2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2018-04-03UTC20:39:54+00:002018-03-31Two rarely performed works are showcased by the Staatskapelle under Daniel Barenboim.Debussy rarities with Barenboim and Argerich at the Berlin Festtageen_GBtruehttps://bachtrack.com/review-debussy-barenboim-argerich-crebassa-prohaska-staatskapelle-berlin-march-2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngZenaida des Aubrishttps://bachtrack.com/22/270/list-published/15089https://bachtrack.com/22/270/list-published/15089https://bachtrack.com/files/52984-zenaida-des-aubris.jpgZenaida des Aubris, based in Berlin, has over 30 years experience in artist management and production of classical music and opera in the United States, Europe and Asia. Currently, she offers consultation to music competitions and schools as well as to individual recent graduates on how to manage themselves and kickstart their careers through her company Opera Career Advice.https://bachtrack.com/files/80296-arg-baren-1296.jpg510340Daniel Barenboim and Martha ArgerichThomas Bartilla2018-Mar-29, Philharmonie: Großer Saal: Festtagehttps://bachtrack.com/concert-listing/philharmonie-grosser-saal/festtage/29-march-2018/20-002018-03-292018-03-29Philharmonie: Großer SaalBerlinBerlinGermanyD107851 Herbert-von-Karajan-Straße52.50983113.368448https://www.staatsoper-berlin.de/de/veranstaltungen/staatskapelle-berlin.121/#event-546?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/64134-staatsoper-unter-den-linden-berlin.jpg4
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-12-14UTC16:21:10+00:002017-12-14The Staatsoper's new L'incoronazione di Poppea is serious, intelligent but short on fire.A heavy crown: austere Monteverdi at the Staatsoperen_GBtruehttps://bachtrack.com/review-poppea-cencic-mameli-sabata-fasolis-staatsoper-berlin-december-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngHugo Shirleyhttps://bachtrack.com/22/270/list-published/22604https://bachtrack.com/22/270/list-published/22604https://bachtrack.com/files/45170-hugo-shirley.jpgHugo Shirley is a Berlin-based writer and musicologist. He has written widely as a critic, including for The Spectator, the Financial Times and Daily Telegraph, and has held editorial posts at both Opera and Gramophone. He was editor of 30-Second Opera (Ivy Press, 2015) and is currently working on a critical study of Strauss and Hofmannsthal’s Die Frau ohne Schatten, based on his doctoral thesis. He blogs at http://hugoshirley.blogspot.co.uk and tweets as @hugojeshirley.https://bachtrack.com/files/73095-poppea-max-emanuel-cencic--nerone---anna-prohaska--poppea--c-bernd-uhlig3-resized.jpg510340Max Emanuel Cenčić (Nerone) and Anna Prohaska (Poppea)Bernd Uhlig2017-Dec-09, Berlin State Opera, Unter den Linden: L'incoronazione di Poppea (Die Krönung der Poppea), SV 308https://bachtrack.com/opera-listing/berlin-state-opera-unter-den-linden/l39incoronazione-di-poppea-die-kronung-der-poppea-sv-308/09-december-2017/18-002017-12-092018-07-14Berlin State Opera, Unter den LindenBerlinBerlinGermany10117Unter den Linden 752.5168280466511513.394705057144165https://bachtrack.com/files/64134-staatsoper-unter-den-linden-berlin.jpg3
At the Theater an der Wien, director Mariame Clément and novelist Lucy Wadham have crafted innovative material that brings the old-fashioned lyrics to life in a coherent and contemporary dramatic setting.
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-01-24UTC11:49:39+00:002017-01-24At the Theater an der Wien, director Mariame Clément and novelist Lucy Wadham have crafted innovative material that brings the old-fashioned lyrics to life in a coherent and contemporary dramatic setting.All the world’s a stage in Mariame Clément's take on The Fairy Queen in Viennaen_GBtruehttps://bachtrack.com/review-purcell-fairy-queen-prohaska-clement-theater-wien-january-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngKatherine Syerhttps://bachtrack.com/22/270/list-published/22499https://bachtrack.com/22/270/list-published/22499https://bachtrack.com/files/44395-katherine-syer.jpgKatherine Syer teaches in the Theatre Studies department at the University of Illinois at Urbana-Champaign. She was active as an opera/music critic in the 1990s before focusing her writing on several articles and books about Wagner. Currently on sabbatical, she is working on her next book, on opera production in the 21st century.https://bachtrack.com/files/51718-the-fairy-queen-anna-prohaska-c-monika-rittershaus-resized.jpg510340Anna ProhaskaMonika Rittershaus2017-Jan-19, Theater an der Wien: The Fairy Queenhttps://bachtrack.com/opera-listing/theater-an-der-wien/the-fairy-queen/19-january-2017/19-002017-01-192017-01-30Theater an der WienViennaViennaAustria1060Linke Wienzeile 648.199403216.3642544https://www.theater-wien.at/en/programme-tickets/production/109/The-Fairy-Queen#eventdates?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/34263-theater_an_der_wien.jpg4
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-11-11UTC16:24:30+00:002016-11-10Concerto Köln, honed to perfection, and an accomplished cast star in Claus Guth's tense, dark staging of Handel's Jephtha. Starkly powerful Jephtha at Dutch National Operaen_GBtruehttps://bachtrack.com/review-handel-jephtha-guth-dutch-national-opera-november-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngJenny Camillerihttps://bachtrack.com/22/270/list-published/15978https://bachtrack.com/22/270/list-published/15978https://bachtrack.com/files/40591-jennycamilleri-head.jpgAfter completing her postgraduate studies in psychology at the University of Toronto, Jenny moved to Amsterdam, where she enjoys singing in amateur choirs. She loves all genres of classical vocal music, especially nineteenth and early twentieth century Italian and German opera and art songs.https://bachtrack.com/files/48729-jephtha-richard-croft--jephtha--c-monika-rittershaus-resized.jpg510340Richard Croft (Jephtha)Monika Rittershaus2016-Nov-09, Dutch National Opera and Ballet: Jephthahttps://bachtrack.com/opera-listing/dutch-national-opera-and-ballet/jephtha/09-november-2016/19-002016-11-092016-11-27Dutch National Opera and BalletAmsterdamNorth HollandNetherlandsWaterlooplein 2252.3670836588044.901565313339233http://www.operaballet.nl/en/opera/2016-2017/show/jephtha?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/48567-jephta-240x240.jpg4
Themed around legendary African queens Dido and Cleopatra, Prohaska’s recital with the virtuosi of Il Giardino Armonico could serve as a template for the ideal Baroque programme.
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-10-06UTC16:22:02+00:002016-09-29Themed around legendary African queens Dido and Cleopatra, Prohaska’s recital with the virtuosi of Il Giardino Armonico could serve as a template for the ideal Baroque programme.Anna Prohaska: pure and precise in Baroque arias at the Concertgebouwen_GBtruehttps://bachtrack.com/review-anna-prohaska-baroque-arias-concertgebouw-september-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngJenny Camillerihttps://bachtrack.com/22/270/list-published/15978https://bachtrack.com/22/270/list-published/15978https://bachtrack.com/files/40591-jennycamilleri-head.jpgAfter completing her postgraduate studies in psychology at the University of Toronto, Jenny moved to Amsterdam, where she enjoys singing in amateur choirs. She loves all genres of classical vocal music, especially nineteenth and early twentieth century Italian and German opera and art songs.https://bachtrack.com/files/46518-anna-prohaska-c-harald-hoffmann-dg.jpg275411Anna ProhaskaHarald Hoffmann | DG2016-Sep-27, Concertgebouw: Main Hall: Anna Prohaska: Dido and Cleopatrahttps://bachtrack.com/concert-listing/concertgebouw-main-hall/anna-prohaska-dido-and-cleopatra/27-september-2016/20-152016-09-272016-09-27Concertgebouw: Main HallAmsterdamNorth HollandNetherlands1071 LNConcertgebouwplein 1052.35624844.8791024https://www.concertgebouw.nl/en/concerts/20160927-wereldberoemde-zangers-16-17-il-giardino-armonico-antonini-prohaska/27-09-2016/page=3/special=The+Concertgebouw+presents?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/35903-screen_shot_2016_03_07_at_17.21.26.png4
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-08-30UTC09:06:49+00:002016-08-29A nameless octet competes with the big names and easily wins the silver medal in Salzburg.Anna Prohaska and friends display an impressive aptitude for Schubert in Salzburgen_GBtruehttps://bachtrack.com/review-schubert-prohaska-eberle-salzburg-festival-august-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngJonathan Sutherlandhttps://bachtrack.com/22/270/list-published/18167https://bachtrack.com/22/270/list-published/18167https://bachtrack.com/files/24575-j_sutherland_300_profile_pic.jpgJonathan Sutherland is a graduate of the Sydney Conservatorium of Music and the Hochschule Mozarteum in Salzburg. He is also an internationally renowned concert pianist specializing in the music of the 1930s. Jonathan’s first operatic experience was hearing Maria Callas sing Tosca in Covent Garden and he has since heard performances in all continents of the world including over 60 different productions at the Wiener Staatsoper. He has written for The Australian, Opera Today and The Opera Critic as well as Bachtrack. Jonathan speaks English, French, German and Italian fluently and is based in the south of France near Nice.https://bachtrack.com/files/44783-kammerkonzert-veronika-eberle-heather-cottrell-danusha-waskiewicz-anna-prohaska-marco-postinghel-quirine-viersen-rick-stotijn-c-sf-marco-borrelli-resized.jpg510340Anna Prohaska, Veronika Eberle and friendsSalzburger Festspiele | Marco Borrelli2016-Aug-26, Stiftung Mozarteum: Schubert, Webern, Pergolesihttps://bachtrack.com/concert-listing/stiftung-mozarteum/schubert-webern-pergolesi/26-august-2016/19-302016-08-262016-08-26Stiftung MozarteumSalzburgSalzburgAustria5020 SalzburgSchwarzstrasse 2647.803651092807113.041383028030396http://www.salzburgerfestspiele.at/language/en-us/das-programm/konzert/konzert-detail?utm_medium=display&utm_source=bachtrack.com&programid=5386&id=-1&sid=123https://bachtrack.com/files/38531-salzburg-festspiele.png4
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-08-19UTC16:19:20+00:002016-08-18Any production of Le nozze di Figaro in which both Marcellina and Barbarina give star performances is ensemble casting at its finest.Sven-Eric Bechtolf’s new Figaro brings Downton Abbey to downtown Salzburgen_GBtruehttps://bachtrack.com/review-nozze-figaro-bechtolf-pisaroni-fritsch-plachetka-salzburg-festival-august-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngJonathan Sutherlandhttps://bachtrack.com/22/270/list-published/18167https://bachtrack.com/22/270/list-published/18167https://bachtrack.com/files/24575-j_sutherland_300_profile_pic.jpgJonathan Sutherland is a graduate of the Sydney Conservatorium of Music and the Hochschule Mozarteum in Salzburg. He is also an internationally renowned concert pianist specializing in the music of the 1930s. Jonathan’s first operatic experience was hearing Maria Callas sing Tosca in Covent Garden and he has since heard performances in all continents of the world including over 60 different productions at the Wiener Staatsoper. He has written for The Australian, Opera Today and The Opera Critic as well as Bachtrack. Jonathan speaks English, French, German and Italian fluently and is based in the south of France near Nice.https://bachtrack.com/files/44350-figaro-anna-prohaska-luca-pisaroni-0021-salzburger-festspiele---ruth-walz-cropped.jpg510340Anna Prohaska (Susanna) and Luca Pisaroni (Count Almaviva)Salzburger Festspiele | Ruth Walz2016-Aug-16, Haus für Mozart: Le nozze di Figarohttps://bachtrack.com/opera-listing/haus-fur-mozart/le-nozze-di-figaro/16-august-2016/19-002016-08-162016-08-30Haus für MozartSalzburgSalzburgAustria5020Hofstallgasse 147.798526613.041762800000015https://bachtrack.com/files/38531-salzburg-festspiele.png4
Director Michael Thalheimer staging Weber’s Der Freischütz entirely in the Wolf’s Glen, albeit relocated from a “fearsome forest gorge” to what looks like a badger’s sett.
2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2015-10-07UTC08:24:13+00:002015-10-06Director Michael Thalheimer staging Weber’s Der Freischütz entirely in the Wolf’s Glen, albeit relocated from a “fearsome forest gorge” to what looks like a badger’s sett. A dud bullet: Thalheimer’s Der Freischütz fires blanks at Staatsoper Berlinen_GBtruehttps://bachtrack.com/review-freischutz-thalheimer-staatsoper-berlin-october-2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngMark Pullingerhttps://bachtrack.com/22/270/list-published/15668https://bachtrack.com/22/270/list-published/15668https://bachtrack.com/files/218-1097_4423_markpullinger.jpgMark is one of Bachtrack’s editors and Chair of the Music Section of The Critics' Circle. An experienced opera critic, with a passion for Verdi, he can often be found propping up a standing place at the ROH. He also reviews concerts and dance, with a particular love for Russian and French repertoire. Mark contributes to Gramophone and Opera magazines and blogs at Beckmesser's Quill. https://bachtrack.com/files/29093-freischutz_peter_moltzen_anna_prohaska_berlin_staatsoper_katrin_ribbe_resized.jpg300451Peter Moltzen (Samiel) and Anna Prohaska (Ännchen)Katrin Ribbe2015-Sep-27, Staatsoper at Schiller Theater: Der Freischützhttps://bachtrack.com/opera-listing/staatsoper-at-schiller-theater/der-freischutz/27-september-2015/19-002015-09-272016-05-22Staatsoper at Schiller TheaterBerlinBerlinGermany10625Bismarckstraße 11052.512264813.3181129http://staatsoper-berlin.de/de_DE/repertoire/der-freischuetz.1051192?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/64134-staatsoper-unter-den-linden-berlin.jpg3
2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2015-07-03UTC11:25:15+00:002015-07-03The 67th Aix Festival got off to a hot, heady start with Katie Mitchell's witty and ingenious staging of Handel's 1735 sorcery opera Alcina. Alcina: A bewitching start to the Aix-en-Provence Festivalen_GBtruehttps://bachtrack.com/review-alcina-petibon-jaroussky-aix-en-provence-july-2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngMark Valenciahttps://bachtrack.com/22/270/list-published/17174https://bachtrack.com/22/270/list-published/17174https://bachtrack.com/files/280-mark_valencia.jpgMark has worked in arts journalism for more than thirty years, initially as a broadcaster then later in print as a writer and French-English translator for music magazines and CD companies. He has been a regular reviewer of opera, music and theatre since 2008 and is opera editor for WhatsOnStage. Mark's background is in education - teaching drama and directing. His passion for music and theatre has led him to collaborate with a number of composers on lyrics and librettos.https://bachtrack.com/files/25424-alcina_jaroussky_petibon_gregory_aix_patrick_berger_resized.jpg510340Philippe Jaroussky (Ruggiero), Patricia Petibon (Alcina) and Anthony Gregory (Oronte)Patrick Berger2015-Jul-02, Grand Théâtre de Provence: Alcinahttps://bachtrack.com/opera-listing/grand-theatre-de-provence/alcina/02-july-2015/19-002015-07-022015-07-20Grand Théâtre de ProvenceAix-en-ProvenceProvence-Alpes-Côte d'AzurFrance13100380 Avenue Max Juvénal43.52640915.4398354999999584
In a thoroughly riveting recital at the Concertgebouw, soprano Anna Prohaska probes Ophelia’s psyche through songs from the nineteenth century onwards.
2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2015-04-23UTC10:21:25+00:002015-04-23In a thoroughly riveting recital at the Concertgebouw, soprano Anna Prohaska probes Ophelia’s psyche through songs from the nineteenth century onwards.Sad and mad: Anna Prohaska becomes Ophelia in Amsterdamen_GBtruehttps://bachtrack.com/review-ophelia-anna-prohaska-amsterdam-april-2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngJenny Camillerihttps://bachtrack.com/22/270/list-published/15978https://bachtrack.com/22/270/list-published/15978https://bachtrack.com/files/40591-jennycamilleri-head.jpgAfter completing her postgraduate studies in psychology at the University of Toronto, Jenny moved to Amsterdam, where she enjoys singing in amateur choirs. She loves all genres of classical vocal music, especially nineteenth and early twentieth century Italian and German opera and art songs.https://bachtrack.com/files/9059-anna_prohaska_harald_hoffmann_dg.jpg275411Anna ProhaskaHarald Hoffmann | DG2015-Apr-21, Concertgebouw: Recital Hall: Anna Prohaska sings Schubert, Brahms and Rihmhttps://bachtrack.com/concert-listing/concertgebouw-recital-hall/anna-prohaska-sings-schubert-brahms-and-rihm/21-april-2015/20-152015-04-212015-04-21Concertgebouw: Recital HallAmsterdamNorth HollandNetherlands52.3564194.8795390000000225http://www.concertgebouw.nl/en/concerten/anna-prohaska-sings-schubert-brahms-and-rihm?utm_medium=display&utm_source=bachtrack.com&path=event%3D46664%2Fvan%3D01-04-2015https://bachtrack.com/files/15989-anna_prohaska_611x397.jpg4
Zabou Breitman brings silver screen glamour to Paris Opera's production of Mozart's Die Entführung aus dem Serail, with the show stolen by Anna Prohaska's Blonde.
2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2015-06-19UTC07:00:58+00:002014-10-19Zabou Breitman brings silver screen glamour to Paris Opera's production of Mozart's Die Entführung aus dem Serail, with the show stolen by Anna Prohaska's Blonde.From silver screen to golden hall: Die Entführung aus dem Serail at Palais Garnieren_GBtruehttps://bachtrack.com/review-entfuhrung-serail-breitman-opera-de-paris-october-2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngDavid Karlinhttps://bachtrack.com/22/270/list-published/3https://bachtrack.com/22/270/list-published/3https://bachtrack.com/files/40449-david-karlin.jpgDavid is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.https://bachtrack.com/files/6973-7177_l_enlevement_au_serail__c__agathe_poupeney__opera_national_de_paris.jpg620413Anna Prohaska as BlondeAgathe Poupeney/Opéra National de Paris2014-Oct-16, Palais Garnier (Opéra de Paris): Die Entführung aus dem Serailhttps://bachtrack.com/opera-listing/palais-garnier-opera-de-paris/die-entfuhrung-aus-dem-serail/16-october-2014/19-302014-10-162015-02-15Palais Garnier (Opéra de Paris)ParisÎle-de-FranceFrance7500948.8711167034643952.3316811770200735
With speculation rife as to whether Sir Simon Rattle will become principal conductor of the London Symphony Orchestra upon departing from the Berlin Philharmonic, this electrifying concert provided a tantalising glimpse of what the future might have in store.
2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2014-06-06UTC14:59:50+00:002014-06-03With speculation rife as to whether Sir Simon Rattle will become principal conductor of the London Symphony Orchestra upon departing from the Berlin Philharmonic, this electrifying concert provided a tantalising glimpse of what the future might have in store. The shape of things to come? Simon Rattle conducts the LSOen_GBtruehttps://bachtrack.com/review-rattle-prohaska-eberle-june-2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngJack Johnsonhttps://bachtrack.com/files/5272-simon_rattle_simon_fowler.jpg275339Sir Simon RattleSimon Fowler2014-Jun-01, Barbican Hall: Sir Simon Rattle conductshttps://bachtrack.com/concert-listing/barbican-hall/sir-simon-rattle-conducts/01-june-2014/19-302014-06-012014-06-01Barbican HallLondonGreater LondonUnited KingdomEC2Y 8DSSilk Street51.519879294526-0.091710090637207http://lso.co.uk/simon-rattle-conducts-brahms?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/66894-lso2017logo.jpg5
Robert Carsen’s production is an exercise in extreme minimalism. Dialogues des Carmélites is a great opera, and this production touches greatness without quite grasping it in both hands.
2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2014-05-30UTC10:15:04+00:002014-05-30Robert Carsen’s production is an exercise in extreme minimalism. Dialogues des Carmélites is a great opera, and this production touches greatness without quite grasping it in both hands. Minimalist intensity: Robert Carsen's Dialogues des Carmélites at Covent Gardenen_GBtruehttps://bachtrack.com/review-carmelites-rattle-roh-may-2014Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngDavid Karlinhttps://bachtrack.com/22/270/list-published/3https://bachtrack.com/22/270/list-published/3https://bachtrack.com/files/40449-david-karlin.jpgDavid is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.https://bachtrack.com/files/5456-carmelites_sally_matthews_stephen_cummisky.jpg510340Sally Matthews (Blanche)Stephen Cummisky2014-May-29, Royal Opera House, Covent Garden: Les dialogues des Carméliteshttps://bachtrack.com/opera-listing/royal-opera-house-covent-garden/les-dialogues-des-carmelites/29-may-2014/19-302014-05-292014-06-11Royal Opera House, Covent GardenLondonGreater LondonUnited KingdomWC2E 9DDBow Street,
,Covent Garden51.513371-0.122399999999973
My mother always told me not to sit too close in the theatre, and after seeing this revival of Martin Kusej’s modern realization of Stravinksy’s The Rake’s Progress at the Theater an der Wien, I think I know what she was talking about.Act I begins innocuously enough in a sparse apartment, unfurnished apart from a mattress and a television.
2013Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:50:57+00:002013-09-27Chanda VanderHart reviews Martin Kušej's production of Stravinsky's The Rake's Progress at Theater an der WienA very progressive Rake at the Theater an der Wienen_GBtruehttps://bachtrack.com/review-theater-an-der-wien-rakes-progress-kusejBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngChanda VanderHarthttps://bachtrack.com/22/270/list-published/11169https://bachtrack.com/22/270/list-published/11169https://bachtrack.com/files/40586-chanda-vanderhart.jpgChanda is a pianist, vocal coach, recording artist, accompanist, eBook creator, masterclass organizer, teacher and PhD candidate who lives, works and plays in Vienna, Austria. For more on Chanda and all her many crazy projects, click here.https://bachtrack.com/files/3086-wien_rake.jpg400400Anna Prohaska (Anne Trulove), Bo Skovhus (Nick Shadow), Toby Spence (Tom Rakewell) & Manfred Hemm (T Herwig Prammer2013-Sep-16, Theater an der Wien: The Rake's Progresshttps://bachtrack.com/listing-theater-an-der-wien-rakes-progress-kusej2013-09-162013-09-26Theater an der WienViennaViennaAustria1060Linke Wienzeile 648.199403216.3642544http://www.theater-wien.at/index.php/de/tickets?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/75486-orf-radio-symphonie-orchestra-logo.png3
The Theater an der Wien has a storied history with Fidelio, having hosted the première of the work’s first and second versions in 1805 and 1806 respectively.
2013Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:41:15+00:002013-03-27Review / Kritik Fidelio Nikolaus Harnoncourt conducts Fidelio at the Theater an der Wien in a production by Herbert Föttinger with Concentus Musicus Wien.Harnoncourt's Fidelio sees a remarkable directing debut in Viennaen_GBtruehttps://bachtrack.com/review-theater-wien-fidelio-harnoncourt-fottingerBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSnapdragonhttps://bachtrack.com/22/270/list-published/4885https://bachtrack.com/22/270/list-published/4885Snapdragon is an experienced concert- and opera-goer in Vienna and other music metropoles. Musical emphases include opera (especially Baroque opera) and piano music. As an Austrian native, Snapdragon can’t resist an operetta every now and then.https://bachtrack.com/files/2414-fidelio_hp01.jpg400400Anna Prohaska (Marzelline) and Johannes Chum (Jaquino) Herwig Prammer2013-Mar-19, Theater an der Wien: Fideliohttps://bachtrack.com/listing-theater-wien-fidelio-harnoncourt-fottinger2013-03-192013-03-19Theater an der WienViennaViennaAustria1060Linke Wienzeile 648.199403216.36425444
There are some musical compositions that have always been a bit of a gamble, for composers, performers and even listeners. They might be exceptionally difficult, require extraordinary forces, or show such originality as to be perpetually startling.
2012Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:25:58+00:002012-04-29David Fay reviews the Academy of Ancient Music's Dawn of the Cantata concert at London's Wigmore Hall.All’s Fair in Love and War: The Academy of Ancient Music at the Wigmore Hallen_GBtruehttps://bachtrack.com/review-wigmore-hall-aam-dawn-of-the-cantataBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngDavid Fayhttps://bachtrack.com/files/1273-aam2009030.jpg400400Academy of Ancient Music Marco Borggreve2012-Apr-26, Wigmore Hall: Academy of Ancient Musichttps://bachtrack.com/listing-wigmore-hall-aam-dawn-of-the-cantata2012-04-262012-04-26Wigmore HallLondonGreater LondonUnited KingdomW1U 2BP36 Wigmore Street51.5165679060013-0.148358345031738http://www.wigmore-hall.org.uk/whats-on/productions/academy-of-ancient-music-alina-ibragimova-director-violin-28419?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/10078-prohaska__anna_credit_monika_rittershaus.jpg4
Friedrich Nietzsche’s life was not that of an isolated contemplative but rather full of personal frustration, eventually ending in syphilitic madness. While his work has been often linked with music--most notably in his relationship with Wagner and Richard Strauss’s tone poem based on Also sprach Zarathustra--making his life into an opera may seem a dubious proposition.
2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2018-02-19UTC13:17:50+00:002018-02-19Regisseur Claus Guth und Laurence Cummings am Pult formen Händels Saul zu einem berührenden Gesamtkunstwerk.Saul am Theater an der Wien: Händel, Guth, alles gutde_DEtruehttps://bachtrack.com/kritik-haendel-saul-guth-cummings-freiburger-barockorchester-arnold-schoenberg-chor-boesch-prohaska-semenzato-staples-arditti-theater-an-der-wien-februar-2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSnapdragonhttps://bachtrack.com/22/270/list-published/4885https://bachtrack.com/22/270/list-published/4885Snapdragon is an experienced concert- and opera-goer in Vienna and other music metropoles. Musical emphases include opera (especially Baroque opera) and piano music. As an Austrian native, Snapdragon can’t resist an operetta every now and then.https://bachtrack.com/files/76903-saul-296---resized.jpg510340Beekman (High Priest), Semenzato, Staples (Jonathan), Chenez (Witch of Endor), Prohaska, BoeschMonika Rittershaus2018-Feb-16, Theater an der Wien: Saulhttps://bachtrack.com/opera-listing/theater-an-der-wien/saul/16-february-2018/19-002018-02-162018-02-27Theater an der WienViennaViennaAustria1060Linke Wienzeile 648.199403216.3642544https://www.theater-wien.at/en/programme-tickets/production/726/Saul?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/34263-theater_an_der_wien.jpg5
Mit Faurés Requiem und Saint-Saens Orgelsymphonie bilden zwei spätromantische Werke das Programm des Chorkonzertes der Salzburgerfestspiele, in dem besonders der Chors des BR beeindruckt.
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-04-18UTC15:07:02+00:002017-04-16Mit Faurés Requiem und Saint-Saens Orgelsymphonie bilden zwei spätromantische Werke das Programm des Chorkonzertes der Salzburgerfestspiele, in dem besonders der Chors des BR beeindruckt.Französische Spätromantik bei den Salzburger Osterfestspielende_DEtruehttps://bachtrack.com/kritik-osterfestspiele-salzburg-chung-carpenter-prohaska-eroed-staatskapelle-dresden-april-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngDavid Renkehttps://bachtrack.com/22/270/list-published/17212https://bachtrack.com/22/270/list-published/17212https://bachtrack.com/files/282-autorenfoto.jpegDavid Renke, geboren in München, hat Musikwissenschaft an der Universität zu Köln studiert, wechselte dann zum Studiengang Medien und Kommunikation an die Universität Passau. Er spielt Klavier, Gitarre und ist als Sänger in verschiedenen Chören in Süddeutschland tätig. Sein Schwerpunkt liegt bei der Musik des frühen 20. Jahrhunderts.https://bachtrack.com/files/58108-ofs-2017--c-creutziger-6800-chung.jpg510340Myung-Whun ChungMatthias Creutziger | Osterfestspiele Salzburg2017-Apr-10, Großes Festspielhaus: Chorkonzert der Salzburger Osterfestspielehttps://bachtrack.com/concert-listing/grosses-festspielhaus/chorkonzert-der-salzburger-osterfestspiele/10-april-2017/20-002017-04-102017-04-14Großes FestspielhausSalzburgSalzburgAustria502047.79862008955213.0417370796204https://bachtrack.com/files/38531-salzburg-festspiele.png4
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-01-22UTC11:26:48+00:002016-01-20Das Theater an der Wien feiert sein 10-jähriges Bestehen mit einer von Nikloaus Harnoncourt eingerichteten Fassung der Leonore von 1806. Getrübtes Festkonzert: Beethovens Fidelio am Theater an der Wiende_DEtruehttps://bachtrack.com/kritik-festkonzert-concentus-wien-stefan-gottfried-prohaska-schuen-banse-schade-zeppenfeld-foster-williams-trost-theater-an-der-wien-januar-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSimon Haasishttps://bachtrack.com/files/33336-concentus_wien_stefan_gottfried_fidelio_c_herwig_prammer_500.jpg500324Fidelio: Ensemble und Concentus Musicus Wien unter Stefan GottfriedHerwig Prammer | Theater an der Wien2016-Jan-17, Theater an der Wien: Fidelio konzertanthttps://bachtrack.com/opera-listing/theater-an-der-wien/fidelio-konzertant/17-january-2016/19-002016-01-172016-01-17Theater an der WienViennaViennaAustria1060Linke Wienzeile 648.199403216.36425443