En direct, Vidéo: Rechercher des critiques de musique classique, opéra et ballet | Concerto pour orchestre

Dans un programme original et somptueux, le jeune chef tchèque fait un retour remarqué auprès de l'Orchestre Philharmonique de Radio France.

Le violoniste Gil Shaham est l'un des musiciens les plus heureux sur scène, et l'un des violonistes les plus doués du moment. Son interprétation du Concerto de Tchaïkovski avec l'Orchestre de Paris placé sous la direction de Manfred Honeck fera date.

Le BBC Symphony Orchestra donnait un programme Beethoven/Lutoslawski au Barbican Hall. Le chef Michal Nesterowic et le pianiste Steven Osborne ont remplacé les têtes d'affiche initialement annoncées. Un changement de distribution qui n’a pas empêché la soirée d'être réussie.

Strong performances of Bacewicz and Lutosławski in Tadaaki Otaka's final outing with the BBC National Orchestra of Wales at the Proms, with technically commanding and sincere Rachmaninov from Vadym Kholodenko.

At the Elbphilharmonie, a programme of Ligeti, Adams and Lutosławski showcases the power of modern orchestral music to engage both intellectually and emotionally. 

Der isländische Pianist wirkt in Zürich als Solist in Beethovens Fünftem Klavierkonzert. Die Konstellation ist diesmal anders als bei seinem Soloauftritt vor einem knappen Jahr. 

Pablo Ferrández desplegó su poderoso sonido, junto a la Sinfónica de Galicia, en el Concierto para chelo de Elgar en una versión intensa y profunda.

Despite the hype surrounding the star pianist Daniil Trifonov, it was the TSO under Gustavo Gimeno who stole the show.

Una magnífica interpretación del Concierto para orquesta de Lutosławski cierra una velada que comenzó con algunas carencias.

Alexander Liebreich y la Orquestra de València concluyen la temporada con un concierto brillante. 

Virtuosity infused with a tension which became almost unbearable

Frisch gebackener Ritter Măcelaru legt mit Di Castri, Lutosławski und Orff zündende Lunten eines in sich stimmigen Geburtstagsfeuerwerks.

Two luminaries of the new generation of Czech talent bring a fresh spirit to a vibrant commemorative concert.

Emanuel Ax plays Beethoven's Second Piano Concerto and works by Di Castri and Lutosławski round out the program.

There was vibrancy and subtlety in these cultured performances of Schubert and Lutosławski, with Martha Argerich still showing how it’s done with ‘that’ Tchaikovsky concerto.

Paavo Järvi and the Berlin Philharmonic in excellent renditions of seminal works of the 19th and 20th centuries.

The Polish National Radio Symphony Orchestra, Alexander Liebreich and soloist Szymon Nehring serve up works by four Polish composers in celebration of the centenary of Poland regaining its national independence.

With a pianist of the calibre of Jan Lisiecki, Krzysztof Urbański has created an award winning collaboration which puts the two Poles way apart from many other soloist-conductor combinations. 

Karabits leads an adventurous programme at the BSO’s Poole home, with flamboyant violinist Nemanja Radulović on surprisingly refined form in the Barber Concerto.

Asier Polo dio una clase magistral de sensibilidad, exhibiendo un rango dinámico y tímbrico excepcional y dando vida a las disonantes armonías de la pieza con una lucidez y musicalidad de la que pocos violonchelistas de la actualidad pueden presumir.

Krzysztof Urbański und die Münchner Philharmoniker entführen ihr Publikum mit selten gehörter polnischer Kost nach Osteuropa.

Under the baton of Richard Farnes, the Orchestra of Opera North performed Lutosławski and Mahler in Leeds Town Hall.

In an exciting programme of Prokofiev, Penderecki and Lutoslawski, two musicians debuted with the Rotterdam Philharmonic. Both impressed greatly.

Edward Gardner directs the National Youth Orchestra’s annual prom performance in an exhilarating Russian and Polish programme.

If every workplace could undergo a team-building exercise like Lutosławski’s Concerto for Orchestra, the world would be a happier place. The Royal Scottish National Orchestra’s performance under Yan Pascal Tortelier was unbelievably energetic.

If the Bavarian Radio Symphony Orchestra is the Porsche of orchestras, then Mariss Jansons is something like the Michael Schumacher of conductors, guiding this most-celebrated of German radio orchestras through some of the most precipitous and heart-stopping shifts in speed I have witnessed.

Surprisingly, this was the Warsaw Philharmonic’s first visit to the Proms, invited as part of this year’s focus on Polish music. About time too, one might say, and particularly so with it being both Lutosławski’s centenary year (and almost Panufnik’s too, shy by a year), and this the farewell concert of outgoing Artistic Director of twelve years, Antoni Wit.

“Three concertos and an epitaph” is how the Wales Millennium Centre summed up tonight’s concert. Not only did the selected programme focus almost exclusively on three composers’ essays in the concerto genre, but it also spanned a narrow period of time within the mid 20th-century: 22 years in total, or 38 if one includes Andrzej Panufnik’s Katyn Epitaph.

Continuing Woven Words, the Lutosławski festival, the Philharmonia Orchestra and Esa-Pekka Salonen presented us with another evening of impressive music and impressive programming. Like featuring Ravael’s Daphnis et Chloé in the Lutosławski concert on 30 January, opening this evening with Debussy’s La mer proved an excellent decision.La mer is a piece that heavily relies on interpretation.

The Cleveland Orchestra's two Slavic programmes form part of a larger Polish thread woven into this year's EIF. Witold Lutosławski's 1954 Concerto for Orchestra struck me as an ideal opening to the first concert. Its reliance on folk tunes, collected from the Masovia region (north of Warsaw) by ethnographer Oskar Kolberg, assures an unmistakably Polish flavour.