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Zubin Mehta celebrates his 90th birthday with a concert at the Staatsoper Berlin. 

The Baroque confectionery of Herbert Fritsch's production of Handel's oratorio belies a serious core which is all too close to today's headlines.

Último helecho, by Nina Laisné, François Chaignaud and Nadia Larcher, is a profound reflection involving the identity of a population and the repercussions of the various influences that have been layered over time.

Cavalli’s Messa concertata and Venetian polychoral masterpieces shine in Berlin’s Philharmonie, with a heartfelt, immersive New Year’s experience of ritual grandeur and warmth.

The – much belated – world premiere of Blitzstein's 1929 one-act opera is paired with Bernstein's Second Symphony, performed by the Norrköping Symphony Orchestra. 

In Batsheva’s German premiere of Momo, there is no narrative to be found, but rather a series of atmospheric sequences, creating a texture of inputs as ambiguous as reality itself.