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An evening of piano four-hands and Mendelssohn’s Octet launch Seattle Chamber Music Society’s summer festival, with distinct personalities repeatedly braiding into something larger.

At the Elbphilharmonie, Joana Mallwitz treats Mahler's Fifth as an argument to be won, and she knows exactly how it will end.

Late Brahms, early Schoenberg: under Lahav Shani and the Rotterdam Philharmonic draw tenderness from two monumental scores. 

Lucas and Arthur Jussen make more than a guest appearance in a dazzling performance with the Academy of St Martin in the Fields.

Prerecorded acoustic guitar, soft beats and more piano accompany video of jittery yellow circles and masses of illegible text in a concert that feels both meditative and too much to take in

Sitting low on the piano stool and with his head gently bobbing from side to side, this is music to listen to on repeat.