Live, Video: Find classical music concert, opera, ballet and dance reviews | Daniil Trifonov

Matthias Goerne and Daniil Trifonov take their Toronto audience on a Schubertian journey to remember at Koerner Hall. 

From Rachmaninov's Third Concerto to the Symphonic Dances, a programme of emotional depth and orchestral virtuosity to open this year's Tanglewood Festival. 

Modest as ever, Daniil Trifonov offers another masterclass in how virtuosity is sublimated into poetry. 

The Chicago Symphony Orchestra and its future Music Director revel in a Brahms piano concerto with ideal collaborator Daniil Trifonov and an energetic Dvořák 7. 

Hans Graf conducts Debussy's Images to close a gala concert featuring the Singapore debut of the great Russian pianist. 

Daniil Trifonov takes New Zealand by storm with a performance of Rachmaninov's Third Piano Concerto of technical command and musical artistry.

In their duo debut at Carnegie Hall, violinist and pianist offered a dialogue of many contrasts.

Semyon Bychkov and the Czech Philharmonic bring their Year of Czech Music to a triumphant conclusion in Toronto’s Koerner Hall, where Daniil Trifonov raises the roof with Dvořák’s neglected Piano Concerto. 

Rafael Payare, the Orchestre symphonique de Montréal and Daniil Trifonov warm up Berlin audiences with a high-temperature concert at the Philharmonie.

Bookended by Tchaikovsky, Daniil Trifonov’s powerfully virtuosic recital also visits the music of Chopin and Barber. 

The orchestra doesn't miss a beat in opening the season with a substitute conductor Charles Dutoit and a dashing new artist-in-residence in Daniil Trifonov. 

The best moments come at either end of this underwhelming LA Phil concert.  

Despite the hype surrounding the star pianist Daniil Trifonov, it was the TSO under Gustavo Gimeno who stole the show.

The young Russian virtuoso captivates New York with a program of Rameau, Mozart, Mendelssohn and Beethoven.

Yannick Nézet-Séguin and The Philadelphia Orchestra don't quite have the measure of Rachmaninov's dark First Symphony, but Daniil Trifonov once more dazzles in the Paganini Variations.

In the first of two all-Rachmaninov programmes, The Philadelphia Orchestra, its Music Director, Yannick Nézet-Séguin, and Daniil Trifonov show why together they are some of the hottest property on the planet.

Yannick Nézet-Séguin premieres a new edition of William Grant Still's Fourth Symphony and joins Daniil Trifonov for Gershwin's rousing Concerto in F.

The audience turns out in droves to see one of the greatest pianists of his generation.

Rescheduled from February, Joshua Bell and Daniil Trifonov's Carnegie Hall recital drew an extra sense of anticipation. 

Stravinsky and Bartók rarities were the genesis of a superb concert program in Montreal with Finnish conductor Hannu Lintu.

Lahav Shani gives the players of the Rotterdam Philharmonic Orchestra their moment to shine in Strauss' demanding Ein Heldenleben. 

The Finnish conductor paired works by compatriots Jean Sibelius and Kaija Saariaho with interesting, offbeat selections from Stravinsky and Bartók.

An evening of premieres – the European premiere of Bates' concerto plus the world premiere of Joey Roukens' First Symphony – delights the Rotterdam Philharmonic's Utrecht audience. 

Yannick Nézet-Séguin conducts a high-energy program of works by Coleman, Liszt and Dvořák, but there are moments of reflection too, not least Trifonov's Ukrainian encore.

A night to remember for Montreal orchestral music devotees as Daniil Trifonov joins the Orchestre symphonique de Montréal and conductor Rafael Payare.

Daniil Trifonov’s Cincinnati recital prefaced an imposing Brahms sonata with shorter works by Szymanowski, Debussy, and Prokofiev.

Yannick Nézet-Séguin conducted a never-better Philadelphia Orchestra in a program that also included a benchmark performance of Rimsky-Korsakov's Scheherazade.

After a bumpy first half, Pappano turns the evening into a memorable one by delivering an outstanding rendition of the Finn's First Symphony.

Concerto and symphony – in reversal of the usual order – from the Boston Symphony Orchestra and Andris Nelsons.

The Russian pianist plays works by Debussy, Prokofiev and Brahms, building unexpected bridges between them all. 

The principal flute provided several of the delights coming from the wind section, still one of the glories of this orchestra.

Daniil Trifonov gives Bach's swan song a youthful energy and a sense of adventure.

Daniil Trifonov's radiant reading of Beethoven's Emperor Concerto, and two impressive works by Lili Boulanger and Louise Farrenc, as Yannick Nézet-Séguin leads the Philadelphia Orchestra.

Daniil Trifonov provided a spectacularly nuanced and expressive interpretation of Scriabin's Piano Concerto with the New York Philharmonic under Jaap van Zweden.

An ambitious programme demonstrated the musical passions and prowess of this most sought-after pianist, holding the Halloween audience in his devilish spell.

Wunderkind Russian piano virtuosi are no novelty in European concert halls. Artistic seriousness and subtle interpretive skill are a harder sell. Daniil Trifonov, a pianist with intelligent and original interpretations that belie a maturity beyond his tender years, closed his season-long residency at the Berlin Philharmonic with a performance of Scriabin's rarely performed piano concerto.

Philip Cobb’s bluesy inflections turned the dear old Barbican Hall into the coolest nightspot in the capital; they might as well have lowered the lights and served cocktails.

In its chamber music textures, Shostakovich's 15th couldn’t provide greater contrast to Rachmaninov’s rainforest of notes in this Slavic double bill from Andris Nelsons and the Boston Symphony. 

The LSO saved their best till last, for La Valse was superb in both sensuous atmosphere and devastating execution.

Jaap van Zweden commenced his role as music director of the New York Philharmonic with a première by Ashley Fure, Stravinsky's Rite of Spring, and Ravel's Piano Concerto in G major featuring pianist Daniil Trifonov. 

Trifonov's rock solid technique is applied with finesse to one of the world's most popular concerti; Stravinsky's Fairy's Kiss doesn't transfer well to the concert platform.

In his first Cleveland Orchestra engagement since 2006, MTT offered a powerful Russian evening of Stravinsky, Tchaikovsky and a Prokofiev concerto with Daniil Trifonov.

Despite some fascinating, impressive and often beautiful moments, the consistent refusal to give the audience time to applaud, pause and digest what they had just heard turned the evening into a wash of death songs.

Daniil Trifonov is clearly still finding his feet in Schumann's concerto but Mariss Jansons proves a sure guide through Bruckner's underrated Sixth.

Chopin was the inspiration for the Russian pianist's latest recital, pairing works inspired by the composer with the “Funeral March” Sonata. 

Youth was a hindrance rather than a virtue in this testosterone-driven performance which sought more than anything to sock the audience between the eyes

Since the days of Charles Munch and Serge Koussevitzky, the Boston Symphony Orchestra has always excelled in rendering the characteristics of the French musical idiom. 

The Sydney Symphony Orchestra scored a major win when they engaged Daniil Trifonov to visit for three orchestral concerts and a solo recital.