L'inattendue rencontre de Manon Lescaut et Joséphine Baker à Bastille

By Stéphane Lelièvre, 12 February 2022

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“ce nouveau spectacle est une réussite et rencontre un joli succès”

Reviewed at Opéra national de Paris: Opéra Bastille, Paris on 11 February 2022

Massenet, Manon

Opéra national de Paris

James Gaffigan, Conductor

Vincent Huguet, Director

Aurélie Maestre, Set Designer

Clémence Pernoud, Costume Designer

Bertrand Couderc, Lighting Designer

Orchestre de l'Opéra national de Paris

Chœurs de l'Opéra national de Paris

Ailyn Pérez, Manon

Roberto Alagna, Le Chevalier Des Grieux

Andrzej Filończyk, Lescaut

Andrea Cueva Molnar, Poussette

Ilanah Lobel-Torres, Javotte

Jeanne Ireland, Rosette

Rodolphe Briand, Guillot de Morfontaine

Laurent Laberdesque, A sergeant

Julien Joguet, A sergeant

Marc Labonnette, Monsieur de Brétigny

Philippe Rouillon, Innkeeper

Jean Teitgen, Le Comte Des Grieux

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David Karlin, 14th March

Excellent vocal acting from Thomas Hampson, Renée Fleming, Xiaomeng Zhang and a magnificent orchestral performance conducted by Kent Nagano can't make Valentina Carrasco's production fully grip.

***11

Thomas Adès’ high-flying Exterminating Angel in Paris

Erwan Gentric, 29th February

The French premiere of the British composer's opera will be the undisputed high point of the Grande Boutique's season: a perfect confluence of music, staging and cast.

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In the expert hands of both director Warlikowski and conductor Kent Nagano, the sequel to Bernstein's Trouble in Tahiti proves to be even darker and more dramatic.

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A long road to nowhere for Igor at the Bastille

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Barrie Kosky's makes a limited impact in his debut at Opéra de Paris, apart from an hallucinogenic Polovtsian Dances.

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Philippe Ramin, 28th September

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Stéphane Lelièvre

Stéphane Lelièvre est maître de conférences en littérature comparée. Il est responsable de l’équipe « Littérature et musique » du Centre de Recherche en Littérature Comparée à la Faculté des Lettres de Sorbonne Universités. Spécialiste des romantismes allemand et français, il s’intéresse d’une manière générale aux liens entre les lettres et la musique, et donc particulièrement à l’opéra.

L'inattendue rencontre de Manon Lescaut et Joséphine Baker à l'Opéra Bastille