Joyful Haydn, energetic Mendelssohn and intense Schoenberg

Par Nick Boston, 22 avril 2015

Chargement en cours, veuillez patienter...

Voir le listing complet

Critique faite à Cadogan Hall, Londres, le 19 avril 2015

Haydn, Concerto pour violon no. 4 en sol majeur, Hob VIIa: 4

Mendelssohn, Double Concerto pour violon, piano et cordes en ré mineur

Saint-Saëns, Sonate pour piano et violon no. 1 en ré mineur, Op.75 (Finale)

Schönberg, La Nuit transfigurée (Verklärte Nacht), Op.4

Academy of St Martin in the Fields

Julia Fischer, Violon

Oliver Schnyder, Piano

Purcell et Locke s’égarent à St Martin in the Fields

Philippe Ramin, 22nd April

La rencontre entre John Butt et l'Academy of St Martin in the Fields est un rendez-vous manqué, à peine rattrapé par la belle interprétation de pièces d'Errollyn Wallen.

**111

Julia Fischer au Victoria Hall

Thomas Muller, 23rd April

Soirée contrastée ce jeudi soir, avec l’Academy of St Martin-in-the-Fields qui nous proposait le Concerto pour violon de Haydn, le Concerto pour violon et piano en ré mineur de Mendelssohn et La Nuit transfigurée de Schönberg, sous la direction de Julia Fischer.

****1

Joshua Bell and the ASMF thrill in Schumann and Brahms

Mark Valencia, 20th January

At Cadogan Hall, Bell’s account of Robert Schumann’s Spring Symphony is as sunny an interpretation as you’re likely to hear.

****1

A snowbound evening with Joshua Bell: comfort and unease in Hamburg

Mengguang Huang, 8th January

Amid snowbound Hamburg, Joshua Bell leads the Academy of St Martin in the Fields with warmth and lyricism, though Brahms’ concerto reveals limits, while Schumann’s symphony fully blossoms.

***11

Highly individual Mozart from Buniatishvili

Nick Boston, 9th December

The Academy of St Martin in the Fields give exciting performances at the Barbican, with idiosyncratic Mozart from Buniatishvili.

***11

Handel's Messiah overpowered by massed forces at the Proms

Nick Boston, 7th September

Massed choral forces, a strong solo line up and expanded orchestral forces overpower Handel at the end of the BBC Proms Choral Day.

***11

Plus de critiques...

Nick Boston

Nick has an MA in Music, specialising in performance and repertoire. His particular passions are choral music, chamber music and opera, with a particular interest in early music. He sings in a number of choirs in the south east of England, plays the piano and occasionally dusts off the violin. He writes about music here.

Joyful Haydn, energetic Mendelssohn and intense Schoenberg from Julia Fischer and the ASMF