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William Levi Dawson’s Negro Folk Symphony, overlooked for decades, heads an all-American program of 20th-century works in New York. 

The spirit of the St Luke's Chamber Ensemble makes for a successful performance of Julius Eastman's 1974 composition Femenine.

The Spanish violinist delivers a radiant rendition of Beethoven’s Violin Concerto after which Honeck interprets his own distillation of music from Strauss’ Elektra.

Levit introduced the theme at such a clip that one couldn't help but worry about the marathon of musculature he had in front of him, but he persevered, playing with a precision that was almost alarming.

Presented without staging, Seattle Opera’s concert Daphne places Strauss’ extreme vocal demands and saturated orchestral writing in sharp relief, offering a high-risk encounter with a rarely heard late opera.

Xian Zhang returns to the Philharmonic to lead a program pairing two 19th-century Romantic works with a 21st-century tone poem.

Marco Armiliato conducts a finely balanced rendition of Bellini's final masterpiece with a stellar cast headed by Lisette Oropesa and Lawrence Brownlee.

An extraordinary group of musicians join violinist Maxim Vengerov in performing two chamber music jewels by Johannes Brahms.

Renaud Capuçon adds a degree of theatricality to his Mozart with the Los Angeles Philharmonic. 

The Metropolitan Opera kicks off this season’s revival of Umberto Giordano’s tempestuous melodrama with standout performances from a resplendent cast.