En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Hongrie

Jean Cocteau rencontre Philip Glass à l'Opéra d'État hongrois, dans le cadre neuf de l'Eiffel Art Studios, et cette production des Enfants terribles se déroule à un tempo infernal !

En cette année 2015, Le Vaisseau Fantôme est à l'affiche du festival Wagner de Budapest. Malgré une belle distribution dans l’ensemble et un orchestre inventif sous la baguette d'Adam Fischer, la production de Balázs Kovalik est assez contestable.

Ecouter un opéra en version de concert permet de mieux se concentrer sur la musique. Et quand il s’agit de Rusalka, le chef d’œuvre lyrique d’Antonin Dvorak, interprété par l’un des meilleurs orchestres symphoniques du monde, le Budapest Festival Orchestra, qui plus est dirigé par son talentueux fondateur et toujours directeur Iván Fischer, le bonheur ne peut être qu’au rendez-vous.

Birgit Kajtna-Wönig’s new semi-staging of Wagner's Bühnenweihfestspiel pays homage to Ádám Fischer's committed musical forces.

Eine Deutung, die am Karfreitag den emotionalen Höhepunkt des Todes höchst ergreifend einfängt. Und sich an den zentralen Partien ausrichtet, die mit optimalen Kieran Carrel und Konstantin Krimmel im Gedächtnis bleibt.

Klára Kolonits's radiant Elsa proves the main attraction in the Hungarian State Opera's visually appealing but conceptually lacking new Lohengrin.

Iván Fischer's reworking of his 2017 production of Don Giovanni is musically capable, but dramatically unconvincing.

Individual performances impress, but conducting and production both prove too meandering in this year’s Wagner Days Tannhäuser.

Hungarian National Ballet's La Bayadère revitalizes tradition with a new reconstruction of its forgotten final act. 

Hungarian State Opera's cut-down, dramatically inert Gioconda fails to ignite the stage in Budapest, despite a solid musical foundation. 

Martin Rajna's energetic conducting and Gabriella Balga's glorious Elisabetta are the bright spots in this flashy but empty house premiere of Donizetti's classic.

Hungarian National Ballet strike a delightful balance between lighthearted comedy and technical assurance in Ronald Hynd's The Merry Widow.

In its tenth year and going strong, the biennial Éva Marton International Singing Competition fields an even level of talent in an entertaining finale. 

Attila Mókus's dramatic baritone was scornful at one moment, tender, distressed, vengeful, or broken in mourning at others, vocal signposts in Rigoletto’s descent into the hell of his own making.

András Almási-Toth production of the original version of Mussorgsky's historical epic underwhelms in Budapest. 

Hungarian State Opera revives their mostly period production of Strauss' Arabella with star turns by sopranos Polina Pasztircsák and Laura Topolánszky.

Andrea Brassói-Jőrös shines in the title role of János Szikora's new staging of Dvořák's fairy tale opera. 

Three iconic Bartók dance scores are newly-interpreted at the Hungarian National Ballet. 

A sense of marvel and joy permeates this New Year's Day performance of Haydn's oratorio at Müpa, Budapest. 

Peter Eötvös' 13th opera – the first in his native Hungarian – premieres at the Eiffel Art Studios in Budapest. 

Hungarian National Ballet's Spartacus is not short of drama. Combined with Khachaturian's rousing score and some breathtaking dancing, it's a winner.

With Iréne Theorin's Brünnhilde rejuvenated, the Ring receives a worthy finale at the Budapest Wagner Days.

The pure magic of Ádám Fischer and the Hungarian Radio Symphony Orchestra delights with two brilliant leads, but others disappoint on the second day of Müpa's Ring.

Hungarian State Opera presents Idomeneo for the first time in almost 50 years in a musically superb, but controversial pandemic-informed dystopian setting.

Three complete ballets and a sprinkling of divertissements made for a highly enjoyable gala.

Cast and orchestra excel in a sensitive linking of Gluck’s music and drama in Róbert Alföldi's simple, direct production at the Hungarian State Opera.

Balázs Kovalik’s interpretation of Elektra is revived in Budapest, impressing until the B-movie cliché finale. 

This expanded Swan Lake celebrated the return of an exceptional ballerina after a year's lay-off as well as displaying the depth of talent within the company.

In their role debuts, Tassis Christoyannis and Véronique Gens make for an incredible pair in this concert performance of Massenet's opera.

Calixto Bieito takes on Prokofiev's Tolstoy epic – and wins in the opera's Hungarian premiere. 

Iván Fischer mixes things up for Schubert's “Great C major” Symphony with an unusual seating arrangement. 

Massed Hungarian forces impress in a monumental performance of Berlioz' grand work under Howard Williams' baton.

Souveräne Orfeo Orchestra und Purcell Choir sowie virtuose Solisten halten ein überzeugend theatralisches Plädoyer für eine häufigere Aufführung dieses herrlichen Oratoriums.

In András Almási-Toth's engaging new production, magnificent orchestral and choral performances let Wagner's music do the talking.

Roberto Paternostro and the Dohnányi Orchestra Budafok give plenty of spirit to Mahler's vocal symphony... sometimes to a fault.

Balázs Kovalik’s opulent staging of Boito's Faustian opera threatens to overshadow the singers, but it makes for an exciting spectacle.

MacMillan's ballet returns to the Hungarian National Ballet in time for the Opera House's grand reopening.

Szilveszter Ókovács' new production matches the opulent venue in all its eye-candy, with dazzling costumes, dark sets large crowds, and rapid scenic changes made possible by a newly installed mechanical stage. 

The opening night of Müpa’s Early Music Festival had all the makings of an excellent concert and it delivered in abundance.

Zita Szemere is a wonderfully ebullient Marie, but the new production at the Hungarian State Opera merits a mixed report card.

A performance of highs and lows with a stellar step-in from Lidia Fridman as Lucrezia Borgia and a confused production by Ferenc Anger plays at the Palace of Arts.

Considered Hungary's national opera, Ferenc Erkel's Bánk bán rarely travels beyond its borders, but is given a rousing performance by the Hungarian State Opera. 

Conducted by Iván Fischer, a strong cast delivers an entertaining performance of Monteverdi's opera in a production that amuses, but does not quite thrill.

The paintings of Victor Vasarely are brought to life in dance at the Bartók Spring International Arts Weeks festival.   

Tamás Juronics choreographs the Concerto for Orchestra as a biographical ballet depicting a fragile Béla Bartók rising from his hospital bed.  

Two of Hungary's favourite composers star in an evening of Hungarian music and dance.

György Vashegyi and the period instrument Orfeo Orchestra impress in an all-Mozart programme in Budapest. 

Monteverdi’s last opera, recomposed by Máté Bella for a modern orchestra and a jazz combo, is an over-the-top, glitzy romp with plenty of casual sex and even more casual violence.

The Hungarian State Opera presents a new modern production of Don Carlo by a director who depicts the historical cruelty as very much present in our world today.