En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Concerto brandebourgeois no. 6 en si bémol majeur, BWV1051

« Y aurait-il quelque part un mécène capable d’entendre notre appel ? » lit-on dans nos programmes de salle. Tel est sans doute le vœu originel qui sous-tendait ce concert de la Petite Bande à Gaveau...

La Universidad Autónoma de Madrid rinde homenaje a Francisco Tomás y Valiente con un programa integrado por los seis conciertos de Brandeburgo de Bach capitaneados por la dirección y el clave de John Butt. 

The New World Symphony's Viola Visions kicked off Wednesday night with a concert of music that spanned three centuries and gave full voice to the splendor of the instrument

Bach on modern instruments: superbly played but inconsistent

The Australian Brandenburg Orchestra celebrates the beginning of its 30th season with a fittingly chosen programme.

Die Brandburgischen Konzerte gefielen durch äußerst beschwingte Spiellust des Ensembles Collegium 1704, während in der Hitze des Gefechts einige Unstimmigkeiten passierten.

Continuing a decades-long holiday season tradition, the SPCO presents five of Bach's six Brandenburg Concerti in performances brimming with energy and élan.

An diesem Abend leitete der britische Dirigent, Cellist und Cembalist Jonathan Cohen das Orchestra La Scintilla im Opernhaus Zürich. Am Programm stand nur Bach – jedoch war es nichts weniger als eintönig. 

A rare opportunity to hear the complete Brandenburgs was awarded by the Orchestra of the Age of Enlightenment in a distinguished performance, with Huw Daniel its leading light.

A strong thunderstorm delayed the Orpheus Chamber Orchestra’s Blossom Music Center debut, but despite their fine playing, the venue proved too large.

Performing a complete cycle of Brandenburg Concertos in one evening may take less time than a Wagner opera, but it is equally an epic undertaking for any Baroque ensemble.

An evening of music-making of great integrity and intelligence from renowned Bach expert John Butt and his dynamic ensemble. 

Contrasting vocal and instrumental, sacred and secular, the Dunedin Consort's 'Brandenburg/Cantata Series II' featured two of Bach's popular concerti grossi, flanked by a pair of sacred cantatas.Instrumental contrast distinguished the cantatas as much as the concerti.