Leading five choirs, fine soloists and a glowing Netherlands Philharmonic, conductor Marc Albrecht emphasised the human struggle in a highly dramatic performance of Mahler’s mammoth eighth symphony.
A superb choral performance and some memorable solo moments bring Mahler's "Symphony of a Thousand" to life, even if the sheer energy of the Swedish Radio Symphony Orchestra turns frantic at times.
Mahler's epic setting of the final scene from Goethe's Faust is so demanding of musical resources that any performance is a special occasion: what better work to conclude the Orchestra Of Opera North's triumphant 2015-2016 season?
Boston Symphony Orchestra Music Director Andris Nelsons experienced his first time leading the Tanglewood Music Center Orchestra – and hundreds of other performers – in Mahler’s Symphony no. 8.
Singapore’s amazing Orchestra of the Music Makers presents Mahler’s “Gift to the Entire Nation,” his massive Eighth Symphony, as part of the celebrations marking the country’s 50th anniversary as an independent state.
Esa-Pekka Salonen conducts the Philharmonia in a fine account of Mahler's mighty “Symphony of a Thousand”, culminating in a dramatic realisation of Faust's redemption.
Mahler’s Symphony no. 8 had not been heard in Milan for 27 years. Tonight, Riccardo Chailly returned to perform the “Symphony of a Thousand” with his former band, the Orchestra Sinfonica di Milano Giuseppe Verdi.
The city of Darmstadt is blessed with a theatre that sustains a wide-ranging repertoire of first-class drama, opera and concerts, and the cross-fertilisation of music and theatre was apparent this evening: the concert commenced with a moment of splendid theatricality.
In spite of Mahler's disapproval, his eighth symphony is forever tagged as the "Symphony of a Thousand" because of the immense choirs which perform it.
À la tête des Münchner Philharmoniker, de trois chœurs et d'une batterie de solistes, Valery Gergiev se démultiplie avec succès dans la monumentale Symphonie « des Mille » de Mahler à la Philharmonie.
Mit Mahlers Achter reizten die Musikerinnen und Musiker der Staatsoper Hamburg alle Reserven aus. Der Akustik der Elbphilharmonie drohte am Schluss sogar der Kollaps, weil Eliahu Inbal insgesamt viel zu laut musizieren ließ.
Zur Eröffnung des diesjährigen Festivals gab der neue Leiter des Lucerne Festival Orchestra Riccardo Chailly seinen bejubelten Einstand mit einer grandiosen Aufführung von Mahlers Achter Symphonie.
