En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Egmont, Op.84: obertura

El conjunto alemán recreó una lectura llena de matices, brillos y bailes motívicos relucientes que posibilitaron una interpretación magistral entre líneas románticas.

La Philarmonia Orchestra ofrece un concierto con Masaaki Suzuki en la dirección, en el que destacó la Obertura de Egmont de Beethoven.

La Sociedad Filarmónica de Lugo celebra 75 años con la Real Filharmonia de Galicia y el contratenor Christian Gil-Borelli.

Pablo Ferrández hizo gala su excepcionalidad con las Variaciones rococó y Urbański demostró la importancia de los detalles en la Mozartiana.

Expresivo concierto de Saint-Saëns interpretado por Sol Gabetta y una enérgica Séptima sinfonía de Dvořák dirigida por Jakub Hrůša.

Dos siglos de música unidos por el genio de Beethoven en el Palacio Euskalduna de mano de la BOS y el Cuarteto Quiroga.

Con el empaste orgánico y la complicidad construida concierto a concierto desde 2011, el tándem BBC-Mena vibró, bailó y estremeció. El torrente sonoro cuidó hasta el menor recoveco de pentagrama, cuajando el mejor de los augurios para lo que resta de festival.

Concierto irregular con una sexta sinfonía de Beethoven muy pesonal y un Mozart pianísticamente plano.

El sonido monumental y la contundencia en el carácter que el maestro Gustavo Dudamel imprime en las orquestas que dirige es una firma; una revolución en un mundo orquestal en general con tendencia a lo tradicional.

Leila Josefowicz’s clear and incisive tones sears through thickets of dissonance in Alban Berg's Violin Concerto, “To the Memory of an Angel”. 

Dans un programme intégralement consacré à Beethoven, le pianiste Nicolas Bringuier et son frère chef Lionel ont proposé une interprétation fidèle au style classique.

Le violoniste et chef d'orchestre a déçu dans un programme qui a cruellement manqué de narratif, de dialogue avec l’orchestre dans le concerto et de phrasé dans la symphonie.

Karina Canellakis conducts a Franco-Prussian program featuring Beethoven and Brahms in the first half, Chausson and Ravel in the second. 

Die Pianistin beruft sich bei ihrer Rachmaninow-Interpretation auf den Komponisten selbst. Und Chefdirigent Markus Poschner demonstriert mit dem OSI seine eigene Sicht auf die Brahms-Symphonien.

A thrilling, expansive Bruckner 3 is preceded by Beethoven's Egmont overture and Elizabeth Atherton singing Kaija Saariaho's exquisite Leino Songs.

The inaugural mcr:classical weekend comes to a rowdy finish with Stravinsky's Rite of Spring at The Bridgewater Hall.

At the Minnesota Orchestra, Sir Andrew Davis contrasts works of Beethoven with Berg’s Violin Concerto and a piece the draws on traditional Chinese folk dance. 

An all-day Beethoven experience European style with both highs and lows: much diversity revealed and exploited but of variable quality.

While Herreweghe’s approach wasn’t always a successful one, when it was the results were marvelous – particularly in the Jupiter Symphony and Isabelle Faust’s take on the Beethoven Violin Concerto.

Au cours d'une soirée intégralement consacrée au répertoire symphonique de Beethoven, Riccardo Chailly et la Filarmonica della Scala brillent dans la Symphonie n° 5 après une Symphonie n° 8 dénuée de fantaisie.

"Beethoven 250" starts in grand form with thrilling performances of Egmont and Symphonies 5 and 8 in Antwerp.

Lang Lang joins Jaap van Zweden and the HK Phil for an all-Beethoven concert in Hong Hong, kicking off the composer’s 250th festivities in style.

There was vibrancy and subtlety in these cultured performances of Schubert and Lutosławski, with Martha Argerich still showing how it’s done with ‘that’ Tchaikovsky concerto.

Philip Cobb’s bluesy inflections turned the dear old Barbican Hall into the coolest nightspot in the capital; they might as well have lowered the lights and served cocktails.

When it was announced from the stage that Gustavo Dudamel would not be conducting due to a "family emergency," the orchestra played for Conducting Fellow Stephen Mulligan as if he were a maestro.

Paavo Järvi brought pathos and nuance to Sibelius' Violin Concerto and Tchaikovsky's Sixth Symphony. 

The 31-year-old Assistant Conductor approached a program of Beethoven, Weber and Schumann with confidence and a forceful hand.

Tinney delivers an intelligent, sensitive account of Beethoven's Piano concerto no. 5 while German conductor Alber stresses speed over subltety in Beethoven's Seventh Symphony.

Programme de raretés à la Philharmonie : Michael Sanderling dirigeait pour la première fois l'Orchestre de Paris, dans les Jedermann de Franck Martin et la Dante-Symphonie de Franz Liszt.

In a terrific performance under Manfred Honeck, the German violinist brings down the house with Beethoven's Violin Concerto. 

Breezy Ravel from Steven Osborne and a clear warning about the dangers of drug-taking from the BBCSSO at Sage Gateshead.

Autour de la figure beethovénienne, l'ONCT recevait le chef danois Thomas Søndergård, habitué des grands orchestres européens et nord-américains et promoteur du répertoire scandinave, ainsi que le jeune virtuose tchèque Josef Špaček.

Igor Levit gave a splendid account of Beethoven's Piano Concerto no. 4 in G major, and a performance of Brahms' Second Symphony was played with enthusiasm by the visiting NDR Radiophilharmonie.

In the recently refurbished Suntory Hall, looking remarkably fresh with a newly refitted wooden stage, the Boston Symphony sounded elegant and sumptuous.

Tchaikovsky came off better than Brahms in a concert conducted by Karl-Heinz Steffens. 

Bei Mozart zeigten sich die Qualitäten des Ensembles: eine ausgezeichnete Darbietung, virtuos, oftmals dramatisch und spannungsreich, zumal im Hauptthema des Eingangssatzes.

The bonds between Kazushi Ono and the OBC musicians are slowly improving.

Die Rotterdamer Philharmoniker unter Yannick Nézet-Séguin eröffneten ihre Konzertsaison mit Janine Jansen und einem beeindruckenden Abend mit Britten und Beethoven.

Joshua Bell and the stupendous Academy of St Martin in the Fields entertained us through powerful music, not through any showmanship or bravado - a welcome change in this Trump-age.

The CBSO's inaugural “Spirit Of England” concert featured familiar works by Beethoven, paired with rarities by Butterworth and Walton.  

The RCO marked the investiture of Daniele Gatti as its seventh chief conductor with a sampler programme featuring Mahler, opera, and an expansive, glittering version of Respighi’s Fountains of Rome.

At 89, Blomstedt may now be in the autumn of his years, but his conducting is certainly the equivalent of Ol' Blue Eyes' “vintage wine from fine old kegs”, as evidenced in tonight's splendid all-Beethoven Prom with the Gewandhaus.

Kazuki Yamada combines Japanese deference with full control of his players to lead he CBSO to fine performances of Beethoven and Sibelius, with a relatively laid back performance of the Elgar Cello concerto.

Before the NY Philharmonic even arrived in San Francisco, skeptics were complaining about the 'hackneyed" repertoire they were bringing on tour. But there was nothing commonplace about their interpretations, power, technical skills or performances. 

A disappointing take on three Beethoven masterpieces from Freddy Kempf and the New Zealand Symphony Orchestra. 

Houston Symphony's Andrés Orozco-Estrada brings remarkable intention to Mozart's sacred masterpiece. 

Lars Vogt came blazing into his new job as Music Director of Royal Northern Sinfonia, creating an instant impression with his luxuriously expressive Beethoven and Brahms.

An impressive performance of Oedipus Rex under Sakari Oramo, demonstrating that his rapport with his new orchestra has grown rapidly. 

Sunshine bursts forth as Pablo Heras-Casado conducts the Philharmonia Orchestra, featuring pianist Nikolai Lugansky, in a Sunday matinée concert of Beethoven and Mendelssohn at the Southbank Centre.