En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Divertimento pour Cordes, Sz 113

Belle soirée au Festival de Pâques avec l'orchestre fondé par Claire Gibault, la cheffe Rebecca Tong et le violoniste Bilal Al Nemr secondé symboliquement par Renaud Capuçon.

Concerto, symphonie, œuvres pour deux pianos ou cordes seules : voici le programme éclectique offert par Martha Argerich et l'Orchestre de chambre Franz Liszt dirigé par Gábor Takács-Nagy en cet après-midi de Fête des Lumières à Lyon.

Pour célébrer ses rares retrouvailles avec le Philharmonique de Radio France, Marek Janowski a concocté un programme dévoilant l'orchestre sous différentes coutures. 

La London Symphony Orchestra abre la temporada 23/24 de Ibermúsica con Sir Antonio Pappano y Patricia Kopatchinskaja.

Kirill Gerstein, together with Sir Antonio Pappano and the LSO, delivers a coruscating performance of what is rapidly becoming a 21st-century classic, framed by Bartók and Beethoven.

A cello concerto by CPE Bach headlines Nicolas Altstaedt's appearance at the Istanbul Music Festival with the Munich Chamber Orchestra.

Concierto en dos partes contrastantes con un Bartók ardoroso y excelente frente a un Beethoven frío y distante.

The finale of the Icelandic pianist's five-concert residency in the Bergen Philharmonic's Wintermezzo festival saw him play Grieg's Piano Concerto in A minor... this time in the same hall as the orchestra!

The Fantasia on a Theme by Thomas Tallis crowned an evening for the CBSO strings and brass to shine at Symphony Hall. 

Music of Haydn and Bartók made for a brief but contrasting Cleveland Orchestra program, the former bringing back regular guest Emanuel Ax.

Stephen Hough, Joshua Weilerstein and the Liverpool Philharmonic formed a great partnership in Beethoven's Emperor Concerto plus an unsettling account of Bartok's Divertimento.

La Orquesta Sinfónica de Madrid dirigida por Gordan Nikolić, que ejerció de concertino y director, interpreta un programa con rememoraciones estivales.

Ominous Bartók, polished Mozart and energetic Bach, all on a superb musical spring evening in Amsterdam.

Ilya Gringolts brings his brand of unspectacular virtuosity to the ACO's latest programme, with the Paganini Violin Concerto no. 1 and Bartók's Divertimento clear highlights.

For this program, Sir András Schiff chose only works belonging to composers for whom he feels a real affinity.

Piotr Anderszewski played and conducted Mozart and Beethoven concertos with the Chamber Orchestra of Europe plus pieces by Bartók and Janáček. An ideal partnership and fine performances.

Hope can spin high-lying musical phrases with a sweetness and suspension that few of his contemporaries can match.

Most of the audience has obviously attended the performance for Uchida’s Mozart. But the exceptional, challenging experience of the evening came from elsewhere.

Mitsuko Uchida finds inner depth in Mozart piano concertos while the Mahler Chamber Orchestra revels in Bartók's gritty and languorous Divertimento for Strings.

Das WDR Sinfonieorchester zeigt sich in seinem Bartók Zyklus in samtigen Gewand. Auch Klaviersolisten Anna Vinntskaya hält Abstand von schweren und schrillen Interpretationen.

Mit Werken von Bartók, Britten und Copland sorgten die Streicher das Grazer Philharmonischen Orchesters für einen ebenso energiegeladenen wie atmosphärischen Abend.

The final stop on the Basel Chamber Orchestra's Australian tour at the Sydney Opera House saw Sol Gabetta in fine fettle as soloist in Cello Concertos by Saint-Saëns and the Latvian Vasks.

Dohnányi and the Philharmonia produce rousing Beethoven and Bartók with clarity and bite. Steinbacher and Power present different approaches to Mozart in a spirited and flawless performance.

Virtuosic playing from the LSO under the decisive leadership of Marin Alsop enlivened the divergent soundscapes of Bartók, Korngold and Rachmaninov. 

Nested in the warmth of Cadogan Hall, Camerata Salzburg and Ben Gernon brought life to Mozart's eternal music whose multi-faceted joy carried in its wake the British violinist Nicola Benedetti.

The Norwegian string ensemble enthuse the audience at Leeds Town Hall with Bartók's Divertimento for String Orchestra and Britten's Variations on a theme of Frank Bridge.

The 28th annual concert of the Cross Chamber Orchestra was most praiseworthy in its youthful energy and especially because of the wise choice of soloist; a fascinating feat of religious stoicism and extreme vitality!

On a day when Christians around the world reflect on suffering, torment and lost hope, but with the distant promise of light soon to return, the strings of Northern Sinfonia offered a programme that could serve as a secular, humanist alternative to Good Friday; music written in dark times and troubled places of 20th-century Europe, music that is at times brooding and disturbed, sadly nostalgic but

In light of this year’s Britten centenary, The Welsh Sinfonia has slipped its foot in the door with what will be one of many commemorative concerts to be given over the next eleven months.

If you go to enough concerts, it’s bound to happen to you every now and then: the programme includes a work that you weren’t particularly looking forward to, and the performers blow you away, utterly transforming your view of the piece. In this case, the performers were Camerata Bern and the work was Bartók’s Divertimento for strings.