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Michieletto's slightly cold take on one of Donizetti's greatest comedies is amply compensated by some spectacular singing, with Pretty Yende's Norina a particular delight.

Not quite as innocent an account of opera buffa as others, but for quality of musicianship, Glyndebourne Tour's revival of Mariame Clément’s production of Donizetti's comedy hits all the right notes.

New National Theatre Tokyo's new staging of Donizetti's jolly Don Pasquale, in Stefano Vizioli's classic production, featured some sparkling vocal performances from a fine cast.

Sir Bryn Terfel relishes every nuance of the text, but Damiano Michieletto's reading of Donizetti's comedy is no laughing matter. 

Craig Colclough's Don Pasquale is arrogant, boyishly hopeful, outraged and pathetic by turns, his singing free of silly buffo mannerisms, the voice grand.

Farce, slapstick and cruel humour are to the fore in this Blackwater Valley Opera production of Donizetti's Don Pasquale. 

Director Davide Livermore sets the story at the time of the Dolce Vita, including the motorbike from the film Roman Holiday and the roadster from The Easy Life.

Don Pasquale is updated to 1950s Hollywood, delivering clever staging and slapstick humor while sacrificing none of Donizetti's musical artistry.

Clever casting combined with good singing, classy chorus work and quality ensemble music has produced an enjoyably entertaining Don Pasquale from State Opera of South Australia.

Lisette Oropesa gives a coloratura star turn; Renato Girolami and Andrey Zhilikhovsky give the buffo patter; Mariame Clément's staging focuses on the work’s dark side.

Four star singers shine in Pelly's glamorous production of Don Pasquale, which brings out both the lightness and the darkness of the opera.

Led by phenomenal performances by tenor Javier Camarena and his superb colleagues, Met's Don Pasquale was a joyous occasion to celebrate Donizetti's late Opera Buffa.

In Donizetti’s most popular comic opera, the great mix of slapstick buffa and an obtuse venue make up the stuffs of what audiences continue to love. 

To open its 2015-16 season, Bergamo's Teatro Donizetti sourced a youthful, upbeat cast and fresh production for an enthusiastic Don Pasquale.

Mariame Clément’s Glyndebourne production of Don Pasquale, revived here for the 2015 Tour, delivers its lesson particularly harshly. 

A nimble, cheerful performance of Donizetti's dramma buffo in Naples, both by individuals and ensemble. 

Longborough Festival Opera have opted for Donizetti for the first time, with Don Pasquale.  How successful would the cast be at unleashing the ‘feel-good factor’ of opera buffa?

One’s upbringing to respect the elderly is challenged in a farcical, not so far-fetched family matter in Opera Australia’s Don Pasquale.

Scottish Opera's Don Pasquale is a well sung and fun-filled delight to lift the winter spirits.

In a sense, the plot of Don Pasquale is timeless: it concerns an old man who comes between young lovers and meets his comeuppance.

What do you get when you mix an old man with a penchant for younger women, a young woman, her equally young lover and a scheming doctor, and set it all sometime around the 1960s, although you wouldn’t really know it had it not been for the petticoats? A rather successful night at the opera, it would seem.

The human race craves comic relief... a universally accepted fact throughout the entire history of mankind. Comic books, sitcoms, comic theater... all seek to blissfully whisk us out of the doldrums and politics of today’s ever-busy society.

Gaetano Donizetti's commedia dell'arte-inspired Don Pasquale is one of the favourites in the opera buffa repertoire. At its ending, the assembled company boisterously enjoin us to remember that when an elderly man marries a much younger woman, no good can result.Apparently, the same is not true of an elderly conductor joining a much younger orchestra.

If you believe that true happiness can be found in music, I have a recipe for you to follow. Take a funny story of disguise, sham and mock marriage and set it to great music. Add a quartet of bel canto stars (a lyric tenor, a coloratura soprano, a baritone and a bass) and dress them in spectacular 17th century costumes. Add pantomime artists, masked dancers and a chorus.

David Bösch gelingt es, die Typenkomödie bruchlos zu einem Drama von heute zu gestalten.

Grand succès pour le concert donné par les jeunes chanteurs de l'Académie de l'Opéra de Paris : une pépinière de talents en devenir !

L'Opéra Garnier propose la reprise de la géniale mise en scène de Damiano Michieletto, qui multiplie les trouvailles heureuses. Michele Pertusi, Christian Senn, Javier Camarena et Pretty Yende forment une distribution convaincante.

Grande première à l'Opéra de Montpellier : Don Pasquale de Donizetti fait son entrée au répertoire dans une mise en scène inédite incluant des « chant-signeurs ». Retour sur une double réussite.

Mis en scène par Laurent Pelly, Don Pasquale de Donizetti est présenté à La Monnaie : une machinerie réglée au millimètre près, sur la fabuleuse vis comica d’une musique extraordinairement efficace.

Jossi Wieler und Sergio Morabito zeigen die psychologische Tiefe Don Pasquales.

Michele Pertusi, Juan Diego Flórez, Alessio Arduini und Valentina Naforniţă machen das Beste aus der bunten Neuinszenierung von Irina Brook, die sich ansonsten auf Pointenmanagement beschränkt.