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In der Neuinszenierung überzeugt vor allem die Optik und Marlis Petersen liefert ein fulminantes Rollendebüt ab; allerdings bleiben an diesem digitalen Premierenabend durchaus Wünsche offen.

Continuing Adelaide’s partnership with the Aix-en-Provence Festival another impressive, quirky, creative, imaginative Barry Kosky opera has enriched Adelaide’s Festival scene.

Blending the music of Monteverdi with lesser-known contemporaries, and even some pop, choreographer Christian Spuck takes leave of Zürich with a work that is as full of poetry as it is of emotional charge.

Against all the odds, and despite Corona restrictions, Zurich Ballet launches a new production of The Sleeping Beauty by Christian Spuck.

The Zurich Opernhaus tackles the pandemic with an innovative strategy: instead of reducing the size of orchestra and chorus (as many other European opera houses) it removes them from the theatre altogether. 

In the Zurich premiere of The Little Match Girl, choreographer Christian Spück tackles a project of major proportions.