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In ‘The Eloquent Oboe’, Tekla Cunningham and colleagues draw out the quiet drama in solo Bach cantatas – where the oboe’s sigh becomes the soul’s own speech.

Despite the Maggio Musicale stage being dominated by clerical garb and daring papal parallels, the true revelation is Jessica Pratt's breathtaking role debut as Lucrezia.

Alexander Soddy leads a great cast in a clever, supremely entertaining new production in Milan.

A compelling evening from the London Philharmonic Orchestra tackles different themes of spring, showing gracefulness in Lili Boulanger’s works and beating up a frenzy in Stravinsky's Rite of Spring.

Julie Fuchs and Juan Diego Flórez give life to the refreshing and funny take of Laurent Pelly’s classic production, under the baton of Evelino Pidò. 

Hye-Youn Lee and Mario Chang head a strong cast in Barbe and Doucet’s revival of La bohème, which marks the retirement of veteran lighting designer, Guy Simard.

A Rigoletto revival in Milan is elevated by a stellar vocal performance from Amartuvshin Enkhbat, despite a finale that divides opinion and some uneven orchestral pacing. 

WNO imports Edward Dick’s exceptionally fine production, which benefits from from superb casting and outstanding performances led by Natalya Romaniw. 

With a standout cast, fine orchestral playing under Carlo Rizzi, and newly refurbished sets, Zeffirelli’s 1987 staging of Puccini’s epic fairy tale appears as bright as ever.

Lydia Steier stages Strauss’ masterpiece to open Zurich Opera’s first premiere under the new artistic direction – a triumphant success. 

Dvořák’s rarely heard oratorio The Spectre’s Bride fails to ignite, leaving a performance caught uneasily between respect and restlessness.