Live, Video: Find classical music concert, opera, ballet and dance reviews | Viktoria Mullova

A case of musical minds being in particularly close interpretative sync, revealing the music not through showy display but through restrained but intense concentration.

In the exquisite singing line of the second movement, the appeal was not just in her beauty of tone but in the concentrated feeling Mullova brought to the shaping of each phrase.

Paavo Järvi brought pathos and nuance to Sibelius' Violin Concerto and Tchaikovsky's Sixth Symphony. 

Three Frenchmen and a Finn walk into a concert hall: The Hallé and Sir Mark Elder with Viktoria Mullova play Berlioz, Debussy, Ravel and Sibelius.

Andrés Orozco-Estrada and the LPO offer an eclectic and unusual mix of works which, despite commendable playing, never quite added up to a satisfying whole.

Viktoria Mullova is dazzling in Sibelius' Violin Concerto but the audience of Sage Gateshead fail to make their mark when asked to sing along to Finlandia. 

Paavo Järvi conducted the Estonian Festival Orchestra that he founded in select works by Northern composers.

Pappano and the LSO prove many good qualities in Mahler 6 but fail to elevate it from the competent to the sublime.

Unexpected insights and fresh perspectives from period instrument performances by the OAE and Fischer of Smetana, Brahms and Dvořák forced the audience to listen to in a new way.

Rich gifts of from the distinctive OAE, with Vikoria Mullova adding austere authority to Brahms and Ádám Fischer bringing out all the colour in Dvořák's “New World” Symphony.

Sir Mark Elder conducts the Hallé in Shostakovich's Violin Concerto no. 1 with Viktoria Mullova and Ravel's Daphnis et Chloé at the Bridgewater Hall. 

Although both works have the goal of E major in common, the final destinations of Mendelssohn’s Violin Concerto and Mahler’s Symphony no. 4 couldn’t be more different. Tugan Sokhiev and the Philharmonia fell short of what could have been, but the third movement of the Mahler stood out.

In a rare appearance outside London in the UK, world-renowned Russian violinist Viktoria Mullova, harpsichordist Ottavio Dantone and the Italian ensemble Accademia Bizantina took to the stage at St George’s Bristol to perform four Baroque concertos by J.S. Bach.

There is a rare beauty to be found in the “normality” of human nature, in which the sense of just “being” transcends any degree of artificial decoration or finery.

Dima Slobodeniouk abordó la poco habitual Sinfonía Asrael al frente de la Orquesta Sinfónica de Galicia en una velada en la que estuvo presente también la violinista Viktoria Mullova con el Segundo concierto de Prokofiev.

Pizzicatos justos y empastados, adecuado dominio del movimiento dinámico desde el golpe de arco, liderazgo de maderas, afinación exacta y balance logrado del colorido orquestal son algunas de las virtudes que conforman el racimo desplegado por el director checo y la Bamberger. 

Rhapsodisch-Romantisches von Sibelius und Smetana in Bamberg meisterhaft von Viktoria Mullova und Jakub Hrůša musiziert.

Am Tag der Präsidentschaftswahl in Frankreich spielt das Frankfurter Opern- und Museumsorchester unter der Leitung von Michael Sanderling ein Konzert der heimlichen Hymnen. Die Musik zeigt wenig Pathos und gibt uns trotzdem zu denken.

C’est la deuxième soirée à l’église de Saanen, remplie d’un public curieux d’entendre la violoniste russe Viktoria Mullova se produire dans Haydn et Vivaldi avec les vingt musiciens de l’ensemble Il Giardino Armonico. La contrebasse arrivée à 19 h 28 par on ne sait quel contretemps se fait gentiment charrier par ses camarades, déjà sur scène. Chronos règne sur cette soirée.

Triomphe conjoint de Viktoria Mullova et Alain Atinlogu, réunis pour une soirée chatoyante avec Pärt, Sibelius et Brahms. 

Programme réjouissant que celui tourné par l’Orchestre de Chambre de Paris avec Douglas Boyd et leur invité, Viktoria Mullova. Ce soir, les 43 musiciens permanents de l’ensemble nous offrent deux symphonies de Schubert, couplées pour l’occasion au Concerto pour violon de Sibelius. Approche intimiste, sans alibi, sublimée par l’enthousiasme des musiciens.

La nouvelle série B de l'Orchestre Nationale de France comprend un magnifique Concerto pour orchestre de Bartók animé mar un vrai et audible engagement collectif.