2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2018-02-01UTC12:43:40+00:002018-01-31Wagner demands vocal resilience from the large cast of singers in Das Rheingold, but Willy Decker wants strong thigh muscles as well.All hands on Decker for Das Rheingold in Dresdenen_GBtruehttps://bachtrack.com/review-rheingold-decker-kowaljow-dohmen-thielemann-semperoper-dresden-january-2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngJonathan Sutherlandhttps://bachtrack.com/22/270/list-published/18167https://bachtrack.com/22/270/list-published/18167https://bachtrack.com/files/24575-j_sutherland_300_profile_pic.jpgJonathan Sutherland is a graduate of the Sydney Conservatorium of Music and the Hochschule Mozarteum in Salzburg. He is also an internationally renowned concert pianist specializing in the music of the 1930s. Jonathan’s first operatic experience was hearing Maria Callas sing Tosca in Covent Garden and he has since heard performances in all continents of the world including over 60 different productions at the Wiener Staatsoper. He has written for The Australian, Opera Today and The Opera Critic as well as Bachtrack. Jonathan speaks English, French, German and Italian fluently and is based in the south of France near Nice.https://bachtrack.com/files/75788-rheingold-albert-dohmen--alberich--c-klaus-gigga.jpg510340Albert Dohmen (Alberich)Klaus Gigga2018-Jan-13, Semperoper: Das Rheingoldhttps://bachtrack.com/opera-listing/semperoper/das-rheingold/13-january-2018/18-002018-01-132018-01-29SemperoperDresdenSaxonyGermany01067Theaterplatz 251.054259819621513.7354475259781https://www.semperoper.de/en/whats-on/schedule/stid/rheingold-eng/10008.html#a_25832?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/40686-dresden-logo.png3
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-08-02UTC10:32:29+00:002017-08-01The label “most opera directors” does *not* apply to Barrie Kosky, who makes his Bayreuth debut with a Meistersinger that pulls no punches.Musically sublime, packed with ideas: Kosky's Meistersinger von Nürnberg at Bayreuthen_GBtruehttps://bachtrack.com/review-meistersinger-nurnberg-kosky-volle-vogt-schwanewilms-bayreuth-july-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngDavid Karlinhttps://bachtrack.com/22/270/list-published/3https://bachtrack.com/22/270/list-published/3https://bachtrack.com/files/40449-david-karlin.jpgDavid is a co-founder of Bachtrack. He is a musical omnivore interested in almost all types of music, but with a particular love of Italian opera. You can contact him from this link.https://bachtrack.com/files/65004-meistersinger-2017-beckmesser-johannes-martin-kranzle-c-enrico-nawrath-resized.jpg510340Johannes Martin Kränzle (Beckmesser)Enrico Nawrath2017-Jul-25, Bayreuther Festspielhaus: Die Meistersinger von Nürnberghttps://bachtrack.com/opera-listing/bayreuther-festspielhaus/die-meistersinger-von-nurnberg/25-july-2017/16-002017-07-252017-08-27Bayreuther FestspielhausBayreuthBavariaGermany95445Festspielhügel 249.9600211.57926https://bachtrack.com/files/38521-bayreuther-festspiele-logo.jpg5
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-03-04UTC14:31:02+00:002017-03-03A strong, compelling staging – coherent in aesthetic and philosophy, if a little restrained in performance. Wozzeck in Geneva: grit and lighten_GBtruehttps://bachtrack.com/review-wozzeck-stone-larmore-mcvicar-geneva-march-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngElodie Olson-Coonshttps://bachtrack.com/22/270/list-published/15745https://bachtrack.com/22/270/list-published/15745https://bachtrack.com/files/224-elodie.jpgOriginaire de Lorraine, Elodie Olson-Coons a fait ses études littéraires à Cambridge. Mezzo-soprano et pianiste, elle est particulièrement intéressée par la musique contemporaine et vocale.https://bachtrack.com/files/54629-wozzek-mark-stone-geneva-c-caroleparodi-01-resized.jpg510340Mark Stone (Wozzeck)GTG | Carole Parodi2017-Mar-02, L'Opéra des Nations: Wozzeckhttps://bachtrack.com/opera-listing/lopera-des-nations/wozzeck/02-march-2017/19-302017-03-022017-03-14L'Opéra des NationsGenevaGenevaSwitzerland1202 GenèvePlace des Nations,1202 Genève,Switzerland46.22186416.139305700000023https://www.geneveopera.ch/en/programming/2016-2017-season/wozzeck/?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/42119-grand-theatre-geneve-square-240.jpg4
Before the beginning of each opera, an announcement is made reminding the audience not to film, photograph, tweet, post, google, snapchat... Komische Oper Berlin premieres a hilarious Barber of Seville where the singers do nothing but just that.
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-10-12UTC10:05:25+00:002016-10-11Before the beginning of each opera, an announcement is made reminding the audience not to film, photograph, tweet, post, google, snapchat... Komische Oper Berlin premieres a hilarious Barber of Seville where the singers do nothing but just that.Serebrennikov's Barber confronts the millennial generation at Komische Operen_GBtruehttps://bachtrack.com/review-barbiere-siviglia-serebrennikov-manacorda-komische-oper-berlin-october-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngKaren Hunterhttps://bachtrack.com/files/47196-barbiere-di-siviglia-dominik-koninger-tansel-akzeybek-philipp-meierhofer-figaro-doubles-komische-oper-c-monika-rittershaus-resized.jpg510340Dominik Köninger (Figaro), Tansel Akzeybek (Almaviva), Philipp Meierhofer (Bartolo), Figaro doublesMonika Rittershaus2016-Oct-09, Komische Oper Berlin: Il Barbiere di Sivigliahttps://bachtrack.com/opera-listing/komische-oper-berlin/il-barbiere-di-siviglia/09-october-2016/18-002016-10-092017-07-05Komische Oper BerlinBerlinBerlinGermanyBehrenstraße 55-5752.5157213.387089999999944https://english.komische-oper-berlin.de/schedule/il-barbiere-di-siviglia/1642/?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/39790-kob-ilbarbierediseviglia--c-jan-windszus-photography.jpg3
Uwe Eric Laufenberg sets his new staging of Wagner's final opera among the persecuted Christians of the contemporary Middle East – but avoids preaching.
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-08-04UTC10:51:57+00:002016-08-03Uwe Eric Laufenberg sets his new staging of Wagner's final opera among the persecuted Christians of the contemporary Middle East – but avoids preaching.Time becomes space: Bayreuth welcomes a new Parsifalen_GBtruehttps://bachtrack.com/review-parsifal-laufenberg-haenchen-bayreuth-festival-august-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngMatthew Ryehttps://bachtrack.com/22/270/list-published/19100https://bachtrack.com/22/270/list-published/19100https://bachtrack.com/files/24809-matthew_rye.jpgMatthew read music at Oxford and has worked in music journalism for 30 years as a writer, critic and editor. He has written numerous programme and CD booklet notes, spent 13 years as a Daily Telegraph critic, worked at BBC Music Magazine and was reviews editor of The Strad, for which he continues to write. He also writes for The Wagner Journal and Opera Now and blogs at ferneklang.blogspot.co.uk. He was general editor of 1001 Classical Recordings You Must Hear Before You Die (Cassell Illustrated, 2007) and is the author of a new series of eBooks, Masterpieces of Music (Erudition).https://bachtrack.com/files/43574-parsifal-ryan-mckinny-bayreuth-2016-enrico-nawrath-presse-resized.jpg510340Ryan McKinny (Amfortas)Enrico Nawrath2016-Jul-25, Bayreuther Festspielhaus: Parsifalhttps://bachtrack.com/opera-listing/bayreuther-festspielhaus/parsifal/25-july-2016/16-002016-07-252016-08-28Bayreuther FestspielhausBayreuthBavariaGermany95445Festspielhügel 249.9600211.57926http://www.bayreuther-festspiele.de/english/english_156.html?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/38521-bayreuther-festspiele-logo.jpg4
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-08-02UTC08:39:30+00:002016-08-02Despite a miscast Isolde, Wagner's operatic monument to love makes its mark in the production by the composer's great-grandaughter.Imprisoned by love: a thought-provoking Tristan und Isolde at the Bayreuth Festivalen_GBtruehttps://bachtrack.com/review-tristan-isolde-gould-lang-thielemann-bayreuth-festival-august-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngMatthew Ryehttps://bachtrack.com/22/270/list-published/19100https://bachtrack.com/22/270/list-published/19100https://bachtrack.com/files/24809-matthew_rye.jpgMatthew read music at Oxford and has worked in music journalism for 30 years as a writer, critic and editor. He has written numerous programme and CD booklet notes, spent 13 years as a Daily Telegraph critic, worked at BBC Music Magazine and was reviews editor of The Strad, for which he continues to write. He also writes for The Wagner Journal and Opera Now and blogs at ferneklang.blogspot.co.uk. He was general editor of 1001 Classical Recordings You Must Hear Before You Die (Cassell Illustrated, 2007) and is the author of a new series of eBooks, Masterpieces of Music (Erudition).https://bachtrack.com/files/43440-tristan-isolde-stephen-gould-christa-mayer-petra-lang-bayreuth-2016-enrico-nawrath-presse-resized.jpg510340Stephen Gould (Tristan), Christa Mayer (Brangäne) and Petra Lang (Isolde)Enrico Nawrath2016-Aug-01, Bayreuther Festspielhaus: Tristan und Isoldehttps://bachtrack.com/opera-listing/bayreuther-festspielhaus/tristan-und-isolde/01-august-2016/16-002016-08-012016-08-22Bayreuther FestspielhausBayreuthBavariaGermany95445Festspielhügel 249.9600211.57926http://www.bayreuther-festspiele.de/english/english_156.html?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/38521-bayreuther-festspiele-logo.jpg3
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-07-27UTC11:27:09+00:002016-07-27Bayreuth's controversial Ring returns with a new conductor and a refreshed cast.Rheingold refuelled: Frank Castorf’s Ring returns to Bayreuthen_GBtruehttps://bachtrack.com/review-bayreuth-rheingold-sarah-connolly-iain-paterson-castorf-july-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngMatthew Ryehttps://bachtrack.com/22/270/list-published/19100https://bachtrack.com/22/270/list-published/19100https://bachtrack.com/files/24809-matthew_rye.jpgMatthew read music at Oxford and has worked in music journalism for 30 years as a writer, critic and editor. He has written numerous programme and CD booklet notes, spent 13 years as a Daily Telegraph critic, worked at BBC Music Magazine and was reviews editor of The Strad, for which he continues to write. He also writes for The Wagner Journal and Opera Now and blogs at ferneklang.blogspot.co.uk. He was general editor of 1001 Classical Recordings You Must Hear Before You Die (Cassell Illustrated, 2007) and is the author of a new series of eBooks, Masterpieces of Music (Erudition).https://bachtrack.com/files/43135-myimage.jpg300450Iain Paterson (Wotan)Jörg Schulze2016-Jul-26, Bayreuther Festspielhaus: Das Rheingoldhttps://bachtrack.com/opera-listing/bayreuther-festspielhaus/das-rheingold/26-july-2016/18-002016-07-262016-08-20Bayreuther FestspielhausBayreuthBavariaGermany95445Festspielhügel 249.9600211.57926http://ticketshop.bayreuther-festspiele.de/en?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/38521-bayreuther-festspiele-logo.jpg4
A conceptually diffuse production of Tristan from Katharina Wagner is partially redeemed by stirring orchestral playing under the direction of Christian Thielemann and some fine singing at the opening of the Wagner Festival at Bayreuth.
2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2015-07-27UTC11:34:30+00:002015-07-26A conceptually diffuse production of Tristan from Katharina Wagner is partially redeemed by stirring orchestral playing under the direction of Christian Thielemann and some fine singing at the opening of the Wagner Festival at Bayreuth.Diffuse new production of Tristan und Isolde opens 2015 Bayreuth Festivalen_GBtruehttps://bachtrack.com/review-tristan-isolde-wagner-thielemann-gould-herlitzius-bayreuth-july-2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngDavid Larkinhttps://bachtrack.com/22/270/list-published/944https://bachtrack.com/22/270/list-published/944https://bachtrack.com/files/135-dl_photo.jpgDavid is a lecturer at the University of Sydney, specialising in nineteenth-century music. Educated at Dublin and Cambridge, he has published on Richard Strauss, Liszt and Wagner. He gives pre-concert talks for the Sydney Symphony, and sings with a number of chamber choirs.https://bachtrack.com/files/26353-tristan_herlitzius_bayreuth_enrico_nawrath_2015_resized.jpg300405Evelyn Herlitzius (Isolde) and Stephen Gould (Tristan)Bayreuther Festspiele | Enrico Nawrath2015-Jul-25, Bayreuther Festspielhaus: Tristan und Isoldehttps://bachtrack.com/opera-listing/bayreuther-festspielhaus/tristan-und-isolde/25-july-2015/16-002015-07-252015-08-23Bayreuther FestspielhausBayreuthBavariaGermany95445Festspielhügel 249.9600211.579263
Signs of birth and death – but moreso death – flash continuously through the Latvian director Viestur Kairish’s new production of Britten’s A Midsummer Night’s Dream, which opened the Komische Oper Berlin’s 2013/14 season.
2013Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:50:28+00:002013-09-19Britten's A Midsummer Night's Dream opens the season at the Komische Oper: review.Britten's A Midsummer Night's Dream opens the season at the Komische Operen_GBtruehttps://bachtrack.com/review-komische-oper-berlin-midsummer-nights-dream-kairissBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngDan Wanghttps://bachtrack.com/22/270/list-published/2135https://bachtrack.com/22/270/list-published/2135https://bachtrack.com/files/27231-dan_wang.jpgDan Wang is a graduate student in music history and theory at the University of Chicago.https://bachtrack.com/files/3050-komische_midsummer.jpg400400Tansel Akzeyben, Annelie Sophie Müller, Adela Zaharia Iko Freese / drama-berlin.de2013-Sep-15, Komische Oper Berlin: Ein Sommernachtstraumhttps://bachtrack.com/listing-komische-oper-berlin-midsummer-nights-dream-kairiss2013-09-152013-09-15Komische Oper BerlinBerlinBerlinGermanyBehrenstraße 55-5752.5157213.3870899999999443
2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2018-03-08UTC14:48:14+00:002018-03-08Sérieuse et sans condescendance, profitant d'un plateau vocal de premier plan, la mise en scène de Damiano Michieletto séduit le public bruxellois.Cavalleria rusticana et Pagliacci à La Monnaie : une réussite musicale et théâtralefr_FRtruehttps://bachtrack.com/critique-cavalleria-rusticana-pagliacci-michieletto-pido-westbroek-ilincai-ventre-hendricks-la-monnaie-bruxelles-mars-2018Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngPatrice Liebermanhttps://bachtrack.com/22/270/list-published/23809https://bachtrack.com/22/270/list-published/23809https://bachtrack.com/files/58077-20170306-172603-pic.jpgPratiquant le piano (puis l’alto) dès l’enfance, Patrice Lieberman - après un passage par le Conservatoire d’Anvers - combine sa passion pour la musique, les langues et la littérature en étudiant la musicologie et la philologie slave à l’Université Libre de Bruxelles, avant de se perfectionner aux universités de Pennsylvanie et Yale. Après avoir été pendant près de vingt ans critique au défunt hebdomadaire anglophone bruxellois The Bulletin, il collabore depuis 2014 à Crescendo Magazine (crescendo-magazine.be). Il a également régulièrement signé des notes de programme et des traductions pour différentes organisations culturelles, dont le Festival de Flandre et l’Orchestre national de Belgique.https://bachtrack.com/files/78205-cavalleria-rusticana.jpg510340Cavalleria rusticanaLa Monnaie2018-Mar-06, La Monnaie | De Munt: Grand Hall: Cavalleria rusticana; Pagliaccihttps://bachtrack.com/opera-listing/la-monnaie-de-munt-grand-hall/cavalleria-rusticana-pagliacci/06-march-2018/19-302018-03-062018-03-22La Monnaie | De Munt: Grand HallBrusselsBrussels CapitalBelgium10005, Place de la Monnaie50.8496593091842544.354115724563599https://www.lamonnaie.be/en/program/427-cavalleria-rusticana-pagliacci?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/64434-la-monnaie-logo.jpg5
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-11-13UTC10:40:44+00:002017-11-11Cette Flûte Enchantée, aussi visuelle que musicale, est un spectacle pour tous, idéal pour initier à l’opéra les petits comme les grands.À l’Opéra Comique, La Flûte Enchantée fait un carto(o)nfr_FRtruehttps://bachtrack.com/critique-flute-enchantee-kosky-1927-edusei-opera-comique-paris-novembre-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngJean-Marc Piriouhttps://bachtrack.com/22/270/list-published/16667https://bachtrack.com/22/270/list-published/16667https://bachtrack.com/files/269-jean_marc_piriou__1_.jpgDiplômé de l’École Centrale Paris et titulaire d’un Doctorat en Biophysique Moléculaire, Jean-Marc occupe différentes fonctions dans le secteur de l’environnement. Passionné de musique depuis l’enfance, il étudie le saxophone, le piano, puis se forme au chant lyrique (ténor). S’il s’intéresse à tous les styles et toutes les formes de musique, l’opéra est sa grande passion.https://bachtrack.com/files/71126-kob-zauberfloete-dr-iko-freese--drama-berlin-de-md.png510270Iko Freese2017-Nov-06, Opéra Comique: Die Zauberflötehttps://bachtrack.com/opera-listing/opera-comique/die-zauberflote/06-november-2017/20-002017-11-062017-11-14Salle Favart, Opéra ComiqueParisÎle-de-FranceFrance750021 Place Boieldieu48.87101702400292.3377811908721924http://www.opera-comique.com/fr/saisons/saison-2017/flute-enchantee?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/67517-zauberflote.jpg3
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-05-19UTC09:54:37+00:002017-05-02Barrie Kosky spielt in einer neuen Fassung von Die Krönung der Poppea an der Komischen Oper mit traditionellen Konventionen des Männlich-Weiblichen.Lustmorden im Alten Rom: Die Krönung der Poppea an der Komischen Oper Berlinde_DEtruehttps://bachtrack.com/kritik-die-kroenung-der-poppea-toogood-renz-sade-koeninger-komische-oper-berlin-april-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngZenaida des Aubrishttps://bachtrack.com/22/270/list-published/15089https://bachtrack.com/22/270/list-published/15089https://bachtrack.com/files/52984-zenaida-des-aubris.jpgZenaida des Aubris, based in Berlin, has over 30 years experience in artist management and production of classical music and opera in the United States, Europe and Asia. Currently, she offers consultation to music competitions and schools as well as to individual recent graduates on how to manage themselves and kickstart their careers through her company Opera Career Advice.https://bachtrack.com/files/59061-peter-renz--arnalta---thomas-michael-allen-c-iko-freese---drama-berlin-de-.jpg510340Peter Renz (Amor) und Thomas Michael Allen (Arnalta)Iko Freese / drama-berlin.de2017-Apr-29, Komische Oper Berlin: L'incoronazione di Poppea, SV 308https://bachtrack.com/opera-listing/komische-oper-berlin/lincoronazione-di-poppea-sv-308/29-april-2017/19-002017-04-292017-06-03Komische Oper BerlinBerlinBerlinGermanyBehrenstraße 55-5752.5157213.387089999999944https://english.komische-oper-berlin.de/schedule/poppea/1801/?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/39774-kob-diekronungderpoppea--c-iko-freese-drama-berlin-de--2-.jpg4
Precedida por una gran atención mediática, el templo wagneriano estrena producción de su obra más propia. Un propuesta en la que destacan las voces y que resulta superficial a pesar de sus ambiciones.
2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2016-09-16UTC08:31:27+00:002016-08-09Precedida por una gran atención mediática, el templo wagneriano estrena producción de su obra más propia. Un propuesta en la que destacan las voces y que resulta superficial a pesar de sus ambiciones.Nuevo Parsifal en Bayreuth. Ingenuidad postreligiosaes_EStruehttps://bachtrack.com/critica-bayreuth-hanchen-laufenberg-mckinny-zeppenfeld-august-2016Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngJuan José Freijohttps://bachtrack.com/22/270/list-published/18084https://bachtrack.com/22/270/list-published/18084https://bachtrack.com/files/298-freijo.jpgJuan José Freijo nació en Madrid en 1970. Desde siempre apasionado por el estudio de la música, sus intereses orbitan principalmente alrededor de la ópera y el género vocal. Inició su formación y carrera profesional en el campo de las ciencias, donde completó un doctorado en física aplicada. Más adelante, amplió su formación en diferentes áreas de humanidades, incluyendo estudios en historia del arte y en la actualidad un postgrado en filosofía teórica y práctica. Juan José Freijo sigue de cerca las temporadas de las principales capitales europeas y durante los últimos años ha estado a cargo de la sección de crítica musical de ocioxocio.com. https://bachtrack.com/files/43907-par-tot-090716-006-enriconawrath-presse.jpg510340Escena de Parsifal en el Festival de BayreuthBayreuther Festspiele | Enrico Nawrath2016-Jul-25, Bayreuther Festspielhaus: Parsifalhttps://bachtrack.com/opera-listing/bayreuther-festspielhaus/parsifal/25-july-2016/16-002016-07-252016-08-28Bayreuther FestspielhausBayreuthBavariaGermany95445Festspielhügel 249.9600211.57926http://www.bayreuther-festspiele.de/english/english_156.html?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/38521-bayreuther-festspiele-logo.jpg3
Axel Köhlers Inszenierung nimmt den Zuschauer mit auf einen quietschbunten, nebenwirkungsfreien LSD-Trip, auf dem man in den Genuss eines spielfreudigen Ensembles und transparent musizierenden Orchesters kommt.
2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2015-10-26UTC18:26:19+00:002015-10-24Axel Köhlers Inszenierung nimmt den Zuschauer mit auf einen quietschbunten, nebenwirkungsfreien LSD-Trip, auf dem man in den Genuss eines spielfreudigen Ensembles und transparent musizierenden Orchesters kommt.Rosina im Wunderland oder Der Barbier von Sevilla an der Oper Grazde_DEtruehttps://bachtrack.com/kritik-barbier-von-sevilla-koehler-brull-akzeybek-zelinka-kellner-engelen-oper-graz-oktober-2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngIsabella Steppanhttps://bachtrack.com/22/270/list-published/16631https://bachtrack.com/22/270/list-published/16631https://bachtrack.com/files/266-photo_isabella.jpgIsabella lebt in Graz und studiert Deutsch, Philosophie/Psychologie und Russisch auf Lehramt. Ihre Freizeit verbringt sie am liebsten in der Oper, in klassischen Konzerten oder im Theater. Ihr Herz schlägt besonders für die Oper des 19. und frühen 20. Jahrhunderts und die Operette. Als @operafangirl ist sie auf Twitter aktiv.https://bachtrack.com/files/29953-oper_graz_barbier_von_sevilla_anna_brull__rosina___wilfried_zelinka__bartolo___tansel_akzeybek__conte_almaviva___sofa_ma.jpg500333Anna Brull (Rosina), Wilfried Zelinka (Bartolo), Tansel Akzeybek (Almaviva) & Sofía Mara (Berta)Werner Kmetitsch | Oper Graz2015-Oct-22, Oper Graz: Der Barbier von Sevillahttps://bachtrack.com/opera-listing/oper-graz/der-barbier-von-sevilla/22-october-2015/19-302015-10-222016-06-03Oper GrazGrazStyriaAustria8010Kaiser-Josef-Platz 1047.068992315.445962http://www.oper-graz.com/production-details/der-barbier-von-sevilla?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/65545-oper-graz-logo.jpg4
