Thieving Magpie doesn’t quite take flight at La Scala

Von Mark Pullinger, 13 April 2017

Laden, bitte warten...

Veranstaltung anzeigen

“Feola had bags of charm and pristine fioritura as Ninetta”

Rezensierte Veranstaltung: Teatro alla Scala, Mailand, am 12 April 2017

Rossini, La gazza ladra (The Thieving Magpie)

Teatro alla Scala

Riccardo Chailly, Musikalische Leitung

Gabriele Salvatores, Regie

Gianmaurizio Fercioni, Bühnenbild, Kostüme

Rosa Feola, Ninetta

Serena Malfi, Pippo

Teresa Iervolino, Lucia

Paolo Bordogna, Fabrizio Vingradito

Edgardo Rocha, Giannetto

Alex Esposito, Fernando Villabella

Michele Pertusi, Il Podestà

Giovanni Romeo, Ernesto

Matteo Mezzaro, Antonio

Matteo Macchioni, Isacco

Claudio Levantino, Giorgio

Coro del Teatro alla Scala

Orchestra del Teatro alla Scala

Francesca Alberti, Acrobatics

Carlo Colla e Figli puppet theatre

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*****

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Verdis Fassung der Jeanne d'Arc-Geschichte mag dünn im Drama sein, doch herausragende musikalische Leistungen von Riccardo Chailly und dem Orcherster der Scala, Netrebko, Meli und Álvarez sorgen für einen wunderbaren Verdi-Abend.

****1

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Nuccis Darstellung der Titelrolle in Simon Boccanegra stellte sicher, dass Verdis Drama hell erstrahlte.

****1

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Laura Servidei, 26th April

The Italian director makes his long-awaited Italian operatic debut at the Teatro alla Scala in a production which perfectly mirrors Debussy’s most enigmatic creation.

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Visually enchanting and meticulously staged, this centenary revival confirms Livermore's production as a modern classic.

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Under Alexander Soddy’s powerful conducting and Sir David McVicar’s dark, evocative staging, the Ring finds a searing conclusion, anchored by a powerful Brünnhilde from Camilla Nylund, as the world burns.

*****

Weitere Kritiken...

Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Rossini’s Thieving Magpie doesn’t quite take flight at La Scala