En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Anthony Roth Costanzo

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Paris

10 avril 2026

Satyagraha ou la canonisation de Philip Glass au Palais Garnier

Par Romain Daroles

Paris

L’Ange exterminateur de haut vol de Thomas Adès à l’Opéra Bastille

Par Erwan Gentric, 29 février 2024

La création française de l'opéra du compositeur britannique restera LE temps fort de la saison pour la Grande Boutique, la musique, la mise en scène et la distribution s'accordant à merveille.

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Paris

29 févr. 2024

L’Ange exterminateur de haut vol de Thomas Adès à Bastille

Par Erwan Gentric

Quebec

Début de saison aux Violons du Roy : Bach au pluriel et à l'imparfait

Par Emmanuel Bernier, 25 septembre 2019

Début de saison inégal aux Violons du Roy dans trois magnificats de la famille Bach livrés avec fougue, mais appelant plusieurs réserves en matière interprétative.

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Quebec

25 sept. 2019

Début de saison aux Violons du Roy : Bach au pluriel et à l'imparfait

Par Emmanuel Bernier

Emi Ferguson, Kangmin Justin Kim (The Painter) and Anthony Roth Costanzo (The Poet) © Steven Pisano

Philadelphia

A didactic Decameron: The Seasons at Opera Philadelphia

Par Cameron Kelsall, 20 décembre 2025

Conceived by Anthony Roth Costanzo and Sarah Ruhl, this high-handed pasticcio sets the climate crisis to a soundtrack of Vivaldi.

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Philadelphia

20 déc. 2025

A didactic Decameron: The Seasons at Opera Philadelphia

Par Cameron Kelsall

Barcelona

Tocados por la luz del sol: la irradiación de Akhnaten en el Liceu, una oda a la celebración del arte

Par Maria Sánchez, 31 octobre 2025

La producción que triunfó con la English National Opera y la LA Opera llega felizmente a la ciudad condal, significando a la vez el estreno estatal de esta obra.

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Barcelona

31 oct. 2025

Akhnaten en el Liceu, una oda a la celebración del arte

Par Maria Sánchez

Ying Fang (Euridice) and Anthony Roth Costanzo (Orfeo) © Ken Howard | Met Opera

Back from the other side: Mark Morris’ dance-intensive Orfeo ed Euridice returns to the Met

Par Susan Stempleski, 16 mai 2024

The latest revival of the company’s 2007 stylish production of Gluck’s operatic take on the Orpheus myth is enlivened with superb singing and dancing.

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New York

16 mai 2024

Mark Morris’ dance-intensive Orfeo ed Euridice returns to the Met

Par Susan Stempleski

Madrid

Solo la Orquesta del Teatro Real salva un tedioso Orlando

Par Juan José Freijo, 31 octobre 2023

Ni el excelente trabajo de la orquesta logra rescatar el peso de unos cantantes a medio gas y de una escena con fondo escaso y forma agotada.

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Madrid

31 oct. 2023

El esperado Orlando del Teatro Real queda en una propuesta mediocre

Par Juan José Freijo

Anthony Roth Costanzo (Rinaldo) © Evan Zimmerman | The Glimmerglass Festival

Cooperstown

Child's play: inventive, moving Rinaldo at Glimmerglass

Par Cameron Kelsall, 31 juillet 2023

Director Louisa Proske refracts Handel's tale of warlords and witches through the prism of a juvenile dream world, aided by a game cast headed by Anthony Roth Costanzo.

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Cooperstown

31 juil. 2023

Child's play: inventive, moving Rinaldo at Glimmerglass

Par Cameron Kelsall

Anthony Roth Costanzo (Akhnaten) © Belinda Jiao

English National Opera revives Akhnaten to spectacular effect

Par Mark Valencia, 11 mars 2023

Philip Glass' operatic take on Ancient Egyptian history returns to the Coliseum in Phelim McDermott's hypnotic production, complete with jugglers...

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Londres

11 mars 2023

English National Opera revives Akhnaten to spectacular effect

Par Mark Valencia

Anthony Roth Costanzo © BBC | Mark Allan

Sensory overload: Anthony Roth Costanzo's Glass–Handel at Printworks London

Par Mark Pullinger, 03 septembre 2022

Anthony Roth Costanzo's multidisciplinary project arrives at the BBC Proms in the grungy, industrial space of Printworks London, but music seems a long way down the pecking order.

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Londres

03 sept. 2022

Sensory overload: Costanzo's Glass–Handel at Printworks London

Par Mark Pullinger

Brooklyn

Anthony Roth Costanzo sings mediations on the beautiful and the mortal in a Brooklyn cemetery

Par Kurt Gottschalk, 21 juillet 2022

Aaron Siegel’s suite of songs, delivered by the unearthly American countertenor Anthony Roth Costanzo, are short, elegant and uncluttered, bringing the vocal works of Ives and Messiaen, or even Purcell, to mind.

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Brooklyn

21 juil. 2022

Mediations on the beautiful and the mortal in a Brooklyn cemetery

Par Kurt Gottschalk

A worthy revival of Handel’s Rodelinda at the Metropolitan Opera

Par Edward Sava-Segal, 11 mars 2022

Harry Bicket brings verve and distinctiveness to a stellar cast in Stephen Wadsworth's production, which is neither conventional nor daring.

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New York

11 mars 2022

A worthy revival of Handel’s Rodelinda at the Metropolitan Opera

Par Edward Sava-Segal

New York Philharmonic and Anthony Roth Costanzo explore identity in Spears premiere

Par David Wolfson, 05 février 2022

A premiere and a rarity cap New York Philharmonic’s mini-festival “Authentic Selves: The Beauty Within” created in partnership with Artist-in-Residence, countertenor Anthony Roth Costanzo.

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New York

05 févr. 2022

New York Phil and Costanzo explore identity in Spears premiere

Par David Wolfson

Opera meets cabaret in Only an Octave Apart at the New York Philharmonic

Par Kurt Gottschalk, 27 janvier 2022

Anthony Roth Costanzo and Justin Vivian Bond were authentic to their their dramatic, flamboyant, passionate selves, finding common ground in carefully crafted medleys and duets.

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New York

27 janv. 2022

Opera meets cabaret in Only an Octave Apart at the New York Phil

Par Kurt Gottschalk

Madrid

El Handel más gamberro llega al Teatro Real

Par David Santana Cañas, 13 novembre 2021

Christopher Alden trae al Teatro Real de Madrid una Parténope al estilo art decó dinámica de la que supo exprimir toda su comicidad.

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Madrid

13 nov. 2021

El Handel más gamberro llega al Teatro Real

Par David Santana Cañas

J'Nai Bridges (Nefertiti), Anthony Roth Costanzo (Akhnaten) and Dísella Lárusdóttir (Queen Tye) © Karen Almond | Met Opera

Glass' Akhnaten mesmerizes at The Met

Par Robert Levine, 19 novembre 2019

The third in the composer’s “portrait” trilogy finally arrives at The Met in Phelim McDermott's spectacular production.

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New York

19 nov. 2019

Glass' Akhnaten mesmerizes at The Met

Par Robert Levine

Mesmerising Akhnaten returns to ENO

Par Mark Pullinger, 11 février 2019

Philip Glass' hypnotic opera returns in Phelim McDermott's outstanding production that respects the solemn, statuesque grandeur and epic ritual of the score.

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Londres

11 févr. 2019

Mesmerising Akhnaten returns to ENO

Par Mark Pullinger

Baroque and minimalism juxtaposed in Costanzo’s adventurous Glass Handel

Par Edward Sava-Segal, 26 novembre 2018

Costanzo supposed to be the unifying factor of the performance, but he wasn’t always able to surpass the numerous distractions.

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New York

26 nov. 2018

Baroque and minimalism juxtaposed in Glass Handel

Par Edward Sava-Segal

Philadelphia

Sex, angels and cannibalism: Written on Skin at Opera Philadelphia

Par Ilana Walder-Biesanz, 16 février 2018

Written on Skin is a cold but effective opera full of musical and dramatic energy. Opera Philadelphia's new staging and talented young cast do it justice.

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Philadelphia

16 févr. 2018

Sex, angels and cannibalism: Written on Skin

Par Ilana Walder-Biesanz

A Mozart-Pergolesi combo concert in New York... with dance

Par Robert Levine, 01 novembre 2017

An unlikely double bill of Mozart and Pergolesi at the Lincoln Center's White Light Festival.

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New York

01 nov. 2017

A Mozart-Pergolesi combo concert... with dance

Par Robert Levine

Le Grand Macabre at the Barbican: surreal, madcap, touching the sublime

Par David Karlin, 15 janvier 2017

Simon Rattle leads the LSO and a fine chorus and cast of soloists in Ligeti's masterpiece: surreal, madcap but touching the sublime.

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Londres

15 janv. 2017

Le Grand Macabre: surreal, madcap, sublime

Par David Karlin

San Diego

Heggie's Great Scott wins big in San Diego

Par Erica Miner, 07 mai 2016

Returning stars and high-profile company debuts contributed panache to the energy-charged atmosphere.

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San Diego

07 mai 2016

Heggie's Great Scott wins big in San Diego

Par Erica Miner

Glass' Akhnaten at ENO: an utterly absorbing visual and aural experience

Par David Karlin, 04 mars 2016

Phelim McDermott tackles Philip Glass's ancient Egypt in a production that's totally absorbing visually and aurally, with a star performance by Anthony Roth Costanzo.

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Londres

04 mars 2016

Glass' Akhnaten at ENO

Par David Karlin

Chicago

Bel Canto mixes new sounds and conservative ideas at Lyric Opera Chicago

Par Dan Wang, 07 décembre 2015

It is the fusion of textures and styles coming from the pit that gives Bel Canto a memorable musical profile.

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Chicago

07 déc. 2015

Bel Canto at Lyric Opera Chicago

Par Dan Wang

Dallas

Great Scott: modern bel canto at Dallas Opera

Par David Browning, 01 novembre 2015

A new bel canto opera, a pro football team, and the future of American Opera--all in a day's work for Heggie, McNally, DiDonato, and von Stade.

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Dallas

01 nov. 2015

Great Scott: modern bel canto at Dallas Opera

Par David Browning

Peter Sellars' reconstruction of Purcell's The Indian Queen at ENO

Par David Karlin, 26 février 2015

In Peter Sellars' reconstruction of Purcell's unfinished semi-opera The Indian Queen, fine vocal performances are spoilt by indifferent staging and choreography and an embarrassing retelling of the Conquistador story.

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Londres

26 févr. 2015

Peter Sellars' reconstruction of Purcell's The Indian Queen

Par David Karlin

Madrid

The universalization of Britten: Death in Venice in Madrid

Par Fernando Remiro, 04 décembre 2014

Death in Venice makes its première in Madrid with a rational and symbolic production by Willy Decker.

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Madrid

04 déc. 2014

The universalization of Britten: Death in Venice

Par Fernando Remiro

San Francisco

Handling Handel's Partenope at the War Memorial Opera House

Par Jaime Robles, 15 octobre 2014

Director Christopher Alden's charming Partenope slinks its Surrealist way into San Francisco.

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San Francisco

15 oct. 2014

Partenope: Absurd plot, Surrealist touches

Par Jaime Robles

Glyndebourne

Rinaldo at Glyndebourne: If only all history lessons were this much fun!

Par Mark Pullinger, 09 août 2014

Chalk and talk is dead. Teachers scramble to bring history to life in classrooms up and down the country through dressing-up days and interactive whiteboard activities. Few, however, can equal Robert Carsen’s efforts in his riotous production of Handel’s Rinaldo, here on its first Glyndebourne revival since its 2011 première.

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Glyndebourne

09 août 2014

If only all history lessons were this much fun!

Par Mark Pullinger

Cooperstown

Love and suffering uniquely explored in Glimmerglass Festival's Passions

Par Gale Martin, 29 juillet 2013

The third production to launch this year at Glimmerglass Festival is a pairing of two one-act operas spanning four centuries, entitled Passions for expediency’s sake. Presented in one bill, the works couldn’t be more different in style, presentation, and audience appeal, but they ultimately combine to make a unique and important artistic statement about suffering and love.

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Cooperstown

29 juil. 2013

Love and suffering uniquely explored in Glimmerglass Festival's Passions

Par Gale Martin

The Met in HD, The Enchanted Island, 2011

Par Timothy Robson, 21 janvier 2012

Read our review of Phelim McDermott's production of The Enchanted Island by Jeremy Sams in its 2008 broadcast from the Met Opera in New York.

New York

21 janv. 2012

The Met in HD, The Enchanted Island, 2011

Par Timothy Robson

Philadelphia

Stunning Outcome for OCP with Challenging 'Phaedra'

Par Gale Martin, 12 juin 2011

One great advantage of premiering an opera in the United States is that audiences can’t compare productions and casts of past performances and find you lacking. One major disadvantage is that the audience has little or no fluency with the work and may struggle to comprehend its meaning and significance. With the U.S.

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Philadelphia

12 juin 2011

Stunning Outcome for OCP with Challenging 'Phaedra'

Par Gale Martin

Boston

Agrippina at Boston Lyric Opera

Par Susan Blood, 16 mars 2011

By all rights, Agrippina should be a tragedy. It begins with news of Claudius' death and ends with a roll call of doom, with political intrigue, power struggles, infidelity and dysfunction filling in the blanks. The Roman Empire is rife with opera fodder, and operas are rife with tales of Greek gods and Roman heroes (and anti-heroes).

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