Les Musicales de Croissy invitent le harpiste russe Sacha Boldachev. Un récital saisissant qui nous transporte dans des contrées vertigineuses et parfois encore inexplorées de ce bel instrument.
Inaugurant l'année Debussy en terre toulousaine, Daniel Barenboïm proposait, pour sa première venue à Toulouse dans le cadre de la programmation des Grands Interprètes, un récital entièrement consacré au compositeur et à l'exploration de son œuvre pour piano solo.
Excellent performances by James Gaffigan and The Cleveland Orchestra of music by Barber, Mendelssohn, and Sibelius made for an enjoyable summer evening at the Blossom Music Festival. Stephen Hough was an outstanding piano soloist.
Shimmering images from Debussy in his evocative Images had Stephen Hough oozing luminescence, with passion in Schumann and firing on all cylinders in Beethoven’s “Appassionata”.
Nikolaj Znaider led The Cleveland Orchestra in two works that shared a key but were otherwise quite disparate: Beethoven’s Emperor Concerto with Yefim Bronfman, and Elgar’s Second Symphony.
A four-hour concert featuring piano music by Debussy might seem like an excessive ask, but the Perth Festival filled the venue for this stunning and highly entertaining concert by French pianist Jean-Efflam Bavouzet.
Sir Simon Rattle and the Berlin Philharmonic Orchestra are at a distance from performing at their usual top form in their returning concert in Hong Kong.
Daniel Barenboim interpretierte das Fünfte Klavierkonzert mit dem Symphonieorchester des Bayerischen Rundfunks unter der Leitung von Mariss Jansons in der Münchner Philharmonie.
Tonal finesse, graceful articulation and magical simplicity mattered more than anything else in Yefim Bronfman's version of Beethoven's Third Piano Concerto.
“Wigmore Hall is flooded now!” confessed Philippe Cassard. It was Claude Debussy who left the tap running, with every form of precipitation – rain, snow, fog – pouring from the Steinway's keyboard, trickling from fountain, springing from river beds.
The RPO play a contrasting programme of two dark symphonies by Sibelius and Tchaikovsky, with the Georgian panist Khatia Buniatishvili as the soloist in the Schumann concerto.
There are few composers for the piano as viscerally exciting as Franz Liszt and there are few pianists today who perform his music with as much visceral excitement as Khatia Buniatishvili.
Eine Hommage an den einflussreichsten Geiger des 20. Jahrhunderts gab Charlie Siem in München mit einem vielseitigen und abwechslungsreichen Miniaturen-Programm.
Janine Jansen's International Chamber Music Festival offered a special treat this year: scratchcard concert, where a scratchcard determined which concerts one got to see.
As the audience assembled in Roy Thomson Hall on Wednesday, nothing seemed out of the ordinary. Members of the orchestra were taking their seats on the stage, getting ready to tune their instruments. However, anyone paying close attention to the setting would have seen a fixture hanging high above the stage.
One would think that either Renée Fleming or Susan Graham alone would be reason enough to sell out a large venue such as Disney Hall. But everything is bigger in Hollywood, and the LA Phil brought both artists together for a one-night recital of French art song. But even that wasn’t enough.
To perform so many of Debussy’s works in one sitting requires a certain amount of skill and understanding. The charismatic pianist Jean-Efflam Bavouzet opened our eyes to the impressionistic world of Claude Debussy in this special three-part concert for the Cheltenham Music Festival.
