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By the close of the performance, one sensed that the audience’s exhilaration stemmed less from polished execution and more from a shared immersion in the music’s dramatic arc—elements that lingered as the defining memory of this eventful evening.

Daniil Trifonov takes New Zealand by storm with a performance of Rachmaninov's Third Piano Concerto of technical command and musical artistry.

In a fine-tuned collaboration with conductor Alain Altinoglu, the gifted young pianist shows brilliant command of a keyboard showpiece.

Rafael Payare, the Orchestre symphonique de Montréal and Daniil Trifonov warm up Berlin audiences with a high-temperature concert at the Philharmonie.

For the third concert in the series opening his LSO tenure, Antonio Pappano heads to classics from the Romantic repertoire, aided by Yuja Wang and Anna Lapwood. 

In a vibrant evening of music, the RLPO with Domingo Hindoyan give a memorable performance of Rachmaninov’s Third Symphony, while Pacho Flores steals the show in his own flugelhorn concerto. 

Hong Kong Sinfonietta's Cellomania program showcased the young Turkish cellist's towering talent with a potpourri of show-stoppers.

Just named as Music Director Designate, the Venezuelan took to the helm in Montréal for a concert of Berlioz and Brahms. 

Ken-David Masur and James Burton step in for Gustavo Dudamel in a program featuring Antonio Estévez' Cantata criolla.

An evening of different musical flavours, but none, as yet, are quite distinctive on the palate.

Korngold's Violin Concerto from Simone Lamsma is delivered with extraordinary deftness and depth, while Rachmaninov's Symphonic Dances thrill under Yan Pascal Tortelier and the Pittsburgh Symphony.

Each of the works are particularly radiant in themselves, but made even more so as they were presented here.

Dutoit, Lugansky and the HK Phil perform at their finest in famous French and Russian repertoire.

Sir Andrew Davis led the BBC SO in a recreation of Sir Malcolm Sargent's 500th Prom, a lengthy programme that failed to inspire.

The riotous energy of carnival dazzled Symphony Hall as Alain Altinoglu debuted with the Boston Symphony in a program he assembled as a personal homage to Charles Munch.

Renée Fleming joins the Pacific Symphony for Strauss, Italian Songs and Rodgers and Hammerstein. 

Tonight's concert was listed under the City of Birmingham Symphony Orchestra's "Indulge" series, and it was indeed an occasion for feeling well and truly spoilt.

A diverse and occasionally challenging program opens the season in Detroit.

Charles Dutoit displays his expertise in Berlioz and Respighi in a fine evening with the Sydney Symphony. 

In a program inspired by Italy, Roberto Abbado and Sergej Krylov join the Atlanta Symphony Orchestra in powerhouse performances that featured some dazzling solo violin playing. 

Charles Dutoit and the Royal Philharmonic Orchestra journey on a Roman holiday, taking in the pines, fountains and festivals of the Eternal City. 

Violinist James Ehnes and the Vancouver Symphony Orchestra on breathtaking form in an immense, virtuosic programme of Elgar, Respighi, Britten and Berlioz.

While people gathered near big screens at the Museum Square to see the Dutch football team play, metres along the road another crowd gathered to hear the Gelders Orchestra play Dvořák's Cello Concerto and Ninth Symphony.

Jamie Phillips conducted the Hallé in a programme of Berlioz, Beethoven and Tchaikovsky which neatly combined vivacity and profundity in front of a packed Bridgewater Hall.

The Orquesta Nacional de España with violinist Veronika Eberle and organist Daniel Oyarzábal plays three nineteenth-century works: Berlioz's Roman Carnival overture, Dvořák’s Violin Concerto and Saint-Saëns' Organ Symphony.

With a sparkling programme of concert classics, the Royal Philharmonic Orchestra, conducted by Grzegorz Nowak and joined by renowned violinist Robert Davidovici were on fine form at the Cadogan Hall on Tuesday evening. They opened the programme with one of Berlioz’s operatic overtures – the only part to have survived in the current concert repertoire from his little known opera Benvenuto Cellini.

It was a year ago at the Jane Mallett Theatre when the 24-year-old French pianist Lise de la Salle made her Toronto debut in a solo recital of Debussy, Liszt and Ravel. That recital was a sensation and left lasting impression in the hearts of many Torontonians.

The fifth year of the Jaap van Zweden era at the Dallas Symphony Orchestra began this weekend with a program comprising audience favorites both flashy and serene. According to the printed program notes Mr. van Zweden, Music Director since 2008, selected “a program that demonstrates the superb technical and musical heights our orchestra has reached under his baton.

Before embarking on a much hyped tour of South America, Christoph Eschenbach and the National Symphony Orchestra concluded their Kennedy Center season with a crowd-pleasing program of Romantic favorites.

If ever a concert could be described as a firework, this was it. The stage was ignited with music and we waited for the best bit - that crucial, beautiful explosion of colour. As part of the Colston Hall’s International Classical Season, The Bournemouth Symphony Orchestra performed the iconic choral work Carmina Burana by Carl Orff (1895-1982).

The theme of the first half of last night’s concert seemed to be love, in two of its many guises. Firstly of the sickly sweet variety: the love between hero and heroine in Berlioz’ Benvenuto Cellini, the opera from which he took material for the Roman Carnival overture.

Retour sur les deux premières journées du festival, où le directeur artistique de la manifestation alsacienne a dirigé l'Orchestre Symphonique de La Monnaie dans un diptyque passionnant, et programmé de vraies révélations.

Dans Berlioz, Mendelssohn et Respighi (tous dirigés par cœur), le chef italien fait étalage de son art de la direction, entre maîtrise de la structure, science des plans sonores et soin des détails.

Sous la direction de Michael Schønwandt, la formation éternellement jeune de France brille par sa cohésion, la transparence de sa texture orchestrale. Marie-Laure Garnier en impose dans Chausson.

Sous la direction d'Emmanuel Krivine, le concert de rentrée de Radio France a apporté sa pierre à l'édifice berliozien, grâce à une grande Marie-Nicole Lemieux.

Das BRSO und Organistin Iveta Apkalna widmen sich der Orgel abseits von Barock und sakralem Beiwerk.

Giancarlo Guerrero debutó con la Sinfónica de Galicia, acompañados por el pianista Kirill Gernstein presentaron un programa sencillo pero que redundó en una efusiva y arrolladora velada musical.

À la Philharmonie, François-Xavier Roth et Les Siècles ouvrent les festivités de l'année Berlioz, 150 ans après le décès du compositeur. Avec une invitée de marque, l'altiste Tabea Zimmermann.

Dans la Deuxième Symphonie de Brahms, le chef américain cherche l'harmonie, la beauté sonore, l'équilibre, la clarté des textures et du dessin. L'Orchestre de Paris se couvre de gloire.

Cantatrice en pleine ascension, Elsa Dreisig se produisait au Théâtre des Champs-Élysées pour son premier grand récital parisien. Une interprétation splendide dans un programme qui mettait en miroirs quelques scènes d’opéra.