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France 2 – 0 Finland: an uneven match under Santtu-Matias Rouvali and the Philharmonia

Von Mark Pullinger, 25 Januar 2019
Laden, bitte warten...
Veranstaltung anzeigen
“Ravel in a silk cravat, sashaying between smoky bassoons and jaunty piccolo”
Rezensierte Veranstaltung: Royal Festival Hall, London, am 24 Januar 2019
Programm
Ravel, La Valse
Ravel, Klavierkonzert in G-Dur
Chopin, Nocturne no. 2 in E flat major, Op.9 no.2
Sibelius, Valse triste, Op.44 Nr.1
Sibelius, Symphonie Nr. 1 in e-Moll, Op.39
Darsteller
Philharmonia Orchestra
Santtu-Matias Rouvali, Musikalische Leitung
Alice Sara Ott, Klavier
Weitere Konzert Kritiken
Mahlers Neunte mit Salonen stimmt nachdenklich in der Elbphilharmonie
Stefan Pillhofer, 1st October
Nach einem reichen, erfüllenden Musikeindruck bleiben auch Fragen zur Ausführung und Interpretation zurück.
***11
Das Philharmonia Orchestra spielt mit entwaffnender Überzeugungskraft
Sebastian Urmoneit, 24th April
Das London Orchester unter Esa-Pekka Salonen zeigt bei seinem Gastspiel in Berlin alle Facetten Mahlers auf.
*****
Benedetti ablaze with the Philharmonia
Christopher Woodley, 19th April
As gifts to the Philarmonia's 80th birthday season, Nicola Benedetti gives a barnstorming account of Elgar's Violin Concerto before Cristian Mӑcelaru gets emotionally drained by La Mer.
*****
A Resurrection for the ages: Kent Nagano conducts the Philharmonia
Eleanor Knight, 19th March
Any performance of Mahler’s Resurrection Symphony is an event, but this mighty Philharmonia account at the Royal Festival Hall proves extra special. 
*****
A brilliant UK premiere of John Adams’ After the Fall
David Karlin, 25th February
The Icelandic pianist and Finnish conductor make a superb case for John Adams' latest concerto; the Philharmonia play Ravel's Daphnis et Chloé strongly but don't convince completely.
****1
Renes replaces Runnicles in a remarkable Philharmonia Bruckner 8
Dominic Lowe, 19th February
Stepping in for Sir Donald Runnicles at very short notice, Lawrences Renes conducts the Philharmonia in a sleek and vivid reading of Bruckner's magisterial Eighth Symphony. 
****1
Weitere Kritiken...
Kritiken von
Alice Sara OttFrédéric ChopinJean SibeliusKlavierkonzert in G-DurLa ValseMaurice RavelNocturne no. 2 in E flat major, Op.9 no.2Philharmonia OrchestraSanttu-Matias RouvaliSymphonie Nr. 1 in e-Moll, Op.39Valse triste, Op.44 Nr.1
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Mark Pullinger
Mark Pullinger
Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.