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Laurent Pelly’s darkly stylish production of Manon is revived with a strong cast of singers. In the title role, Lisette Oropesa demonstrated elegant and incisive singing, while Michael Fabiano was her virile and powerful partner.

Juan Diego Flórez was impressive in his first portrayal of a lovesick soldier/priest in Manon, with Nino Machaidze's accomplished heroine. Andrei Serban's modern and thoughtful production was still fresh and arresting.

This production fell just short of brilliance but showed how relevant and thought-provoking opera as an art form can be when tapping into today's headline debates.

Aspiring Perth (WA) company Opera Box provides an enjoyable night at the opera, cementing their willingness to perform major mainstream works, challenging the dominance of the established companies and their less imaginative choices.

A Manon as sexy and unsteady as its heroine.

The two leads in the brand-new cast of the Met’s three year old production of Massenet’s Manon were unbeatable. 

Patricia Petibon manages to portray an absolutely charming Manon. She spans the space between innocence and worldliness and remains consistently energetic and delightful. 

Every opera poses an acting challenge to its prima donna, but Massenet’s Manon, whose 2010 production by Laurent Pelly started its first revival at Covent Garden last night, is particularly harsh on the singer of its title role. Ermonela Jaho rose to the task magnificently.

Read our review of Laurent Pelly's production of Massenet's Manon in its 2012 broadcast from the Met Opera in New York.

Manon was not only central to Jules Massenet’s claim to international celebrity after its creation in 1884, it remains at the heart of the operatic repertoire and Massenet’s popularity today. Manon returned to the stage of L’Opéra de Montréal on 18 May after a lengthy absence to close the company’s 2012/13 season.

Manon fait son retour à Bastille dans un spectacle cohérent, avec une distribution réservant quelques belles surprises – mais une direction d'orchestre lorgnant un peu trop vers l'opéra...

Dans cette nouvelle production mise en scène par Vincent Huguet, la Manon de Pretty Yende convainc, le Des Grieux de Benjamin Bernheim enthousiasme mais la direction musicale de Dan Ettinger engloutit l’ensemble.

Massenets Spiel vom Aufstieg und Fall eines französischen Provinzmädchens wird in Spiegel einer zeitgenössischen Gesellschaftskritik am Staatstheater auf die Bühne gebracht.

Bildgewaltig inszeniert Floris Visser Jules Massenets Oper; Elsa Dreisig und Piotr Beczała erobern als unglückseliges Liebespaar Herzen und Ohren.

Olivier Py propose une passionnante mise en scène de l'opéra de Massenet, malgré des excès évitables. Si Benjamin Bernheim et Nadine Sierra resplendissent, Marc Minkowski déçoit dans la fosse.

Diana Damrau a fait vibrer l'Opéra de Marseille lors d'un récital qui restera dans les anales de l'institution marseillaise. 

Naives Mädchen, berechnendes Luder, Vamp und Todgeweihte: Diana Damrau überzeugt als Manon in der ästhetischen und klugen Inszenierung von Andrei Serban.

La nouvelle saison de l'Opéra de Marseille débute avec une production de Manon de Massenet. Timide mais prométeuse ouverture de saison. 

Zwischen Duty-Free-Shop und Abflughalle siedelt Regisseur Elmar Goerden Massenets Oper an. Richtig abheben wollte der Abend trotz guter Einzelleistungen dennoch nicht.