En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | James F Ingalls

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Barcelona

26 may 2024

Las manos y los oídos de Beethoven: Dudamel dirige Fidelio en el Liceu

Por Maria Sánchez

Madrid

Ecos en la zona de confort: Only the Sound Remains en el Teatro Real

Por Fernando Remiro, 26 octubre 2018

La cuarta ópera de de Kaija Saariaho llega a Madrid con el mismo reparto que en su estreno mundial y Davone Tines, Philippe Jaroussky y Nora Kimball-Mentzos en los papeles protagonistas

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Madrid

26 oct 2018

Ecos en la zona de confort: Only the Sound Remains en Madrid

Por Fernando Remiro

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Salzburgo

Spätromantische Klänge werden Landschaft: One morning turns into an eternity in Salzburg

Por Michael Vieth, 18 agosto 2025

Die Zweite Wiener Schule und Mahler: Schönbergs Monodram „Erwartung“ und Mahlers „Abschied“ kann Peter Sellars in einer halbszenischen Fassung als Ganzes nebeneinander stellen

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Salzburgo

18 ago 2025

Klänge werden Landschaft: One morning turns into an eternity

Por Michael Vieth

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Arles

L'opéra de chambre The Nine Jewelled Deer invite à la méditation au Festival d'Aix

Por Chloë Rouge, 06 julio 2025

Œuvre signée Sivan Eldar mais en réalité véritable performance collégiale comprenant improvisation des artistes et participation du public, The Nine Jewelled Deer propose une expérience forte, autant intime que collective.

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Arles

06 jul 2025

The Nine Jewelled Deer invite à la méditation au Festival d'Aix

Por Chloë Rouge

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París

Castor et Pollux plus près des étoiles avec Currentzis et Sellars au Palais Garnier

Por Romain Daroles, 25 enero 2025

Le chef gréco-russe et le metteur en scène américain se rejoignent dans une vision généreuse et universaliste de l'opéra de Rameau, servie par une distribution impeccable.

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París

25 ene 2025

Castor et Pollux plus près des étoiles avec Currentzis et Sellars

Por Romain Daroles

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Dancers come and go, The Hard Nut fresh as ever

Por Carla Escoda, 12 diciembre 2024

It's 33 years since its premiere in Brussels, and in its eighth season in New York at the Brooklyn Academy of Music, this irreverent American classic is still firing on all cylinders.

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Nueva York

12 dic 2024

Dancers come and go, The Hard Nut fresh as ever

Por Carla Escoda

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Benjamin Bernheim heads a powerhouse cast in the Met’s Hoffmann revival

Por Susan Stempleski, 24 septiembre 2024

After a heavily promoted but underwhelming opening night, the company gets the new season back on track with plenty of star power in Offenbach’s final masterpiece.

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Nueva York

24 sep 2024

Bernheim heads a powerhouse cast in the Met’s Hoffmann revival

Por Susan Stempleski

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Salzburgo

Glück in der Musik, Pech in der Inszenierung: Der Spieler in Salzburg

Por Isabella Steppan, 22 agosto 2024

Szenisch enttäuscht der Abend auf ganzer Linie, da Peter Sellars Regie lieb- und ideenlos daherkommt; musikalisch bleiben allerdings keine Wünsche offen!

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Salzburgo

22 ago 2024

Glück in der Musik, Pech in der Inszenierung: Der Spieler in Salzburg

Por Isabella Steppan

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Onegin is the Bridgerton of ballet

Por Ivy Lin, 20 junio 2024

Two very promising debuts in the lead roles and good performances in the supporting roles, made this an enjoyable Onegin.

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Nueva York

20 jun 2024

Onegin is the Bridgerton of ballet

Por Ivy Lin

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Back from the other side: Mark Morris’ dance-intensive Orfeo ed Euridice returns to the Met

Por Susan Stempleski, 16 mayo 2024

The latest revival of the company’s 2007 stylish production of Gluck’s operatic take on the Orpheus myth is enlivened with superb singing and dancing.

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Nueva York

16 may 2024

Mark Morris’ dance-intensive Orfeo ed Euridice returns to the Met

Por Susan Stempleski

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París

Opéra mal-aimé de Bellini, Beatrice di Tenda entre au répertoire de l'Opéra de Paris

Por Stéphane Lelièvre, 09 febrero 2024

Dans une mise en scène sage de Peter Sellars, l'œuvre de Bellini, étrangement amputée de certains passages, ne remplit pas tout à fait ses promesses. Elle bénéficie cependant d'une belle distribution.

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París

09 feb 2024

Beatrice di Tenda entre au répertoire de l'Opéra de Paris

Por Stéphane Lelièvre

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Berlín

Light and shadows in Rattle and Sellars' Médée at Staatsoper Berlin

Por Elena Luporini, 19 noviembre 2023

Reuniting two old friends and collaborators, the Staatsoper Berlin presents a new production of Marc-Antoine Charpentier's Médée, with mixed results.

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Berlín

19 nov 2023

Light and shadows in Rattle and Sellars' Médée at Staatsoper Berlin

Por Elena Luporini

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National Ballet of Canada's Angels' Atlas had no wings

Por Ivy Lin, 30 marzo 2023

Crystal Pite’s Angels’ Atlas offers a strange closer for the NBC's program in their brief run at New York City Center.

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Nueva York

30 mar 2023

National Ballet of Canada's Angels' Atlas had no wings

Por Ivy Lin

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Ámsterdam

Perle Noire: kammermusikalische Meditationen an der Dutch National Opera

Por Michael Klier, 09 marzo 2023

Tyshawn Soreys Perle Noire: Meditationen für Joséphine hinterlässt eine unvergleichbare Note und individuellen Flair.

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Ámsterdam

09 mar 2023

Perle Noire: kammermusikalische Meditationen in Amsterdam

Por Michael Klier

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París

Un Tristan sans Isolde à l’Opéra de Paris

Por Erwan Gentric, 17 enero 2023

Si la direction de Gustavo Dudamel et la mise en scène de Peter Sellars rendent justice au chef-d'œuvre wagnérien, la distribution inégale suffit à ternir le tableau.

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París

17 ene 2023

Un Tristan sans Isolde à l’Opéra de Paris

Por Erwan Gentric

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San Francisco Ballet’s Nutcracker reassures, amid a changing time with a new director

Por Terez Rose, 08 diciembre 2022

This irresistible Nutcracker is a reliable delight in an increasingly unreliable world.

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San Francisco

08 dic 2022

An exciting buzz generated for San Francisco's Nutcracker

Por Terez Rose

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An unlikely meeting of Morton Feldman and the blues, brilliantly conceived by Tyshawn Sorey

Por Kurt Gottschalk, 27 septiembre 2022

Sorey’s instrumentation mirrors Feldman’s Rothko Chapel in a moving evening of musical high drama at Park Avenue Armory.

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Nueva York

27 sep 2022

An unlikely meeting of Morton Feldman and the blues

Por Kurt Gottschalk

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Charm and wit abound in revival of San Francisco Ballet's Don Quixote

Por Terez Rose, 26 febrero 2022

Helgi Tomasson and Yuri Possokhov's restaging of the 1869 Petipa classic brings a sunny smile to faces in San Francisco.

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San Francisco

26 feb 2022

Charm and wit abound in San Francisco Ballet's Don Quixote

Por Terez Rose

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A triumphant Nutcracker: San Francisco Ballet is back!

Por Terez Rose, 11 diciembre 2021

With Tchaikovsky’s dear, familiar overture, the reassuring sameness of Wendall K Harrington’s slide show projecting 1915 San Francisco scenes onto the curtains, we were all, most decisively, back.

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San Francisco

11 dic 2021

A triumphant Nutcracker: San Francisco Ballet is back!

Por Terez Rose

Philosophy amid movement in San Francisco Ballet’s Dance Innovations

Por Terez Rose, 13 febrero 2020

The ballet culminates with fouettés, bravura leaps from the oversized ensemble and a rousing finish with all 44 dancers onstage. It was an exuberant end to an intelligent, satisfying production, both of thought and movement.

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San Francisco

13 feb 2020

Philosophy amid movement in San Francisco Ballet’s Dance Innovations

Por Terez Rose

Seattle

Balanchine's Nutcracker returns in all its annual glory

Por Philippa Kiraly, 29 noviembre 2019

Great story, colorful costumes and sets, dozens of performers all add up to the annual extravaganza of George Balanchine's The Nutcracker. Pacific Northwest Ballet's superb artists portray its wonders again.

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Seattle

29 nov 2019

Balanchine's Nutcracker returns in all its annual glory

Por Philippa Kiraly

At the Met, a revival of Orfeo ed Euridice preserves wit and limited pathos

Por Edward Sava-Segal, 04 noviembre 2019

Jamie Barton's rich, mellifluous mezzo is ideal for singing Orfeo.

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Nueva York

04 nov 2019

At the Met, a revival of Orfeo ed Euridice

Por Edward Sava-Segal

Salzburgo

Der Tod des milden Titus: Mozarts Geist kehrt zurück nach Salzburg

Por Daniel Url, 27 julio 2017

Lange hat man Mozart in Salzburg nicht mehr so mitreißend erlebt. Mit dem neuen Titus gelingt Neo-Intendant Markus Hinterhäuser ein Coup, der erhoffen lässt, dass sich Salzburg einer neuen goldenen Ära entgegenbewegt.

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Salzburgo

27 jul 2017

Der Tod des milden Titus in Salzburg

Por Daniel Url

Berkeley

A fiery Layla and Majnun première by the Silk Road Ensemble and Mark Morris Dance Group

Por Jaime Robles, 30 septiembre 2016

The staging required that the dancers move through and around the musicians, and this intertwining gave the piece a coherent visual identity and a flowing energy.

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Berkeley

30 sep 2016

Mark Morris / Silk Road ensemble: Layla and Majnun

Por Jaime Robles

Morris' Mozart Dances at the Mostly Mozart Festival

Por Andrew Blackmore-Dobbyn, 24 agosto 2016

Mozart Dances is a great piece of work and when paired with Garrick Ohlsson and the Mostly Mozart Festival Orchestra, it’s a terrific night at the theater.

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Nueva York

24 ago 2016

Mozart dances, Mark Morris

Por Andrew Blackmore-Dobbyn

San Francisco Ballet concludes season with Cranko’s masterful Onegin

Por Terez Rose, 30 abril 2016

The San Francisco Ballet's 2016 season culminates in a dazzling, masterful rendition of John Cranko's Onegin, bringing passion, fury and drama to the War Memorial Opera House stage.

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