Live, Video: Find classical music concert, opera, ballet and dance reviews | Bruch

Maxim Emelyanychev gave individual string players from the SCO more airtime and more of a “chamber” feel to an intriguing programme of Baroque, Classical and Romantic works.

Yoel Levi and Pinchas Zukerman perform Bruch's gorgeous Violin Concerto with the Atlanta Symphony Orchestra.

Music is the ultimate universal language, here reflected in the latest Chineke! programme offering playing of richness and vitality.

Tasmin Little's farewell tour yields memorable Bruch in Singapore, with the Singapore Symphony Orchestra led by Gerard Schwarz.

Gianandrea Noseda proves his Russian credentials with a nerve-shredding, volatile account of Tchaikovsky's Fifth Symphony. 

A new professional orchestra launches first full season in Sheffield.

A wonderful performance of all the works Berlioz, Bruch and Schumann, but it was the young violinist Lozakovich who stole the show. 

Eleven conductors get to strut their stuff in an eclectic programme in Pärnu. 

Coupling a rare but underwhelming concerto by Max Bruch with Strauss's polychrome orchestral showpiece, the program with Semyon Bychkov and the sisters Labèque accentuated superlative musicianship.

Vasily Petrenko conducts Zemlinsky, Mendelssohn and Bruch in Liverpool.

Chen plays a fine solo part in Bruch and delights with his encore; Orozco-Estrada and the LPO provide some good moments but fall short of their best form.

Gabor Takács-Nagy conducts the Manchester Camerata in Mendelssohn, Bruch and Schumann

Opening their season’s residency in their London home with the theme of “German Romantics”, Wigmore Hall was plunged into an autumnal glow.

The audience responded as if they were hearing the Symphony for the first time. They were overwhelmed and let the musicians know it. Good start to the home stand.

Assured and mostly rewarding performances from the RPO in standard fare that underlined Bruch’s nobility, Elgar’s masterly orchestration and the originality of Sibelius. 

Scotch snap aplenty in evening of “Scottish Fantasy” with Hong Kong Philharmonic. 

They hung over the fronts of their seats waiting for each movement to begin; they were silent, immovable once the music started. When the music stopped they exploded with joy. 

Julius Drake, Krzysztof Chorzelski and Mark Padmore contributed their notable gifts of piano, viola and voice respectively in a very special, often heartfelt fundraising evening for two music education charities. 

In the sublime funeral march of the Larghetto Elder set a daringly slow tempo, producing a cumulative, sorrowing eloquence as each LSO section tossed its melodic tribute on to the passing cortège.

Jansen is an artist of such great musicianship that she was able to instill new life to Bruch's First Violin Concerto.

We were drenched in all sorts of dreams about Scotland as the Philadelphia Orchetra celebrated the country in their British Isles Festival

Paroxysmal energy of the Vancouver Symphony in Beethoven's Fifth Symphony

An enterprising programme combined a striking WWI commemoration from Mark-Anthony Turnage with sumptuous ballet suites from Prokofiev and Ravel, with Nikolaj Znaider rhapsodic in Bruch.

Berlin Philharmonic cellists combine with Turkish counterparts for a dazzling performance in Istanbul.

Valery Gergiev's late withdrawal meant Marios Papadopoulos, music director of the Oxford Philharmonic, stepped into the Russian's shoes. 

The Bamberg sound remains particularly noticeable in the unanimity and broad, rich beauty of the strings and the sublimely eloquent woodwinds, and the musical authority that lies in the roots of its history. 

Debussy provided a scintillating introduction to Hilary Hahn’s glorious rendering of Bruch’s Violin Concerto no. 1 in G minor and Prokofiev’s fiery Fifth Symphony. 

The Colombian conductor leads the London Philharmonic in an evening of Weber, Bruch and Beethoven where classical discipline comes out on top.

Bruch’s Violin Concerto bo. 1 had a delicate soloist, but an outspoken orchestra, while Saint-Saëns’ “Organ Symphony” struck all the right notes.

A lively William Tell Overture from Pappano and lyrical Bruch from LSO leader, Roman Simović, preceded a majestic performance of Strauss' Alpine Symphony. 

Pablo Heras-Casado conducts the New York Philharmonic in a performance that provides many a musical lesson, but not much fuel to the imagination.

Callum Smart, playing Bruch’s Violin Concerto no. 1 in G minor, and conductor Matthew Halls made very successful debuts with the Royal Philharmonic Orchestra at a packed Cheltenham Town Hall.

The Royal Philharmonic Orchestra, its Music Director Charles Dutoit, Principal Guest Conductor Pinchas Zukerman and Martha Argerich party in style with Rossini, Schumann, Bruch and Stravinsky.

A varied concert of new music by Anthony Payne, Max Bruch's 1st Violin Concerto with Ray Chen, a Tchaikovsky rarity and a rousing early work by Vaughan Williams

Mendelsohn's Italian Symphony is a perenial and popular favourite, but perhaps one with which we are over-familiar. Could young Alpesh Chauhan do something fresh with it?

The Romantic fervour of Brahms' Haydn Variations and Schumann's Spring Symphony brought out by Cristian Mandeal and the Hallé, plus Sophia Jaffé's glorious performance of Bruch's Scottish Fantasy.

An evening of Adagio cello concertante works in Auckland was enlivened by a stirring Beethoven Fifth. 

There was a consistent sense of fun in the solo part, matched by the ebullient conducting of Bellincampi.

The San Francisco Symphony Youth Orchestra revealed itself at the Concertgebouw as an important part of the future of classical music in the United States. 

The Czech Philharmonic performing Mahler’s Second Symphony at Birmingham’s Symphony Hall equals great expectation. The composer and symphony have historical links to the orchestra and venue alike. Could Bělohlávek deliver?

An unusual programme of music from the Bournemouth Symphony Orchestra, viewing the passing of youth through a lens of nostalgia and sadness but, at the same time, also dreaming of the sheer joy and exuberance of youth.

Coupled with its exquisite landscape, the mystery and legend that permeate Scotland’s atmosphere and history have inspired poets, artists and composers to capture its magic and distinctive folklore in evocative works of art. 

Sir Simon Rattle and the Berlin Philharmonic kicked off their eight-day residency at Carnegie Hall with vodka instead of champagne.

Neville Marriner conducts Christopher Palmer’s arrangement of a Walton film score, while Joshua Bell delivers magic with Max Bruch and the Academy of St Martin in the Fields.

The Detroit Symphony triumphantly returned to its summer home tonight after many years away, ending the 2013-14 season with a flourish.

The National Youth Orchestras of Scotland Junior Orchestra's summer concert: one hundred talented 8-13 year-olds from all over Scotland have fun taking their first orchestral steps.

NBA Ballet performed an ambitous triple bill consisting of three 20th century masterpieces of American Ballet, Great Galloping Gottschalk, The Leaves are Fading and Bruch Violin Concerto No.1. At Melpark Hall.

Nikki Chooi makes something less than a fantasy out of Bruch but the Auckland Philharmonia shine in Schumann.

On walking into the foyer of Colston Hall, I was greeted by the sound of a jazz band playing The Girl from Ipanema. This was not quite what I expected from the Colston Hall’s “Symphony Project”, but nevertheless a tasteful and welcoming opening, that created a cheerful atmosphere.