Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | War Requiem, Op.66

Joana Mallwitz stellte eine maßstäbliche Interpretation von Brittens War Requiem in den Mittelpunkt eines langen inspirierenden Konzertabends.

Herrlich expressiv füllt Daniel Harding den Raum mit Klang, der einen direkt in der Magengrube trifft.

The performance was technically flawless, but left our reviewer unmoved.

Una orquesta con función de acompañante delegó a los cantantes la inmensa tarea de intentar explicar la muerte, o al menos de nombrarla.

The music’s explosions of volume have an open-throated magnificence.

The RLPO and NDR Radiophilharmonie Hannover join forces for Britten's War Requiem.

Ailish Tynan's powerful soprano soared above the massive forces of the choir in the thundering "Libera Me" – a wall of sound that blew the audience away.

Gianandrea Noseda conducts the Royal Concertgebouw Orchestra, the Netherlands Radio Choir and an ideal team of soloists in a memorable performance of Britten's War Requiem.

It was especially effective to hear the line “One ever hangs where shelled roads part” with the vast hanging crucifix with its portrait of Christ dominating the scene behind.

Britten's profoundly pacifist work is given a calm reading by Peter Oundjian and the RSNO: soprano Erin Wall, the RSNO Junior Chorus and the wind players provide the high spots of the evening.

Britten's War Requiem at the Staatsoper Unter den Linden with Antonio Pappano conducting

Plus de quarante ans ont passé depuis la dernière représentation du War Requiem de Britten à Lyon ! Saluons l'Opéra de Lyon pour une nouvelle production remarquable.

Charles Dutoit à la tête de l’Orchestre de la Suisse Romande et de la Zürcher Sing-Akademie aura illuminé les noirceurs du « War Requiem » de Britten d’un art abouti des transitions et des ambiances. Portés par sa baguette, les artistes sur la scène du Victoria Hall auront permis un voyage serein dans des terres qui pourtant regorgent de chausse-trappes. 

Calixto Bieito's staging of Benjamin Britten's War Requiem is violent, shocking and uniquely powerful.

The OSM closes out the 2015-16 season with all guns blazing and an ethereal flag of peace in a splendid battle of Britten.

The Teatro Real crowns his Britten cycle with a canonic War Requiem conducted by Pablo Heras-Casado and superbly sung by John Mark Aisnley and Jacques Imbrailo. 

Sir Thomas Allen and Robert Murray give a compelling performance as the two soldiers in Britten's War Requiem. 

An unrepeatable performance of Britten's profound choral masterpiece, the War Requiem, conducted by Andris Nelsons at the Proms.

As Britain prepares to celebrate the centenary of World War One, Britten's War Requiem brings a remarkable start to the Worcester Three Choirs Festival.

The main stage of Carnegie Hall was fit to bursting on Wednesday night for Britten's War Requiem, which saw an exquisite interplay of soloists with ensembles, of sacred Latin barely whispered from the chorus and graphic English poetry recited by the tenor and baritone. 

Benjamin Britten’s 100th birthday was celebrated on Thursday at the Berlin Konzerthaus with a spectacular performance of his seminal War Requiem.

Conflict across the world pours into our homes through the immediacy of television, and we can now see harrowing images unavailable when Britten took up the commission to write a piece for the consecration of the rebuilt Coventry Cathedral in 1961/62.

The day after Lorin Maazel conducted the Munich Philharmonic Orchestra in Benjamin Britten’s War Requiem last month, an estimated 140,000 fans read the blog post he wrote entitled “When Will We Stop the Slaughter”.

Composed for the consecration of the new Coventry Cathedral in 1962, Benjamin Britten’s War Requiem is a monumental setting of the words of the Latin Mass, interspersed with the poignant poetry of Wilfred Owen.

Celebrating the 100th anniversary of Benjamin Britten’s birth, Antonio Pappano led the Accademia Nazionale di Santa Cecilia Orchestra and Choir, together with first-class soloists, in an intense performance of the War Requiem.

The newly built and unconventionally imposing Coventry Cathedral, built next to the ruins of the original medieval building destroyed in the Second World War, played host to the first performance of Britten’s War Requiem in 1962.

The consequence of any war is destruction, and though ancient buildings continue to crumble under the terrific blast of modern warfare, the spirit of a people undefeated invariably gives way to creation with renewed fervour.

November continues to be a month of poppy art, despite Philip Larkin’s derisory account of “Wreath-rubbish in Whitehall”. As the only flower to survive the ravished soils of the trenches following the First World War, the poppy is replicated in the form of a paper badge to be worn yearly in commemoration of 11 November, the Armistice Day of 1918.

Tonight’s was an historic performance, so first, a few dates. On 14th November 1940, Luftwaffe bombing raids destroyed much of the medieval centre of Coventry, including most of its cathedral. On 30th May 1962, Benjamin Britten’s specially-commissioned War Requiem was premièred by the City of Birmingham Symphony Orchestra in Sir Basil Spence’s newly consecrated cathedral.

Benjamin Britten’s War Requiem is a monumental piece of music: literally, architecturally and aesthetically. It is a literal monument because of its creation for Coventry Cathedral, that architectural testament to the creative and destructive powers of man.

Famous for his operas, Benjamin Britten had been planning something new for some time when he was invited in 1958 to compose a work to celebrate the rebuilding of the bombed Coventry Cathedral. The composer saw the resulting War Requiem as a force for unification, choosing his three soloists from the UK, USSR and Germany, the countries he believed to have suffered the most during World War Two.

In commemoration of the bombing of Rotterdam on May 14 1940, Rotterdam’s concert venue De Doelen organized a very special program consisting of Benjamin Britten’s “War Requiem”.