En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Dame Mitsuko Uchida

Après une première partie de concert un peu déroutante en compagnie de Mitsuko Uchida, le chef finlandais et son orchestre ont livré une version d'anthologie du chef-d'œuvre de Berlioz.

Dans le Concerto de Robert Schumann, la pianiste britannique privilégie la tendresse et l'intimité aux élans et à la fébrilité. Le LSO rend ensuite justice à la mal-aimée Symphonie n° 3 de Rachmaninov.

C'est un elfe, ou plutôt une éphémère, cet insecte gracieux tout de gris argenté vêtu, qui entre en scène. Mitsuko Uchida en la grâce légère, la vivacité.

Haitink est aujourd'hui l’un des rares grands chefs brucknéniens du XXème siècle encore vivants. Après l’avoir enregistrée il y a 3 ans avec le LSO, il rejouait mardi soir à la Philharmonie la 9ème Symphonie de Bruckner avec la phalange londonienne. En première partie, Mitsuko Uchida livrait une interprétation captivante, quoique maniérée, du 3ème Concerto de Beethoven.

Two incongruent journeys conclude as Dame Mitsuko Uchida and the Boston Symphony meet in New York. 

While Uchida’s performances showcase remarkable precision and refinement, they occasionally feel restrained, leaving room to explore the improvisatory charm that make Mozart’s music so compelling.

A concert of two halves: the Philharmonia and Dame Mitsuko Uchida light up Beethoven with the essence of Classical style, but the orchestra struggles in Sibelius’ Lemminkäinen Suite. 

Uno de los conciertos más destacados de lo que va de temporada que contó con la excepcional pianista Mitsuko Uchida y los solistas Christiane Karg y Christopher Maltman, a quienes la Orquesta Nacional complementó con una interpretación cuidada y equlibrada.

A Wigmore Hall recital to take the listener from the Belle Époque to the acceptable face of modernism. 

Dame Mitsuko Uchida reveals insights into Beethoven's final three piano sonatas that can only come from a lifetime of contemplation.

Dame Mitsuko Uchida demonstrates why she is one of today's greatest Mozartians, while her MCO players give a virtuoso account of a work steeped in the Viennese tradition.

Dame Mitsuko Uchida und das Mahler Chamber Orchestra bringen Mozart und Schönberg ins Amsterdamer Concertgebouw.

Andris Nelsons' Bruckner-Interpretation wurde zu einem farbenreichen Höhepunkt.

The last conductor to have led such a superb account of Rachmaninov's Third Symphony was quite possibly its composer.

A more thoughtful and intentional artist is hard to come by today, and one who graces the Musikverein donning fabulous silver shoes on top of her pianistic gifts must be heaven-sent. 

If Purcell’s genius was muted, it was not missing in the Mahler Chamber Orchestra's appearance at London's Southbank.

A concert with a considerable sense of occasion, as the orchestra bids the Finn farewell from his Philharmonia post. 

Mitsuko Uchida feels closest to the music of Schubert. She makes the strongest of cases for the eight Impromptus, long regarded almost as trifles, which in their tragic weight and sense of loneliness embody the age of Coronavirus.

The LSO is reunited with its Music Director for the first time since lockdown for a moving performance from the Royal Albert Hall. 

The British tenor, partnered by Mitsuko Uchida, closed Wigmore Hall’s three-week festival of lunchtime recitals with a peak of the vocal repertoire.

Mitsuko Uchida hielt im Pierre Boulez Saal die Zeit an.

Nelsons and the Boston Symphony  present an American premiere, Shostakovich’s Twelth, and dazzling Ravel with Dame Mitsuko Uchida

Mitusko Uchida’s hypnotic performance of three Schubert piano sonatas made for an enthralling afternoon at Severance Hall.

Franz Welser-Möst thoughtfully paired Schubert’s final mass with Bartók’s final piano concerto, the latter featuring Mitsuko Uchida in her 100th Cleveland Orchestra appearance.

Enigmatic and uncanny piano music from Schubert in an intense recital at the Royal Festival Hall. 

The soul of the composer seems very much alive in her touch, particularly in his most retrospective moments.

Stuart Skelton and Sarah Connolly were the stars of the evening, lifting the performance to a new level in what Leonard Bernstein called Mahler’s “greatest symphony”.

Dame Mitsuko Uchida again brought out her outstanding musicality and special charisma in Bartók’s Third Piano Concerto.

Mitsuko Uchida returned to Cleveland for elegant performances of Mozart’s first and last piano concertos, with selections from Handel’s Water Music interjected between.

Robin Ticciati's final season with the SCO begins with some promising Dvořák. 

On a warm summer's evening in Mozart's home city, Japanese master pianist Dame Mitsuko Uchida delivered a delicately crafted solo recital.

It seemed at times that Dame Mitsuko Uchida and clarinetist Jörg Widmann have been collaborating for decades.

Most of the audience has obviously attended the performance for Uchida’s Mozart. But the exceptional, challenging experience of the evening came from elsewhere.

Mitsuko Uchida’s love of Mozart and Schumann was given vivid expression in the first of a series of recitals in Britain and Germany – but it was Mozart that won the evening here. 

Mitsuko Uchida finds inner depth in Mozart piano concertos while the Mahler Chamber Orchestra revels in Bartók's gritty and languorous Divertimento for Strings.

In a wonderful piano recital, Mitsuko Uchida presented Schubert’s Four Impromptus and Beethoven’s Diabelli Variations.

As part of their blockbuster festival programme Simon Rattle and his brawny Berliners offered Beethoven’s Ninth in a monumental performance. 

Dame Mitsuko Uchida sources truth, beauty and graceful rebellions in a Carnegie Hall recital of Berg, Schubert, Mozart and Schumann.

After a shaky start, Mitsuko Uchida showed why she is keen to revisit a well-established Mozart repertoire.

An austere yet emphatic Fidelio, focussed and detailed Schoenberg, followed by an affecting, powerfullly bleak Shostakovich Eighth Symphony from Jusrowski & the LPO.

In their recital together Wednesday night at the Wiener Staatsoper, mezzo Magdalena Kožená and star pianist Mitsuko Uchida reminded their audiences that they are wonderfully capable musicians capable of great color, finesse and technical prowess. 

Mitsuko Uchida leads the Cleveland Orchestra in two of Mozart's piano concertos, while Concertmaster William Preucil leads the orchestra in Symphony No. 34, K. 338. 

The Philharmonia's City of Light season goes from strength to strength with an outstanding performance of Ravel's L'enfant et les sortilèges and Dutilleux's Correspondances.

Bernard Haitink and Mitsuko Uchida took a traditional approach to this core repertoire, yet produced performances that sounded anything but dated. 

Each note from the Bavarian RSO was infused with a sort of insistent newness as the musicians poured forth adventurous interpretations of two familiar works.

In her annual appearance at Carnegie Hall, Mitsuko Uchida plays Schubert's G Major sonata and Beethoven's Diabelli Variations.

Mitsuko Uchida and players from the Berlin Philharmonic Orchestra played Berg, Schubert and Messiaen at Wigmore Hall, creating moments of sheer beauty.

A hush fell over the auditorium as renowned concert pianist and long-standing friend of the LSO Mitsuko Uchida took her seat for Mozart’s Rondo in A minor for solo piano. A personal tribute to Sir Colin Davis, Uchida opened the Rondo with almost childlike simplicity, the delicate chromaticism of the opening theme played with simplicity and tenderness and a magical connection to the melodic line.