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Michael Grandage’s production shows no signs of age, with fine central performances from Thomas Mole, Allan Clayton and Sam Carl, and fine playing from the London Philharmonic Orchestra.

With Aigul Akhmetshina and Seokjong Baek in the title roles, there are reasons to be optimistic, but The Royal Opera’s revival of Richard Jones’ production is a mixed bag.

Giving their 27th performance of the oratorio, the London Symphony Chorus excel as angelic angels and demonic demons. 

Sir Mark Elder celebrates 50 years at Covent Garden by returning to his first opera there in 1976 – Verdi's Rigoletto – in a revival of Oliver Mears' excellent 2021 production.

Originally staged at the Caracalla Baths in 2014, Davide Livermore’s production comes in from the cold. 

A new edition of Puccini's score springs to life in a meticulously prepared Opera Rara concert performance at the Barbican. 

Christopher Alden’s Olivier Award-winning production of Handel’s Partenope returns to the Coliseum, but it's the singing that earns the plaudits. 

Even locked behind a music stand, like a caged panther in a sleek black gown, Grigorian’s Salome bristles with dramatic energy in Barbican concert performance of Strauss’ “scherzo with a fatal conclusion”. 

Principal Conductor Bernard Labadie leads the Orchestra of St Luke’s in a superbly sung and played performance of Bach’s fiery and dramatic St John Passion. 

All the hallmarks of a Muti performance are on display as the maestro returns to conduct the Philharmonia Orchestra in a magnificent reading of Verdi's Requiem. 

Jonathan Miller’s game-changing mafioso setting of Rigoletto returns to the Coliseum, vividly conducted by Richard Farnes. 

Sir Mark Elder conducts his final opera performance as Musical Director of The Hallé, a rare chance to hear the original version of Verdi's middle period opera. 

La Scala presents a new production of Benjamin Britten’s masterpiece, with an excellent cast led by tenor Brandon Jovanovich.

A strong cast led by Bekhzod Davronov and Gabriella Reyes plus an intense production helps Floris Visser unusual staging of La bohème stand out from the crowd.

A well-sung revival of Jonathan Miller's Bohème at the coliseum fails to catch fire.

Under the direction of Sir John Eliot Gardiner, Zurich’s fine Tonhalle Orchestra, The Monteverdi Choir and soloists launch a sonorous holiday season with Hector Berlioz’s sacred oratorio L’Enfance du Christ.

Phelim McDermott's popular staging of Satyagraha, which verges on the lush and the voluptuous, is revived to open English National Opera's season.

Natalya Romaniw, a diva to her fingertips, proves an ideal Floria Tosca in ENO's open-air performance at the South Facing Festival in Crystal Palace Bowl.

Britten's four lovers were costumed in quasi-contemporary, even glamorous manner, stripping to their underwear for the end of Act 2... so more Love Island than Ancient Athens.

A compelling rendition of Dvořák’s infrequently heard Requiem. Conductor Ringborg brought the work to life inspiring both the RTE NSO and the chorus. They were joined by a strong quartet of solo voices.

Countertenor Lawrence Zazzo is more than at home in the role of Oberon, and possesses a vocal quality ideal for the scheming king of the fairies, simultaneously eerie and seductive.

Dominic Wheeler did full justice to Britten’s brilliantly colourful and haunting score right from those first eerie glissandi.

British Youth Opera revives a forgotten operatic entertainment from the 1960s with flair and professionalism.

Shakespeares wohl berühmteste und zugleich tragischste Liebesgeschichte in Hector Berlioz’ dramatischer Chor-Symphonie Roméo et Juliette begeisterte in der Isarphilharmonie unter Robin Ticciati.

Pas impressionné par le challenge, le jeune chef portugais a dirigé une Neuvième Symphonie impressionnante, où le Monteverdi Choir a brillé de mille feux.

En commençant son cycle Beethoven par la Sixième Symphonie, le jeune chef portugais à la tête de l'Orchestre Révolutionnaire et Romantique n'a pas choisi la facilité. Et pourtant...

Im Interview versprach Gardiner Emotionalität und Überraschung. In der Auffühung kam sie mit Assistent Sousa daher, der letztlich den bombastisch grandiosen Berlioz-Höhepunkt von ORR und Monteverdi Choir anerkennend rettete.

Ein Konzert der Reihe Ouverture spirituelle bei den Salzburger Festspielen, das ratlos zurückließ und auch kaum Spiritualität entwickelte.

Grand succès pour cette nouvelle Bohème, fort réussie musicalement et dont la proposition scénique intéresse... tout en restant un peu froide.

Mit hochkarätigen Solist*innen bringt Sir John Eliot Gardiner Beethovens Missa solemnis in Berlin zu Gehör.

Menschlichkeit und Drama der Passion in der Lesart des Dirigenten sowie die Ausdrucksfülle von Chor und Solisten sind unschlagbar.