2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-04-25UTC15:29:48+00:002017-04-25Luis Buñuel's derision at the sense of entitlement of over-privileged, self-righteous prigs shines through a high quality operatic adaptation.The indiscreet charmlessness of the bourgeoisie: Adès brings The Exterminating Angel to operaen_GBtruehttps://bachtrack.com/review-ades-exterminating-angel-royal-opera-april-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngDavid Karlinhttps://bachtrack.com/22/270/list-published/3https://bachtrack.com/22/270/list-published/3https://bachtrack.com/files/40449-david-karlin.jpgDavid is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.https://bachtrack.com/files/58584-170421-0807-angel-adj-sophie-bevan--ed-lyon--c--roh--photo-by-clive-barda.jpg510340Sophie Bevan, Ed LyonROH | Clive Barda2017-Apr-24, Royal Opera House, Covent Garden: The Exterminating Angelhttps://bachtrack.com/listing-thomas-ades-the-exterminating-angel-royal-opera-april-20172017-04-242017-05-08Royal Opera House, Covent GardenLondonGreater LondonUnited KingdomWC2E 9DDBow Street,
,Covent Garden51.513371-0.12239999999997http://www.roh.org.uk/productions/the-exterminating-angel-by-tom-cairns?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/57341-royal-opera-house-logo.jpg4
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-02-14UTC16:41:56+00:002017-02-13An uncompromising approach to the unfinished score of Berg's opera results in a compelling musical and dramatic interpretation.From femme fatale to angel: Lulu in Hamburgen_GBtruehttps://bachtrack.com/review-berg-lulu-hannigan-nagano-marthaler-staatsoper-hamburg-february-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngMatthew Ryehttps://bachtrack.com/22/270/list-published/19100https://bachtrack.com/22/270/list-published/19100https://bachtrack.com/files/24809-matthew_rye.jpgMatthew read music at Oxford and has worked in music journalism for 30 years as a writer, critic and editor. He has written numerous programme and CD booklet notes, spent 13 years as a Daily Telegraph critic, worked at BBC Music Magazine and was reviews editor of The Strad, for which he continues to write. He also writes for The Wagner Journal and Opera Now and blogs at ferneklang.blogspot.co.uk. He was general editor of 1001 Classical Recordings You Must Hear Before You Die (Cassell Illustrated, 2007) and is the author of a new series of eBooks, Masterpieces of Music (Erudition).https://bachtrack.com/files/53204-lulu-barbara-hannigan-sylvana-seddig-begona-quinones-c-monika-rittershaus-resized.jpg510340Barbara Hannigan (Lulu), Sylvana Seddig and Begoña QuiñonesMonika Rittershaus2017-Feb-12, Staatsoper: Luluhttps://bachtrack.com/opera-listing/staatsoper-2360/lulu/12-february-2017/18-002017-02-122017-02-24StaatsoperHamburgHamburgGermany20354Große Theaterstraße 2553.55677029.9894009http://www.staatsoper-hamburg.de/de/spielplan/stueck-termine.php?utm_medium=display&utm_source=bachtrack.com&AuffNr=141569#pagenavhttps://bachtrack.com/files/62371-staatsoper-hamburg-logo.jpg4
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-08-01UTC09:59:15+00:002016-07-31The Salzburg Festival audience warmly applauded Thomas Adès, Tom Cairns and all musicians for a rounded and gripping première.The Exterminating Angel: A Salzburg world première in a surreal atmosphereen_GBtruehttps://bachtrack.com/kritik-salzburger-festspiele-exterminating-angel-urauffuehrung-juli-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngChristine Arnoldhttps://bachtrack.com/files/43374-salzburger-festspiele-exterminating-angel-von-otter-tomlinson-rice-echalaz-moore-c-monika-rittershaus-510-x-343.jpg510340Anne Sofie von Otter, John Tomlinson, Christine Rice, Amanda Echalaz & David Adam MooreMonika Rittershaus | Salzburger Festspiele2016-Jul-28, Haus für Mozart: The Exterminating Angelhttps://bachtrack.com/opera-listing/haus-fur-mozart/the-exterminating-angel/28-july-2016/19-002016-07-282016-08-08Haus für MozartSalzburgSalzburgAustria5020Hofstallgasse 147.798526613.041762800000015http://www.salzburgerfestspiele.at/opera/exterminating-angel-2016?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/38531-salzburg-festspiele.png4
Requiring trained opera singers to focus primarily on acting and asking actors to sing in a renowned opera house puts everyone out of their comfort zone, which is not necessarily a bad thing.
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-01-21UTC11:28:49+00:002016-01-20Requiring trained opera singers to focus primarily on acting and asking actors to sing in a renowned opera house puts everyone out of their comfort zone, which is not necessarily a bad thing.A shark with shiny teeth: Dreigroschenoper at Theater an der Wienen_GBtruehttps://bachtrack.com/review-weill-dreigroschenoper-theater-an-der-wien-january-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngChanda VanderHarthttps://bachtrack.com/22/270/list-published/11169https://bachtrack.com/22/270/list-published/11169https://bachtrack.com/files/40586-chanda-vanderhart.jpgChanda is a pianist, vocal coach, recording artist, accompanist, eBook creator, masterclass organizer, teacher and PhD candidate who lives, works and plays in Vienna, Austria. For more on Chanda and all her many crazy projects, click here.https://bachtrack.com/files/33292-dreigroschenoper_tobias_moretti_nina_bernsteiner_monika_rittershaus_resized.jpg300463Tobias Moretti (Macheath) and Nina Bernsteiner (Polly Peachum)Monika Rittershaus2016-Jan-13, Theater an der Wien: Die Dreigroschenoperhttps://bachtrack.com/opera-listing/theater-an-der-wien/die-dreigroschenoper/13-january-2016/19-002016-01-132016-01-30Theater an der WienViennaViennaAustria1060Linke Wienzeile 648.199403216.36425443
2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2015-11-09UTC10:58:34+00:002015-11-06Big moments, largely conceived, but somewhat lacking in overall unity.Sprawling Mahler 3 at the Kennedyen_GBtruehttps://bachtrack.com/review-mahler-eschenbach-von-otter-washington-november-2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngHilary Strohhttps://bachtrack.com/22/270/list-published/17629https://bachtrack.com/22/270/list-published/17629https://bachtrack.com/files/289-hilary_larkin.jpgHilary is an independent scholar and academic historian, based in DC. She has a background in violin, piano and ballet. Educated at Dublin and Cambridge, she has recently published her first two books. https://bachtrack.com/files/30528-christoph_eschenbach_eric_brissaud2.jpg275413Christoph EschenbachEric Brissaud2015-Nov-05, Kennedy Center: Concert Hall: Mahler's Symphony No. 3https://bachtrack.com/concert-listing/kennedy-center-concert-hall/mahlers-symphony-no-3/05-november-2015/19-002015-11-052015-11-07Kennedy Center: Concert HallWashingtonDistrict of ColumbiaUnited StatesDC 2056638.895803-77.0556693
2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2015-06-10UTC09:04:19+00:002015-05-26Sir Simon Rattle concludes the Ring Cycle in Vienna with a detailed and intricate reading of the opera with an excellent cast.Götterdämmerung as Chamber Opera in Viennaen_GBtruehttps://bachtrack.com/review-gotterdammerung-vienna-state-opera-may-2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngAko Imamurahttps://bachtrack.com/22/270/list-published/16328https://bachtrack.com/22/270/list-published/16328https://bachtrack.com/files/251-ako_imamura.jpegAtsuko (Ako) Imamura is a retired investment banker in New York City. Born in Japan, she trained as cultural anthropologist in the US before turning to finance. She now spends her time attending opera and classical music concerts in New York and in Europe. Wagner is her favorite opera composer.https://bachtrack.com/files/23582-goetterdaemmerung_vonotter_herlitzius.jpg510350Anne Sofie von Otter and Evelyn Herlitzius in GötterdämmerungWiener Staatsoper / Michael Pöhn2015-May-25, Staatsoper: Götterdämmerunghttps://bachtrack.com/opera-listing/staatsoper/gotterdammerung/25-may-2015/17-002015-05-252015-06-07StaatsoperViennaViennaAustria101048.203318097930416.36919975280765
From its stunningly filmic opening to its faux-Golgotha finale, the Royal Opera House’s new production of Weill’s Rise and Fall of the City of Mahagonny demands our attention.
2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2015-03-25UTC15:46:24+00:002015-03-11From its stunningly filmic opening to its faux-Golgotha finale, the Royal Opera House’s new production of Weill’s Rise and Fall of the City of Mahagonny demands our attention. A heaven of hell, a hell of heaven: Brecht and Weill's Rise and Fall of the City of Mahagonnyen_GBtruehttps://bachtrack.com/review-weill-mahagonny-royal-opera-march-2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngCharlotte Valorihttps://bachtrack.com/22/270/list-published/5489https://bachtrack.com/22/270/list-published/5489https://bachtrack.com/files/173-charlotte_valori.jpgCharlotte Valori read Classics at Christ Church, Oxford. As a classicist, her main interest is Greek tragedy and its reception by later cultures, which has led to a continuing passion for theatre and opera. Charlotte reviews for several online magazines, and won the Bachtrack Opera Award 2015 for Best Written English Review. Follow her on Twitter @operissima.https://bachtrack.com/files/8546-mahagonny_kurt_streit_christine_rice_clive_barda.jpg299480Kurt Streit (Jimmy McIntyre) and Christine Rice (Jenny Smith)Clive Barda | ROH2015-Mar-10, Royal Opera House, Covent Garden: Rise and Fall of the City of Mahagonnyhttps://bachtrack.com/opera-listing/royal-opera-house-covent-garden/rise-and-fall-of-the-city-of-mahagonny/10-march-2015/19-302015-03-102015-04-04Royal Opera House, Covent GardenLondonGreater LondonUnited KingdomWC2E 9DDBow Street,
,Covent Garden51.513371-0.122399999999974
2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2015-02-19UTC16:21:49+00:002015-02-19A powerful performance of Nielsen’s Fourth Symphony is in broad contrast to its elegant companions at the Barbican. Bringing fire to Nielsen's Inextinguishable: BBC Symphony Orchestra and Sakari Oramoen_GBtruehttps://bachtrack.com/review-nielsen-oramo-otter-bbc-symphony-february-2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngPenny Homerhttps://bachtrack.com/22/270/list-published/14968https://bachtrack.com/22/270/list-published/14968https://bachtrack.com/files/40597-penny-picture.jpgPenny Homer graduated from the University of Nottingham with a Bachelor of Music degree in 2003, where she was also a choral scholar at St Barnabas Cathedral. She is keenly interested in arts and education, and her work across both includes stints at Akademi South Asian Dance UK and Benslow Music Trust.
Additionally she worked for Edition Peters in their sales department before joining the
Association of British Choral Directors as their Training Manager.
Penny currently sings at Eton Lower Chapel, St Andrews Fulham Fields, Wimbledon Choral
Society, Londinium and Vocal Constructivists, and continues her vocal studies with Ian
Kennedy.https://bachtrack.com/files/8281-sakari_oramo_benjamin_ealovega.jpg510375Sakari OramoBenjamin Ealovega2015-Feb-18, Barbican Hall: BBC Symphony Orchestra/Nielsen Cyclehttps://bachtrack.com/concert-listing/barbican-hall/bbc-symphony-orchestranielsen-cycle/18-february-2015/19-302015-02-182015-02-18Barbican HallLondonGreater LondonUnited KingdomEC2Y 8DSSilk Street51.519879294526-0.091710090637207http://www.barbican.org.uk/music/event-detail.asp?utm_medium=External_Email&utm_source=Bachtrack_BBCSO_Nielsen_Cycle_4&ID=15939&utm_campaign=CCOCLA260414C&utm_content=CCOCLA260414C_bookhttps://bachtrack.com/files/18762-barbican.jpg4
Late in the opera, in the calm that settles after a vaudeville of ballet dancers and Italian singers, Fleming’s poise pervades the Countess’s closing rumination over love and the nature of art. It’s a concert piece nestled in Capriccio’s narrative bustle, and to hear Fleming sing it is to be reminded of her talents as a communicator in music within and beyond the opera stage.
2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2014-10-14UTC08:30:33+00:002014-10-10Late in the opera, in the calm that settles after a vaudeville of ballet dancers and Italian singers, Fleming’s poise pervades the Countess’s closing rumination over love and the nature of art. It’s a concert piece nestled in Capriccio’s narrative bustle, and to hear Fleming sing it is to be reminded of her talents as a communicator in music within and beyond the opera stage.Capriccio at the Lyric slowly finds its voiceen_GBtruehttps://bachtrack.com/review-capriccio-fleming-davis-chicago-lyric-october-2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngDan Wanghttps://bachtrack.com/22/270/list-published/2135https://bachtrack.com/22/270/list-published/2135https://bachtrack.com/files/27231-dan_wang.jpgDan Wang is a graduate student in music history and theory at the University of Chicago.https://bachtrack.com/files/6918-lyric_capriccio_renee_fleming_todd_rosenberg.jpg294480Renée Fleming (The Countess)Todd Rosenberg2014-Oct-06, Lyric Opera House: Capricciohttps://bachtrack.com/opera-listing/lyric-opera-house/capriccio/06-october-2014/19-302014-10-062014-10-28Lyric Opera HouseChicagoIllinoisUnited StatesIL6060641.88256625015544-87.637429833412172
With this mesmerising version of Les contes d'Hoffmann, Marthaler has proved (as Offenbach did more than one century ago) that it is possible to love Romanticism through its satire.
2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2014-05-24UTC09:36:06+00:002014-05-20With this mesmerising version of Les contes d'Hoffmann, Marthaler has proved (as Offenbach did more than one century ago) that it is possible to love Romanticism through its satire. What Stella had to say: The (Surrealist) Tales of Hoffmann at Teatro Realen_GBtruehttps://bachtrack.com/review-hoffmann-cutler-madrid-may-2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngFernando Remirohttps://bachtrack.com/22/270/list-published/15201https://bachtrack.com/22/270/list-published/15201https://bachtrack.com/files/40593-remiro-fernando.jpgFernando studied history and political science. He is passionate about opera and lied, a devoted fan of Benjamin Britten, and a lover of challenging stage productions. He wrote opera reviews for the Spanish musical magazine Ritmo and tweets about opera at @operatweets.https://bachtrack.com/files/5373-hoffmann2_madrid_javier_del_real.jpg510359Les contes d'HoffmannJavier del Real | Teatro Real2014-May-17, Teatro Real: Tales of Hoffmannhttps://bachtrack.com/opera-listing/teatro-real/tales-of-hoffmann/17-may-2014/20-002014-05-172014-06-21Teatro RealMadridMadridSpain2801340.418256-3.711206http://www.teatro-real.com/es/la-temporada/opera/les-contesd-39hoffmann?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/14518-les_contes_d_hoffmann_1_.jpg4
It is hard to believe that Anne Sofie von Otter has been on the international scene for over 25 years, and after all this time, her voice is in remarkable shape. Coupled here with the equally esteemed Emanuel Ax, this intimate recital communicated a great depth of understanding in the music.
2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2014-01-23UTC10:36:59+00:002014-01-23It is hard to believe that Anne Sofie von Otter has been on the international scene for over 25 years, and after all this time, her voice is in remarkable shape. Coupled here with the equally esteemed Emanuel Ax, this intimate recital communicated a great depth of understanding in the music.Von Otter and Ax combine for sublime Brahms in Los Angelesen_GBtruehttps://bachtrack.com/review-jan-2014-la-von-otter-axBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngMatthew Richard Martinezhttps://bachtrack.com/files/4070-anne_sofie_von_otter_high_res_1___credit_ewa_marie_rundquist.jpg310421Anne Sofie von OtterEwa-Marie Rundquist2014-Jan-21, Walt Disney Concert Hall: Ax & von Otter in recitalhttps://bachtrack.com/concert-listing/walt-disney-concert-hall/ax-von-otter-in-recital/21-january-2014/20-002014-01-212014-01-21Walt Disney Concert HallLos AngelesCaliforniaUnited StatesCA 9001234.0553616617995-118.2498407363894
My mother always told me not to sit too close in the theatre, and after seeing this revival of Martin Kusej’s modern realization of Stravinksy’s The Rake’s Progress at the Theater an der Wien, I think I know what she was talking about.Act I begins innocuously enough in a sparse apartment, unfurnished apart from a mattress and a television.
2013Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:50:57+00:002013-09-27Chanda VanderHart reviews Martin Kušej's production of Stravinsky's The Rake's Progress at Theater an der WienA very progressive Rake at the Theater an der Wienen_GBtruehttps://bachtrack.com/review-theater-an-der-wien-rakes-progress-kusejBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngChanda VanderHarthttps://bachtrack.com/22/270/list-published/11169https://bachtrack.com/22/270/list-published/11169https://bachtrack.com/files/40586-chanda-vanderhart.jpgChanda is a pianist, vocal coach, recording artist, accompanist, eBook creator, masterclass organizer, teacher and PhD candidate who lives, works and plays in Vienna, Austria. For more on Chanda and all her many crazy projects, click here.https://bachtrack.com/files/3086-wien_rake.jpg400400Anna Prohaska (Anne Trulove), Bo Skovhus (Nick Shadow), Toby Spence (Tom Rakewell) & Manfred Hemm (T Herwig Prammer2013-Sep-16, Theater an der Wien: The Rake's Progresshttps://bachtrack.com/listing-theater-an-der-wien-rakes-progress-kusej2013-09-162013-09-26Theater an der WienViennaViennaAustria1060Linke Wienzeile 648.199403216.3642544http://www.theater-wien.at/index.php/de/tickets?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/75486-orf-radio-symphonie-orchestra-logo.png3
The repertoire in Anne Sofie von Otter’s recital in Bodø Cathedral this Saturday was truly a mixed bag. Ranging 350-odd years, from the 1650s all the way up until the very present day, spanning four countries and as many languages, and joined by two accompanists – Mats Bergström and Svante Henryson – there was really no unifying theme to the recital.
2013Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:48:48+00:002013-08-13Aksel Tollåli reviews Anne Sofie von Otter, Mats Bergström and Svante Henrysson's recital in Bodø Cathedral.Musical storytelling with Anne Sofie von Otter at Nordland Music Festivalen_GBtruehttps://bachtrack.com/review-nordland-music-festival-anne-sofie-von-otterBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngAksel Tollålihttps://bachtrack.com/22/270/list-published/1284https://bachtrack.com/22/270/list-published/1284https://bachtrack.com/files/148-aksel.jpgAksel is currently studying towards a degree in musicology at the University of Oslo. At the moment he is an exchange student at Goldsmiths College in London. He is also a choral singer and a trombonist. His musical interests include 20th-cenury French music, Baroque opera and the music of Richard Strauss.https://bachtrack.com/files/2933-img_8187.jpg400267 Nordland Music Festival2013-Aug-10, Bodø Cathedral: Anne Sofie von Otterhttps://bachtrack.com/listing-nordland-music-festival-anne-sofie-von-otter2013-08-102013-08-10Bodø CathedralBodøNordlandNorway8006Torvgata 1267.282430914.38146645
Under conductor Alan Gilbert, the New York Philharmonic and the New York Choral Artists gave an inspired but slightly uneven performance of J.S. Bach’s Mass in B minor on Wednesday night. Playing with great panache as well as a mindful sense of the historical weight of the piece, the vocalists and musicians gave bristling and glistening life to a timeless work.
2013Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:40:55+00:002013-03-18Joseph Pfender reviews Alan Gilbert, NY Phil and NY Choral Artists performing Bach B Minor Mass.NY Philharmonic and Choral Artists blaze through Bach's culminating masterworken_GBtruehttps://bachtrack.com/review-lincoln-center-ny-phil-gilbert-bach-b-minor-massBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngJoseph Pfenderhttps://bachtrack.com/files/927-alan_gilbert__by_chris_lee.jpg400400Alan Gilbert Chris Lee2013-Mar-13, Lincoln Center: David Geffen Hall: New York Philharmonichttps://bachtrack.com/listing-lincoln-center-ny-phil-gilbert-bach-b-minor-mass2013-03-132013-03-13Lincoln Center: David Geffen HallNew York CityNew YorkUnited StatesNY 1002340.772335628263-73.983800411224024
Giulio Cesare, an opera populated with manipulative characters that only interact with each other when shared interests are at stake, is a receptive vessel for a scornful indictment of imperialism and the dubious alliances it forges.
2012Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2015-03-30UTC08:40:33+00:002012-08-28Star cast of Cecilia Bartoli, Andreas Scholl, Philippe Jaroussky, Anne Sofie von Otter and Christophe Dumaux sing Giulio Cesare in SalzburgGiulio Cesare in Salzburgen_GBtruehttps://bachtrack.com/review-salzburg-festival-2012-giulio-cesareBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngZwölftönerhttps://bachtrack.com/files/1628-cesare_in_egitto.jpg400400Cecilia Bartoli and Andreas Scholl Hans Jörg Michel2012-Aug-23, Haus für Mozart: Giulio Cesare in Egittohttps://bachtrack.com/listing-salzburg-festival-2012-giulio-cesare2012-08-232012-08-31Haus für MozartSalzburgSalzburgAustria5020Hofstallgasse 147.798526613.041762800000015http://www.salzburgerfestspiele.at/opera/giulio-cesare-in-egitto-2012?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/10850-salzburg_logo.jpg4
The holiday season in New York can be a bit maddening, an unrelenting assault to the senses amid the crush of humanity present throughout the city. Luckily, then, the Philharmonic provided an evening’s respite with powerful and largely understated works by Haydn, Schubert, and Ravel. After Haydn’s Symphony no.
2012Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:22:21+00:002012-01-01Alan Gilbert conducts the New York Philharmonic in works by Haydn, Schubert, and Ravel, with mezzo-soprano Anne Sofie von Otter.Alan Gilbert, Anne Sofie von Otter and the New York Philharmonic in works of Haydn, Schubert and Ravelen_GBtruehttps://bachtrack.com/review-new-york-philharmonic-alan-gilbert-anne-sophie-von-otterBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngBachtrack reviewerhttps://bachtrack.com/files/927-alan_gilbert__by_chris_lee.jpg400400Alan Gilbert, Chris Lee2011-Dec-29, Lincoln Center: David Geffen Hall: New York Philharmonichttps://bachtrack.com/listing-new-york-philharmonic-alan-gilbert-anne-sophie-von-otter2011-12-292011-12-29Lincoln Center: David Geffen HallNew York CityNew YorkUnited StatesNY 1002340.772335628263-73.983800411224024
Petibon, Devieilhe, Gens, Koch,... le nec plus ultra de l'art lyrique français était réuni sur la scène du TCE pour la reprise de la production unanimement saluée d'Olivier Py des Dialogues des Carmélite.
2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2018-02-13UTC17:09:06+00:002018-02-13Petibon, Devieilhe, Gens, Koch,... le nec plus ultra de l'art lyrique français était réuni sur la scène du TCE pour la reprise de la production unanimement saluée d'Olivier Py des Dialogues des Carmélite. Reprise des Dialogues des Carmélites au TCE : la scène et la fosse font le grand écartfr_FRtruehttps://bachtrack.com/critique-dialogues-des-carmelites-py-rhorer-petibon-von-otter-gens-koch-devieilhe-theatre-champs-elysees-paris-fevrier-2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngPierre Lisciahttps://bachtrack.com/22/270/list-published/22266https://bachtrack.com/22/270/list-published/22266https://bachtrack.com/files/42113-photo-bachtrack.jpgPierre Liscia-Beaurenaut évolue parallèlement dans les univers de la littérature et de la musique : après des études littéraires menées en classe préparatoire au Lycée Henri IV (où il est notamment lauréat du Concours Général en Histoire), il entre au conservatoire de Boulogne-Billancourt, où il obtient son Diplôme d'Etudes Musicales de violon, mention Très Bien à l'unanimité du jury dans toutes les disciplines, et intègre le Conservatoire National Supérieur de Musique de Lyon. Il partage aujourd'hui son temps entre ses études de violon et ses activités de critique musical pour le site Bachtrack.https://bachtrack.com/files/76610-myimage.jpg300450Patricia Petibon (Blanche de la Force)Vincent Pontet2018-Feb-07, Théâtre des Champs-Élysées: Dialogues des Carméliteshttps://bachtrack.com/opera-listing/theatre-des-champs-elysees/dialogues-des-carmelites/07-february-2018/19-302018-02-072018-02-16Théâtre des Champs-ÉlyséesParisÎle-de-FranceFrance7500815 avenue Montaigne48.86560572.303239http://www.maisondelaradio.fr/evenement/opera-scenique/dialogues-des-carmelites?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/60785-web-saison1718.jpg4
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-11-03UTC10:19:36+00:002017-11-02In einer nüchternen Inszenierung hat Christof Loy versucht, in Mozarts Le nozze di Figaro vor allem musikalisch neue Akzente zu setzen.Mozart im Wunderland: Le nozze di Figaro an der Bayerischen Staatsoperde_DEtruehttps://bachtrack.com/kritik-le-nozze-di-figaro-loy-carydis-gerhaher-esposito-von-otter-lombardi-kulchynska-bayerische-staatsoper-muenchen-oktober-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngNorman Schwarzehttps://bachtrack.com/files/70672-christian-gerhaher--graf-almaviva---olga-kulchynska--susanna--c-wilfried-hoesl-cropped-resized.jpg510340Christian Gerhaher (Graf Almaviva), Olga Kulchznska (Susanna)Wilfried Hösl2017-Oct-26, Nationaltheater: Le nozze di Figarohttps://bachtrack.com/opera-listing/nationaltheater-1927/le-nozze-di-figaro/26-october-2017/18-002017-10-262017-11-10NationaltheaterMunichBavariaGermany48.13976660697811.578522324562https://www.staatsoper.de/en/productioninfo/le-nozze-di-figaro-1.htmlhttps://bachtrack.com/files/56516-2017-10-15-le-nozze-di-figaro.jpg3
2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2015-06-15UTC19:56:01+00:002015-06-15Buen concierto de Afkham al frente de la OCNE ante un público seducido desde un principioAfkham y Beethoven en el Auditorio Nacional: el idilio continúaes_EStruehttps://bachtrack.com/critica-auditorio-nacional-afkham-von-otter-brahms-heroica-beethoven-june-2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngMario Muñozhttps://bachtrack.com/22/270/list-published/17764https://bachtrack.com/22/270/list-published/17764https://bachtrack.com/files/292-mario.jpgMario Muñoz Carrasco (Madrid, 1976) es compositor y crítico musical. Cursa estudios de Guitarra Clásica en la Escuela de Música Creativa para especializarse más adelante en Composición e Improvisación Jazz en la Escuela de Nuevas Músicas. Desde el 2007 ejerce como crítico musical en distintos medios, tanto en radio como en prensa escrita, a la par que participa en actividades musicales de diversa índole (ponencias, congresos, confección de temarios, notas a programas, cursos de apreciación musical, etcétera). Desde su creación en 2011 cursa el Grado en Musicología de la UCM, formando parte de su primera promoción.https://bachtrack.com/files/24542-_mg_7662__cover_.jpg602574El director alemán David Afkham es el titular de la ONEFelix Broede2015-Jun-12, Auditorio Nacional de Música: Orquesta y Coro Nacionales de Españahttps://bachtrack.com/concert-listing/auditorio-nacional-de-musica/orquesta-y-coro-nacionales-de-espana/12-june-2015/19-302015-06-122015-06-14Auditorio Nacional de Música: Sala SinfónicaMadridMadridSpain28002Calle del Príncipe de Vergara 14640.4460601-3.677684499999941http://www.entradasinaem.es/ListaEventos.aspx?utm_medium=display&utm_source=bachtrack.com&id=5&idEspectaculo=1139https://bachtrack.com/files/17236-spanish_national_orchestra.jpg4