Live, Video: Find classical music concert, opera, ballet and dance reviews | Andrey Boreyko

An unusual combination of 20th-century Russian masterworks herald debut appearances by both conductor and soloist in Sydney.

Andrey Boreyko makes an impressive debut with the Boston Symphony, where Evgeny Kissin performs in not one, but two piano concertos. 

Mozart's “Elvira Madigan” Piano Concerto is played with grace and style by Benjamin Grosvenor; Andrey Boreyko and LPO gives gripping accounts of Sibelius and Tchaikovsky. 

A perennially unsettling pair of complementary post-war masterpieces, conducted by Andrey Boreyko, and a moving return to London for Gidon Kremer. 

Boreyko and the LPO shine in Victoria Vita Polevá's tribute to Ukraine and Elena Langer setting of Edward Lear, and give a dazzling performance of Shostakovich 5.

The Russian conductor proves a super stand-in for Shostakovich, while Simon Trpčeski has fun with the Second Piano Concerto.

Andrey Boreyko’s Blossom Music Center program included Beethoven’s “Emperor” concerto with Francesco Piemontesi and a rare but convincing performance of Zemlinsky’s Die Seejungfrau.

The world première of Giya Kancheli’s Nu.Mu.Zu is the blow-your-socks-off highlight of an evening that includes colourful playing of Falla and Strauss.

The Detroit Symphony played its best concert in over a year, with Prokofiev's Third Piano Concerto proving the highlight. 

It can be a strange experience to listen to Rachmaninov’s Piano Concerto no. 2 without the visuals of Celia Johnson’s doe-eyed sadness and Trevor Howard’s tortured half-smile to go with it, so synonymous is the work with Brief Encounter, Noël Coward’s celebrated paean to 1940s English morality and thwarted love.

On December 1st, the Toronto Symphony Orchestra welcomed guest conductor Andrey Boreyko to guide them through a journey of "Russian Gems." Boreyko made his debut with the TSO in October 2003 and has had a prolific career through guest conducting and as a music director.

Leticia Moreno deleita, con un manejo extraordinario de su instrumento, al interpretar con pasión a Szymanowski, en un programa que incluye obras de Mahler y de Zemlinsky.

Musique russe et ukrainienne au programme de ce soir avec l'Orchestre Philharmonique de Radio France sous la direction d'Andrey Boreyko et Lukas Geniusas au piano : Prokofiev, Tchaïkovsky et Silvestrov, compositeur trop peu joué en France à découvrir de toute urgence.

La dirección de Andrey Boreyko y la sensibilidad de Alban Gerhardt hicieron con el programa que presentaba la Euskadiko Orkestra Sinfonikoa lo que los complementos hacen con el estilo que un sastre imprime a sus creaciones.

Mit einem österreichisch-ungarischen und russischen Programm überzeugt das RSO Wien einmal wieder im Wiener Konzerthaus.

Das Luzerner Sinfonieorchester bezauberte mit selten gespielten Werken von Respighi und Bloch im KKL.

Fazil Say zog das Düsseldorfer Publikum mit seinem emotionsgeladenen Spiel in den Bann.

L’impressionnante Quatrième Symphonie de Górecki se sera fait attendre. L’oeuvre fut achevée en 2006, mais il a fallu que ses enfants retrouvent une esquisse complète de partition des années plus tard pour qu’elle prenne vie, puisqu’à sa mort en 2010, le compositeur ne la jugeait pas encore prête.