an inspired performance  that ought to contribute in giving Il ritorno d’Ulisse in Patria the place it deserves in the standard repertoire.
*****
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An early start to Easter: Bach in Oslo

The Balthasar-Neumann-Chor and Ensemble performed a deeply moving, if slightly uneven, St John Passion, setting off the Oslo Church Music Festival.
****1
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Echoes from the past: the Norwegian CO

Two big-boned Mozart piano concertos played by Leif Ove Andsnes formed the meaty filling in a concert by the Norwegian Chamber Orchestra that showcased their superb ensemble characteristics.
****1
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Baroque Dance Party with Johannes Fischer

International percussionist Johannes Fischer brought almost everything but the kitchen sink to the Scottish Ensemble’s lively Baroque Dance Party.
***11
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Chamber intimacy and bold brushstrokes in Boston

Bernard Haitink returned for his yearly visit to Symphony Hall to conduct a program which embraced the Classical, Romantic and Modern.
****1
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Lieder Month

The delicate art of song

Undeservedly, Lieder recitals have a rarefied, old-lace aura that can scare off potential fans. Far from being remote and understated, their intimate nature closely connects singers with their audiences.
Interview

Follow my Lieder: Anna Lucia Richter

"Just jump in at the deep end!" Anna Lucia Richter talks about the world of song and how to approach it.
interview

Follow my Lieder: Karen Cargill

Scottish mezzo Karen Cargill shares her thoughts on programming, musical partners and how the audience can approach Lieder recitals. 
Valery Gergiev

Opinion: A bang and a whimper

A flutter of the fingers, a whirl of the toothpick and he was gone... So does Valery Gergiev really deserve the criticism of his LSO tenure that's come his way?
Mozart in Bogotá

Bogotá es Mozart: A life-enhancing experience

An astonishing festival of Mozart in Bogotá reaches a life-enhancing climax for our editor as 1300 people squeeze into a church to experience the great composer's music.
Nielsen 150

A look at Carl Nielsen’s Maskarade

An exploration of Nielsen's Maskarade – rarely performed, but Denmark's national opera. 
film music article

Italian Cinema and the age of Nino Rota

Rota's film scores repeatedly found the right colour against which his directors' images could dazzle.
film music article

Silver screen scores in the concert hall

Orchestras increasingly perform concerts of film music and we were interested to discover how popular these were and if their approach to playing – and recording – such music is in any way different to standard concert repertoire.
film music article

Scoring for Spain: The film music of Alberto Iglesias

The cinematic world consists of two types: those who believe that continually recasting from a favoured coterie of actors can endanger suspension of disbelief, and those who do not. 
Opinion

Opinion: A tale of three cities

Travel broadens the mind. It also opens the ears. For years, I was very happy to hear concerts in London… until I heard halls elsewhere.
Interview

Follow my Lieder: Venera Gimadieva

Hailed as ‘the new voice of Russia’ and the star of the Bolshoi Theatre, soprano Venera Gimadieva talks about singing song recitals as part of our Lieder series.
interview

Follow my Lieder: Roderick Williams

Baritone Roderick Williams is a leading song recitalist, a regular at London's Wigmore Hall and makes his North American recital debut in February with a unique performance of Schubert’s Schwanengesang in New York's Park Avenue Armory. 
featured article

Trust me, I’m a critic!

In the fall-out from the ‘Dumpygate’ saga surrounding critical reaction to Glyndebourne’sDer Rosenkavalier, critic-bashing has enjoyed renewed vigour. Using the incident to promote a ‘Battle of Ideas’ debate on the value of music critics and the role they play piqued my interest in attending Saturday’s Free Stage event at the Barbican.
Sibelius 150

Sibelius’ Silence?

On 26th December, 1926, Walter Damrosch and the New York Symphonic Society gave the première of Tapiola, a tone poem depicting the forest spirit of the Kalevala. No-one knew thatTapiola would turn out to be the composer’s last major work...
Sibelius & Nielsen 150

Nordic twin peaks

An analysis of the Violin Concertos by Jean Sibelius and Carl Nielsen as we celebrate their 150th anniversaries. 
Film music article

Scoring psychological portraits: Herrmann and Hitchcock

Herrmann’s core philosophy of scoring film music was not to provide music to accompany the action of the film, but rather to paint a psychological portrait or arouse a compelling atmosphere.
film music article

Writing music for silent films

The 1925 silent version of The Phantom of the Opera was on the menu. Except this time it featured music from beginning to end.
film music article

British classical composers writing for film

When ‘talkies’ first started to spread their wings in the mid 1930s, a need for orchestral scores to accompany the increasing visual ambitions of the films was identified. So, who was to write this music?
Critics' poll

Chailly and the Berliner Philharmoniker: the critics’ choice

Which are the greatest orchestras and conductors according to the professional critics? Bachtrack's poll reveals the top ten! 
Interview

Follow my Lieder: Miah Persson

Swedish soprano Miah Persson talks about the world of lieder and the art of putting together a song recital. 
interview

Follow my Lieder: Mark Padmore

Tenor Mark Padmore joins in our 'Follow my Lieder' series and discusses performing with surtitles and how new audiences can approach Lieder recitals. 
On Demand Service

Bachtrack On Demand

Stream live and archived events at the Royal Academy of Music
Search for archived (“On Demand”) or live broadcast events from world famous orchestras and venues such as the Berlin Philharmonic, the Gothenburg Symphony Orchestra, the Royal Academy of Music and Met Opera.
Nielsen 150

Celebrating the Wind Music of Carl Nielsen

An exploration of the wind music – concertos and chamber music – of Carl Nielsen.
Sibelius 150

Sibelius' Symphonies 1 & 2: A violinist’s perspective

An overview of Sibelius' first two symphonies from the perspective of an orchestral violinist. 
Film music article

Korngold: Music for Hollywood

Korngold was one of the great, if not the greatest, composers for film and his style became synonymous with what came to be expected from a Hollywood film score.
film music article

Scoring Shakespeare: from silent film to modern adaptation

In the late 1890s, Shakespeare's plays became a popular source for films and remained one throughout the 20th century. Here's a brief journey through time and some of the most popular films.
film music article

Movie Music à la française

In the “A to Z” of classical French film composers of the past one hundred years, the names Ibert, Milhaud, the two Georges (Auric and Delerue) and les deux Maurices (Jaubert and Jarre) stand out.