En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Les Fontaines de Rome (Le fontane di Roma), P106

Dans Berlioz, Mendelssohn et Respighi (tous dirigés par cœur), le chef italien fait étalage de son art de la direction, entre maîtrise de la structure, science des plans sonores et soin des détails.

Dernier concert réussi pour Enrique Mazzola avec l'ONDIF à la Philharmonie. Les différentes facettes de cette « Dolce Vita » toute en subtilité ont enchanté le public.

À la tête de l'Orchestre Philharmonique de Strasbourg, Constantin Trinks emmène son public dans un voyage de rêve. Nelson Freire se distingue dans Les Nuits dans les jardins d'Espagne de Manuel De Falla.

Messagesquisse de Boulez est une prise de risque admirable dans un concert qui rejoint la grande Sol Gabetta avec Martinů et Respighi.

À la tête de l’Orchestra dell’Accademia Nazionale di Santa Cecilia, le généreux chef britannique a offert au public un rare moment de bonheur symphonique, avec l’engagement inépuisable dont on lui sait gré.

John Wilson embraces Respighi's panoramic impressions of Rome in an action-packed Italian day trip at the BBC Proms. 

Daniil Trifonov takes New Zealand by storm with a performance of Rachmaninov's Third Piano Concerto of technical command and musical artistry.

Stepping in for an indisposed Jonathon Heyward, Antonio Méndez conducts the BBCSO at their most colourful and joyously virtuosic. 

Xavier de Maistre gives the Singapore premiere of Ginastera's Harp Concerto, while Pierre Bleuse conducts two of Respighi's Roman trilogy. 

A programme of orchestral showpieces are given the John Wilson treatment, although Rachmaninov's Symphonic Dances disappoints. 

The first programme in Stephen Hough's Sydney series sees him offer sensitive but not incandescent Rachmaninov, followed by thrilling performances of Respighi's Roman Trilogy under John Wilson. 

Nicola Benedetti dazzled in Szymanowski's Violin Concerto no 2 after the Hallé and Sir Mark Elder had impressed  with a colourful Fountains of Rome. Measured Brahms completed the programme.

The superstar violinist transformed Tchaikovsky's Violin Concerto from a war horse back to the thoroughbred it once was.

Mark Elder brought the Hallé down to the Royal Albert Hall for an interesting programme of Dukas, Respighi and Puccini.

Billed as “A Postcard from Italy”, Daniele Rustioni’s innovative vision sees a programme focused on a generation of 20th-century Italian composers, with formidable results. 

La la Orquesta Sinfónica do Porto ofreció una reveladora experiencia al conectar en una sola velada dos figuras de mundos sonoros, en principio, antagónicos.

La Orquesta Sinfónica de Tenerife y su director principal Antonio Méndez presentan un programa muy atractivo dedicado al mar para comenzar la temporada 19-20.

Nézet-Séguin leads Philadelphians and Joyce DiDonato in superb performances of Wagner, Bates, Chausson and Respighi.

The BBC Philharmonic open their season in Manchester with some exciting new ideas

Den Münchner Philharmonikern gelingt unter der Leitung von Juraj Valčuha ein römisch-spanisches Klangspektakel mit Werken von Debussy und Respighi.

Carlo Rizzi conducts The Hallé in a programme of inventive and thrilling approaches to Resoighi, Rachmaninov and Rossini at Bridgewater Hall.

After a nine-year absence, Martha Argerich returned to Carnegie Hall with stunning Prokofiev with the Orchestra dell'Accademia Nazionale di Santa Cecilia.

Riccardo Chailly and the Filarmonica della Scala give a wonderful account of two of Respighi's travelogues; Leonidas Kavakos plays Brahms with refinement – perhaps too much so for the Albert Hall.

Una sobresaliente Sinfónica de Galicia demostró que a sus veinticinco años goza de la envidiable madurez de las grandes orquestas

All roads lead to Rome. Last night however, the Orchestra dell'Accademia Nazionale di Santa Cecilia brought the Eternal City vividly to London.

Beatrice Rana brachte Gefühlswärme zum Ausdruck, gestaltete subtil, sanglich, legte bei den doppelten und dreifachen Oktavkaskaden eine fast traumwandlerische Behändigkeit an den Tag.

In a program of vivid Italian work, violinist Elina Välhälä, performing Corigliano's violin concerto, seemed to transform into a formidable sprite.

An elegant performance of Beethoven’s Eighth Symphony opened an oddly-proportioned concert.

The RCO marked the investiture of Daniele Gatti as its seventh chief conductor with a sampler programme featuring Mahler, opera, and an expansive, glittering version of Respighi’s Fountains of Rome.

A globetrotting programme from Dutoit and the RPO that whisked us from Rome's fountains to St Petersburg's Shrovetide Fair via Bohemia's woods and fields. 

Manfred Honeck led the CSO in two works of Respighi capped off with a memorable Tchaikovsky Sixth.

Dutoit leads the New York Phil, pianist Yuja Wang in a colorful program of Respighi's Roman Trilogy and Mozart's Piano Concerto No. 9.

Pappano and the LSO provide magnificent entertainment with Respighi's Roman trilogy; Lise de la Salle gives pin-sharp precision in Rachmaninov's take on Paganini.

Cinematic sweep was on full display as JoAnn Falletta and the VSO/VSC thrilled with vital interpretations of three early 20th Century works by Bax, Respighi and Walton.

Charles Dutoit displays his expertise in Berlioz and Respighi in a fine evening with the Sydney Symphony. 

“More facility than substance”: perhaps an apt description of the music of Ottorino Respighi.  Certainly on the evidence of last night’s concert, featuring the three ever popular Roman tone poems, one could have been left with that impression, but we had a thoroughly good time in the process.

Charles Dutoit and the Royal Philharmonic Orchestra journey on a Roman holiday, taking in the pines, fountains and festivals of the Eternal City. 

In memory of violist Coen van der Heide who passed away earlier in October, the Rotterdam Philharmonic opened with the second part of Antonín Dvořák’s Serenade for Strings, which was deeply moving and followed by a minute of silence. Ottorino Respighi’s Fontana di Roma was the first piece on the official program.

Since taking the reins of the Academia Nazionale di Santa Cecilia in 2005, the Music Director of the Royal Opera House, Antonio Pappano, has led one of the world's most admired and respected orchestras to dizzy heights of success.